Pete Seeger: STILL standing taller than his critics

September 6, 2011

(This is almost completely an encore post — one that should get more circulation.  From four years ago, in 2007.  I have not updated years or ages — sharpen your math skills, and do it as you go.)

Some people can’t let go of the past, and like the greedy chimpanzee who grasps the rice in the jar, and then is trapped when he cannot pull out his fist nor will he give up his prize to save his freedom, they trap themselves out of a good life.

  • Cover to Pete Seeger album

    Cover of 1996 album of songs, "Pete." Seeger, born May 3, 1919, is 88 years old now.

Like this fellow, whose father’s dislike of an old political position of Pete Seeger kept them both from a good concert. He appears to agree with his father, though, thinking that somehow Seeger is responsible for the evils of Stalinism, and complaining that Seeger was tardy in making note of the fact that Stalin was evil. And Instapundit’s Glenn Reynolds agrees, profanely, and inaccurately, as I’ll explain below the fold. But heed this warning: I’m explaining at length.

Get a life, people! Pete Seeger did.

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Honor American labor: Fly your flag today, Labor Day 2011

September 5, 2011

Probably more important in 2011 than before:  Fly your flag for American labor today.

Free Labor Will Win, poster from 1942, (Library of Congress)

Poster from the Office of War Information, 1942

It’s Labor Day 2011 in the United States, a federal holiday, and one of those days Americans are urged to fly the U.S. flag.

The poster was issued by the Office of War Information in 1942, in full color. A black-and-white version at the Library of Congress provides a few details for the time:

Labor Day poster. Labor Day poster distributed to war plants and labor organizations. The original is twenty-eight and one-half inches by forty inches and is printed in full color. It was designed by the Office of War Information (OWI) from a photograph especially arranged by Anton Bruehl, well-known photographer. Copies may be obtained by writing the Distribution Section, Office of War Information [alas, you can’t get a copy from the Office of War Information in 2011]

Even down here in deepest, darkest-right-to-work Texas, patriots fly their flags to honor Labor today. It’s heartening.


Biography of Millard Fillmore — not up to the bathtub test?

September 4, 2011

A new biography of Millard Fillmore popped out last spring, and the publisher didn’t send me a copy to review!

Not that my review could boost sales much — nor harm them — but don’t publishers use Google to figure out how they might get some publicity for their books?  Most internet searches for “Millard Fillmore” end up here.

No, I’m not really offended.  But I did find it interesting that none of my “Millard Fillmore” keyword  compilers picked up on the book.

Details:  Millard Fillmore, Paul Finkelman, Times Books, $23.

Cover of Millard Fillmore, by Paul Finkelman

Cover of Millard Fillmore, by Paul Finkelman

In a review for the Wall Street Journal, Fergus M. Bordewich wrote:

In this short, fierce book—part of the “American Presidents” series—Mr. Finkelman has delivered an unvarnished but compelling portrait of one of our least remembered but far from insignificant presidents. Against his grain, he gives Fillmore credit for promoting a number of “visionary” ideas that would come to fruition only after he left the presidency in 1853: the transcontinental railroad, the assertion of American power in Hawaii, the building of a Central American canal. “But on the central issues of the age,” Mr. Finkelman writes at the end of “Millard Fillmore,” “his vision was myopic and his legacy is worse.”

Has anyone read the book?  Is it any good?

More: 


Kilroy — a sign of sanity — and WikiWorld

September 4, 2011

Greg Williams produces more cartoons than newspapers can print (or do print) — he’s got a blog called WikiWorld as an outlet for some of them.  At WikiWorld, he does a one-panel cartoon to accompany some article he found at Wikipedia.  It’s much cooler than it sounds.

Do our history students appreciate the significance of Kilroy?  Williams offers a quick cartoon to explain.

Greg Williams cartoon on the Wikipedia entry for Kilroy

Would this make a good poster for a classroom? Greg Williams cartoon, Wikipedia information

In my studies of rhetoric at the University of Arizona, one class turned to a long discussion on Kilroy.  Without the internet, we had to make do with memory, logic, argument, and a quick trip to the library to see what we could find quickly.

My thesis, which I still hold, is that the presence of Kilroy marks the existence of sanity in otherwise crazy world, and that the rise of Kilroy, or Kilroyism, in war, demonstrates the spirit necessary to win.  Kilroy didn’t win the war singlehandedly, of course — but it was that spirit of Kilroy that turned the tide to victory for the Americans and allies so many times, in so many places.

Why isn’t Kilroy in the Texas Essential Knowledge and Skills (TEKS) list?

