Millard Fillmore’s birthday will be celebrated on January 7. He was born January 7, 1800, and was our 13th president.
Millard Fillmore’s birthday, January 7 – How will you celebrate in 2010?
December 30, 2009In honor of Millard Fillmore’s birthday on January 7, I’ll post a collection of images of Fillmore and his administration that I’ve come across over the past year. Though photography was invented in 1837, and though Fillmore was thought to be a handsome man, not many images of our 13th president survive on the internet. For that matter, there is not a lot of good biographical information, either.
Many of these images come from the Library of Congress’s collections.
The Library of Congress has one copy of a print of this image. A note with the image says “Duval,” but little is known about it otherwise, at least to the Library of Congress. No date is given. Judging from the color of his hair, I think this may be an image done for his unsuccessful 1856 campaign.
Only a tiny handful of images of Fillmore show up regularly — this is not one of them. I wonder whether my posting it here will have any effect in spreading its popularity.
Fillmore will perhaps always remain enigmatic, out of step with his own times in many ways, and forced to the edges of history by other events and people more in the mainstream. Fillmore was born January 7, 1800, 24 days after the death of George Washington (d. December 14, 1799), and lived through the administration of Abraham Lincoln, and the Civil War. Fillmore had some things in common with both of those great presidents, but no real dealings except for his opposition to Lincoln.
History uneasily deals with such men, who refuse to be put into pigeon holes.
Resources:
- Are you seriously looking for information on Fillmore? Here’s a collection of pretty good links that you might not find otherwise; use them in good health.
- Perhaps for the 110th anniversary of Fillmore’s birth, some Broadway Investor will finance Allan Provost’s musical about the life of Fillmore. If Provost is still in Miami, maybe you could see a small production there through the year.
- Gee, but I’d still love to get a Millard Fillmore soap-on-a-rope, if you happen to have one in your soap-on-a-rope collection that you can spare. Kia, are you listening?
- Bathtub races? Nah, they hold those in July, when one’s butt won’t freeze to the bathtub. It’s probably a Cornell University event — you know those college students. Not sponsored by the Department of History.
Typewriter of the moment: Alan Lomax, folk music historian, 1942
October 18, 2009

Alan Lomax at the typewriter, 1942, using the "hunt and peck method" of typing - Library of Congress photo
Who was Alan Lomax? Have you really never heard of him before?
Lomax collected folk music, on wire recorders, on tape recorders, in written form, and any other way he could, on farms, at festivals, in jails, at concerts, in churches, on street corners — anywhere people make music. He did it his entire life. He collected music in the United States, across the Caribbean, in Britain, Scotland, Ireland, Spain and Italy.