More, resources:

Kilroy, at the World War II Memorial, Washington, D.C.

Kilroy, in granite, at the World War II Memorial, Washington, D.C. - Wikimedia image, photo by Luis Rubio


U.S. exporting energy? Then conservation is a boost to economy, too

September 4, 2011

 

Do Americans have great business sense?

Then it is unlikely that we’ll pass up the opportunity to export energy for profit — and consequently, we’ll boost our wind generating capacities, geothermal power generation, and step in to retake the lead in solar cell development and production, won’t we?

Here is a story I’ll bet you missed last spring — I missed it, too; from the Daily Ticker:

Just as the average price for gas is set to hit $4 a gallon this week, the U.S. Energy Information Administration reports February was the third month out of four that the U.S. — the world’s most energy-hungry nation — actually exported more oil that it imported.

Despite the notion that the U.S. is currently hugely reliant on foreign oil, the country sold 34,000 more barrels of petroleum products a day than it imported in November 2010. And, in both December and February, the U.S. sold 54,000 more barrels a day. Net imports have not been negative for nearly two decades.

Part of this has to do with weak U.S. demand in recent years due to the recession. The other part rests on the growing demand in our own backyard for not only crude oil, but refined oil as well.

Mexico, Latin America and even OPEC member Ecuador are some of the U.S.’s top customers for fuel products, namely refined oil. Rising demand in these countries far outpaces their capacity to refine crude oil into petroleum products like gasoline or diesel fuel.

But, as Dan points out in the accompanying clip, this is not the only news item that hints at this country’s ability to export energy to the rest of the world.

Yesterday, Arch Coal announced a $3.4 billion all-cash deal to buy its competitor International Coal Group. The transaction would make the newly formed company the second-largest U.S. supplier of metallurgical coal, which is the coal used to make steel.

And because of growing demand in places like India and China, where coal is used for electricity, the U.S. has started to export more at higher prices than in previous years.

Then there’s natural gas. U.S. reserves of natural gas have also grown considerably in the last decade to record levels. A new report by the Potential Gas Committee suggests that in the last two years, potential U.S. natural gas supplies have increased by 3 percent. Two years ago, however, the group reported that supplies jumped 36 percent.

The U.S. does not currently export liquefied natural gas, but that time may soon be on the horizon.

Watch a video discussion of the news:
Vodpod videos no longer available.
What Energy Problem? U.S. Oil Exports Are on th…, posted with vodpod

Of course the U.S. is not about to join OPEC.  But this news, quietly sneaking up on us as it did, should change the nature of the discussions about our energy future, and the direction, too.

In the first place, energy substitution — wind and geothermal for coal and oil, for example — becomes an issue of generating revenue, rather than just saving imports.  If we can get power from the wind for free and sell coal to others for profit as a result, we get wins for U.S. citizenry and big wins for U.S. industry.

I haven’t seen much discussion of the topic.  Stephen Leahy wrote an opinion piece for Common Dreams suggesting that oil companies have a political stake in keeping this news quiet, in order to get greater advantage for themselves, especially in electoral politics.

The only reason U.S. citizens may be forced to endure a risky, Canadian-owned oil pipeline called Keystone XL is so oil companies with billion-dollar profits can get the dirty oil from Canada’s tar sands down to the Gulf of Mexico to export to Europe, Latin America or Asia, according to a new report by Oil Change International released Wednesday.

“Keystone XL will not lessen U.S. dependence on foreign oil, but rather transport Canadian oil to American refineries for export to overseas markets,” concludes the report, titled “Exporting Energy Security”.

Little of the 700,000 to 800,000 barrels of tar sands oil pumped through the 2,400-kilometre, seven-billion-dollar Keystone XL will end up in U.S. gas tanks because the refineries on the Gulf Coast are all about expanding export markets. One huge refinery operator called Valero has been touting the potential export revenues of tar sands oil to investors, the report found.

In 1941, the U.S. was the largest oil-producing and oil-exporting nation in the world.  When we cut off oil to Japan, Japan determined to attack the U.S. to try to get energy superiority in the Pacific, and our nation was pulled into World War II.

Is it possible we can avoid future energy wars, and change the game with our energy exporting capabilities over the next decade?  What do you think?  Does this change any game, and how does it change things?

Watch those exports.

 


ACLU and “Uncensored” exhibit

September 4, 2011

Special invitation just for you:

You’re invited: “Uncensored” Celebration at the Harry Ransom Center in Austin

On Friday, September 9, the Harry Ransom Center at the University of Texas announces “Uncensored,” the opening celebration for the fall exhibitions, “Banned, Burned, Seized, and Censored” and “The Greenwich Village Bookshop Door: A Portal to Bohemia, 1920-1925.”

Materials from the archive of ACLU attorney Morris Ernst, who defended James Joyce’s novel Ulysses against obscenity charges, are featured in the exhibition.

Order your tickets from the Harry Ransom Center’s website.

MORE ON THE EVENT (PDF)

From the flyer on the event:

Banned, Burned, Seized, and Censored

How did hundreds of thousands of books, pictures, plays, and magazines come to be banned, burned, seized, and censored in the span of less than 30 years? This exhibition, drawn from the Ransom Center’s holdings, reveals the rarely-seen “machinery” of American censorship from 1918 to 1941. Writers, reformers, agents, attorneys, and publishers battled publicly over obscenity and freedom of expression. Ulysses, All Quiet on the Western Front, Lady Chatterley’s Lover, and The Grapes of Wrath came under fire from would-be censors alongside classics like The Decameron and The Canterbury Tales.   This exhibition tells how the New York Society for the Suppression of Vice, the New England Watch and Ward Society, the Post Office Department, and the Customs Bureau irrevocably altered the American literary landscape.

The exhibit runs through January 22. The Harry Ransom Center is located at the corner of 21st and Guadalupe Streets on the campus of The University of Texas at Austin. For more information, including a map of parking options, visit http://www.hrc.utexas.edu/visit or 512-471-8944.


Typewriter (film) of the moment: Nicholson and Lockett

September 2, 2011

Not a nostalgic look, Gary Nicholson and Christopher Lockett are making a documentary about typewriters, and people who use them in the 21st century.

Yeah, I’m interested.

Here’s their description of the project:

In May of 2010, Los Angeles-based filmmakers Christopher Lockett and Gary Nicholson read an article on Wired.com about “The Last Generation Of Typewriter Repairmen.” Casual conversation over coffee about the importance of the typewriter in world history eventually turned toward the inevitable conclusion that “this would make a good documentary.”

Lockett and Nicholson agreed that the passing of the typewriter, a portable printing press that moved the world’s communication technology from pen and ink to the QWERTY keyboards on today’s computers, along with the highly skilled technicians who service them, should be documented.

But as so often happens in documentaries, a funny thing happened on the way…  to paraphrase Mark Twain, news of the typewriter’s death is greatly exaggerated.  Three typewriter repairmen the filmmakers have interviewed all agree that their business is better than it has been in years.

Perhaps it is a reaction to the plugged in existence of today’s 24/7 communications world. Perhaps it is mere nostalgia and kitsch. Perhaps it is an admiration for the elegance of design and the value of time-tested workmanship. And for some, like typewriter collector Steve Soboroff, it is the appeal of owning machines on which American writers like Ernest Hemingway, Tennessee Williams, Ray Bradbury, John Updike and Jack London typed some of their finest work. (He also owns typewriters once owned by George Bernard Shaw and John Lennon)

But one thing is certain, from the Typosphere – an online community of bloggers who sometimes meet up for “Type-In” events, to vintage stores in fashionable neighborhoods in Brooklyn and Los Angeles, Portland and Philadelphia, to noted typewriter collector Tom Hanks, to teachers using typewriters to encourage young writers to focus their thoughts without benefit of a delete key – if the typewriter is on the way out, it’s going out with more appreciation that it’s seen in years.

So far, the filmmakers have documented two Type-in events, (Los Angeles and Phoenix, AZ) have interviewed three typewriter repairmen, one noted typewriter collector and already have arranged to interview at least one Hollywood screenwriter who still uses a typewriter. They have also interviewed journalists, authors, teachers, enthusiasts and people who use typewriters in their personal and professional life.

But there are other novelists, screenwriters and enthusiasts out there. And there are so many more typewriters they’d like to feature – typewriters that produced some of the finest works of 20th Century American literature.  They have also interviewed technicians with the L.A. County Sheriff’s Office who repair the typewriters the department still uses. They are handy for typing forms in triplicate and for such communications requiring a personal touch as letters of condolence.

Along with dozens of photographically gorgeous typewriters lovingly restored by repairmen Ruben Flores, Ermanno Manzorati and Bill Wahl, the filmmakers have interviewed Darryl Rehr, the author of the definitive book “Collecting Antique Typewriters” and an artist whose work features typewriters.