Alan Lomax, Woody Guthrie, Lillie Mae Ledford and an obscured Sonny Terry, New York, 1944 (Library of Congress Collection - photographer unknown)
Almost all of that collection is in the Library of Congress’s unsurpassed American Folklife collection, from which dozens of recordings have been issued.
Born in 1915, Alan Lomax began collecting folk music for the Library of Congress with his father [John Lomax] at the age of 18. He continued his whole life in the pursuit of recording traditional cultures, believing that all cultures should be recorded and presented to the public. His life’s work, represented by seventy years’ worth of documentation, will now be housed under one roof at the Library, a place for which the Lomax family has always had strong connections and great affection.
Were that all, it would be an outstanding record of accomplishment. Lomax was much more central to the folk revivals in the both England and the U.S. in the 1950s and 19602, though, and in truth it seemed he had a hand in everything dealing with folk music in the English-speaking world and then some. Carl Sagan used Lomax as a consultant to help choose the music to be placed on the disc sent into space with the exploring satellite Voyager, “the Voyager Golden Record.”
Have you listened to and loved Aaron Copland’s “Rodeo,” and the famous passage, “Hoedown?” How about Miles Davis, with the Gil Evans-produced “Sketches of Spain?” [Thank you, Avis Ortner.] Then you know the work of Alan Lomax, as Wikipedia explains:
- The famous “Hoedown” in Aaron Copland‘s 1942 ballet Rodeo was taken note for note from Ruth Crawford Seeger‘s piano transcription of the square-dance tune, “Bonypart” (“Bonaparte’s Retreat”), taken from a recording of W. M. Stepp’s fiddle version, originally recorded in Appalachia for the Library of Congress by Alan and Elizabeth Lomax in 1937. Seeger’s transcription was published in Our Singing Country (1941) by John A. and Alan Lomax and Ruth Crawford Seeger.
- Miles Davis‘s 1959 Sketches of Spain album adapts the melodies “Alborada de vigo” and “Saeta” from Alan Lomax’s Columbia World Library album Spain.
Other resources:
- Discography, from the Association for Cultural Equity
- Filmography, from the Association for Cultural Equity
- Alan Lomax Collection, Library of Congress
- Lomax Collection photos (hundreds of photos of musicians Lomax recorded and knew)
- “Lomax the Song Hunter,” P.O.V. on PBS, 2006 – teachers guide and lesson plans included
“To Hear Your Banjo Play” featuring Pete Seeger, written and produced by Alan Lomax.
Trailer for the PBS P.O.V. film, “The Song Hunter,” by Rogier Kappers
Vodpod videos no longer available.
Sing out!
World history sources and images from the Library of Congress
July 19, 2009World Treasures of the Library of Congress looks like a good source of images and information for world history classes and student projects.
These links are to exhibits that are closed, but whose images are still maintained on line. The Library promises to update exhibits, and on line collections will grow, too.
There really is some remarkable stuff, most of it obscure enough to be really cool, still.
“A house divided.” Lincoln, right?
May 12, 2008You’re a good student of history. You know that when someone says, “a house divided,” they’re talking about Lincoln’s famous, troubling speech from June 1858. Right?
Look below the fold.
Gettysburg Address, November 19, 1863
November 19, 2007
144 years ago today, Abraham Lincoln redefined the Declaration of Independence and the goals of the American Civil War, in a less-than-two-minute speech dedicating part of the battlefield at Gettysburg, Pennsylvania, as a cemetery and final resting place for soldiers who died in the fierce battle fought there the previous July 1 through 3.
Interesting news for 2007: More photos from the Library of Congress collection may contain images of Lincoln. The photo above, detail from a much larger photo, had been thought for years to be the only image of Lincoln from that day. The lore is that photographers, taking a break from former Massachusetts Sen. Edward Everett’ s more than two-hour oration, had expected Lincoln to go on for at least an hour. His short speech caught them totally off-guard, focusing their cameras or taking a break. Lincoln finished before any photographer got a lens open to capture images.
Images of people in these photos are very small, and difficult to identify. Lincoln was not identified at all until 1952:
The plate lay unidentified in the Archives for some fifty-five years until in 1952, Josephine Cobb, Chief of the Still Pictures Branch, recognized Lincoln in the center of the detail, head bared and probably seated. To the immediate left (Lincoln’s right) is Lincoln’s bodyguard, Ward Hill Lamon, and to the far right (beyond the limits of the detail) is Governor Andrew G. Curtin of Pennsylvania. Cobb estimated that the photograph was taken about noontime, just after Lincoln arrived at the site and before Edward Everett’s arrival, and some three hours before Lincoln gave his now famous address.
On-line, the Abraham Lincoln Blog covered the discovery that two more photographic plates from the 1863 speech at Gettysburg may contain images of Lincoln in his trademark stove-pipe hat. Wander over to the story at the USA Today site, and you can see just how tiny are these detail images in relation to the photographs themselves. These images are tiny parts of photos of the crowd at Gettysburg. (The story ran in USA Today last Thursday or Friday — you may be able to find a copy of that paper buried in the returns pile at your local Kwikee Mart.) Digital technologies, and these suspected finds of Lincoln, should prompt a review of every image from Gettysburg that day.
To the complaints of students, I have required my junior U.S. history students to memorize the Gettysburg Address. In Irving I found a couple of students who had memorized it for a an elementary teacher years earlier, and who still could recite it. Others protested, until they learned the speech. This little act of memorization appears to me to instill confidence in the students that they can master history, once they get it done.
To that end, I discovered a good, ten-minute piece on the address in Ken Burns’ “Civil War” (in Episode 5). On DVD, it’s a good piece for classroom use, short enough for a bell ringer or warm-up, detailed enough for a deeper study, and well done, including the full text of the address itself performed by Sam Waterson.
Edward Everett, the former Massachusetts senator and secretary of state, was regarded as the greatest orator of the time. A man of infinite grace, and a historian with some sense of events and what the nation was going through, Everett wrote to Lincoln the next day after their speeches:
“I should be glad, if I could flatter myself that I came as near the central idea of the occasion in two hours, as you did in two minutes.”
Interesting note: P. Z. Myers at Pharyngula notes that the Gettysburg Address was delivered “seven score and four years ago.” Of course, that will never happen again. I’ll wager he was the first to notice that odd juxtaposition on the opening line.
Resources for students and teachers:
- Today in History, November 19, from the Library of Congress’s American Memory Collections
- Ken Burns’ “Civil War” on PBS
- AmericanRhetoric.com, four audio versions of the Gettysburg Address, including Sam Waterston, and Johnny Cash
- Abraham Lincoln On-line, with extensive list of sites relating to the Gettysburg Address
- Gettysburg College, Civil War Institute and Civil War Programs (annual program commemorating the Gettysburg Address)
- Walk with Lincoln in Gettysburg, an interestingly complete stroll through the history of the battle and the creation of the cemetery, and Lincoln’s address
- Full text of Edward Everett’s two-hour oration at Gettysburg, November 19, 1863

Posted by Ed Darrell 



