On the wish-list are an East Coast-based orchestra that uses typewriters in their music, the US Patent office holding Christopher Scholes original 1868 US Patent for the typewriter, a man in Philadelphia who has wired a manual typewriter to a computer screen via USB cable and a 15-year-old collector in West Virginia who has collected more than 200 machines and has written and published a book about collecting typewriters. A writer who got kicked out of the Writers Room in Grenwich Village for using his grandmother’s 1929 Royal typewriter and making too much noise. He was given an ultimatum: Use a laptop or get out. Also on that wish-list: an artist who creates her work by typing out portraits on the page, an “instant poet” who types spontaneous poetry on the street, and an author who has documented the feminist history of the typewriter’s early days – it was the first piece of office machinery that gave women the opportunity for employment outside the home.

All of which is currently beyond the filmmakers’ financial grasp. Travel isn’t cheap. In terms of technical skills and gear, the filmmakers are covered. Lockett holds an MFA in Cinematography from the American Film Institute and his credits include TV shows for every major TV network and most cable networks, indie features and PBS documentaries. Nicholson holds a BFA in Motion Pictures and Television from the Academy of Art University  and his producing credits include indie features, Broadway, and music. The team is shooting on Canon 7D and 60D DLSRs and editing in 1920 x 1080 full HD on Final Cut Pro and recording sound digitally on a Zoom H4N.

The Typewriter (In The 21st Century) – if the typewriter didn’t exist, the filmmakers couldn’t have typed this. And you probably wouldn’t be reading it on a computer screen. It’s that important.

The film will feature people who demonstrate much greater fanatacism towards typewriters than I do.

My ears are tintinnabulating in anticipation.

 


Christie’s Auctions: Astonishing Pair of Matching Singing Bird Pistols

August 28, 2011

Aurel Bacs, International Head of the Watch Department, shares his passion and knowledge of the only known matching pair of gold and enamel singing bird pistols, to be offered at Christie’s Hong Kong Important Watches sale on 30 May 2011.

This is the only known pair of matching singing bird pistols, thought to have been created by Frères Rochat, a Swiss watch, toy and machine maker.  Several people have sent me links and alerts to this video over the past several weeks — it’s worth seeing, just to admire the craftsmanship, and inventiveness required to make these things.

Vodpod videos no longer available.

Christie’s Auctions: The Only Pair of Matching…, posted with vodpod

Bloomberg News reported the pistols fetched a price of $5.8 million at the sale on May 30.  The purchaser’s name was not reported, but a Bacs said it was an “epic bidding war” between two of the most ardent collectors of such treasures.

Will these pieces be seen in public again in our lifetimes?

Tip of the old scrub brush to Gil Brassard, and others.


How deep is the stupid in Tea Party and among their fellow travelers?

August 28, 2011

Barack Obama has managed to tack on a bit over a trillion dollars to the national debt, mostly in a successful effort to keep the U.S. and the world from plunging into a Greater Depression.  We haven’t shaken off the harmful effects of the Republican assault on capitalism during the previous years’ assaults on the Constitution, science, education and other American institutions.

But in the alternate universe of conservative thought, Obama’s put $15 trillion in new debts on the books.  Being off by a factor of 10 to 15 is an accomplishment worthy of someone wholly unconnected with reality.  That would be Victor Davis Hanson in this case.  Not sure why, but some search took me to a blog called The Clue Batting Cage — batting away clues to reality is a sport to them, I suppose.  There I found this post:

Here’s some excellent wording from Victor Davis Hanson.

Despite nearly $15 trillion in federal debt, the administration apparently wants to defy the rules of logic and do more of what made things worse in the first place, under the euphemism of “investments.” American popular culture has coined all sorts of proverbial warnings about such mindless devotion to destructive rote: “Don’t flog a dead horse,” “If you are in a hole, stop digging,” and “Insanity is doing the same thing over and over and expecting different results.”

No matter: The administration still adheres to the logical fallacy that the toxic medicine cannot be proven to be useless or harmful, because there was supposedly never enough of it given. And the proof is that the worsening patient is still not quite dead.
:
That there is never enough spending is a seductive fallacy because it never requires any empirical proof: If millions of those supported by the state have lost their self-reliance and self-initiative, perhaps it is because millions supported by the state were not supported well enough, and so in response, some resorted to stealing things they could not afford.

How many others could possibly be with these yahoos, looking through the telescope backwards?

Looking through a telescope the wrong way. Unknown source.

Looking through a telescope the wrong way. Unknown source.

Here’s what I posted in comments:

It’s difficult to reconcile the idea of someone who recommends Bob Park’s blog, and approves of Victor Hanson’s blather at the same time.

But then I look closer. You missed the boat completely. You didn’t even recommend the right Bob Park, but some imposter named Parks. You missed reality by one letter.

Reality is not an opinion, not that I expect you’ll ever change your opinion on that.

Lay off of Morgan’s blog for a while, maybe read some science or something. You may not feel better in the morning, but soon, and for the rest of your life.

9:38 PM

Delete

The author complains that my comments are too acid, and that the National Science Foundation is a “government site.”

If you call a private foundation the government supports, independent from the government by design to keep its advice unbiased, does that make it a government site?

Or is it still a four-legged calf?

A wise person said that you can’t reason someone out of a position they didn’t get to by reason in the first place.  That’s the problem with the Tea Party in the first place.  It’s also the problem in the second place, and the third place, and on all issues.

To the Tea Party mindset, they are all five-legged dogs.

Tea Party's five-legged dog, by Esther Derby.com

Tea Party’s five-legged dog, by Esther Derby.com


Propaganda posters: J. C. Leyendecker’s Uncle Sam at bat

August 28, 2011

 

Get in the game with Uncle Sam, WWI poster by J. C. Leyendecker, Museum of Play image

“Get in the Game with Uncle Sam” poster from World War I, by J. C. Leyendecker — image from National Museum of Play

No matter how much the Texas State Board of Education wishes to run away from America’s heritage, we can’t.

Nor should we want to.

Propaganda is not a bad word.  There is bad propaganda, stuff that doesn’t work.  There is propaganda for bad purposes, stuff that promotes bad policies, or evil.  But good propaganda is stronger, long-lasting, often full of great artistic merit, and instructive.

Images of Uncle Sam provide clear pictures of what Americans were thinking, from the oldest versions to today.

This poster above is a World War I poster designed to convince Americans to get involved in the war effort.  J. C. Leyendecker, a noted illustrator, casts Uncle Sam as a baseball player up to bat.  The poster says simply, “Get in the game with Uncle Sam.”  Perhaps uniquely, this poster showed Sam in yellow-striped pants, instead of the more traditional red-striped.  Could an artist take such liberty today?

Nicolas Ricketts at the Strong Museum of National Play offered a good, concise description of the politics and history of the poster at the blog for the Museum:

Meanwhile, then-president Woodrow Wilson, who had won reelection in 1916 on an anti-war platform, faced the need for American participation in the terrible “Great War” raging in Europe. He and his cabinet knew that American involvement loomed. But how could the government convince the American public that this was necessary? One idea was to create a poster that urged Americans to metaphorically “Get in the Game,” along with their patriotic national symbol, Uncle Sam.

Artist J. C. Leyendecker (1874-1951) designed the poster, commissioned by the Publicity Committee of the Citizens Preparedness Association, a pro-war organization with federal support which also sponsored “preparedness parades” and other nationalistic activities. Leyendecker himself emigrated from Germany at age eight and was approaching the pinnacle of his career in 1917 when he created this work.

The poster just preceded James Montgomery Flagg’s famous “I Want You” image of Uncle Sam, which later became the best-known likeness of the country’s unofficial symbol. Leyendecker’s version, in spite of his baseball bat, is possibly less affable to contemporary eyes than Flagg’s friendlier Sam. But the bat he holds connected him to many Americans, who perhaps then decided that America should “get in the game.”

Some of this older propaganda had a humorous twist I think is too often missing from modern posters.  It was more effective for that, I think.

The image of Sam at bat shows up in many places in the internet world, but most often stripped of its identifying links to Leyendecker.  That does disservice to the art, to history, and to Leyendecker, who was one of our nation’s better illustrators for a very long time.

Visit the National Museum of Play in Rochester, New York.

 


Boston University: Writing history, a guide

August 26, 2011

AP history classes worry about writing more than most history classes.  But we really should do more writing in history class, both as a tool to learn about history in the past, and as an exercise in actually writing history.

Searching for something else, I stumbled on a guide published by thBoston University’s Department of History.  It’s not dull at all, but lively, and therefore quite useful, even though it starts out in French:

Raison d’être

Good, clear writing is, for most historians and professional writers, more of a process than a God-given talent. It begins with a blank piece of paper (or computer screen) and ends with a clearly organized and persuasive argument
in the form of a research paper, a published article, or a book manuscript.

History as a discipline is in its essence the discovery and interpretation of signs of the past as well as conventions of how to cite such evidence. It thus combines research (the search for historical evidence) and the organization of data into a convincing argument. Historical writing is one variety of written expression which seeks to inform and persuade the reader through the use of evidence organized around a central thesis or argument.  Good historical writing is not merely description, though it may employ illustrations and appeals to the reader’s imagination.

AP history teachers may find it useful for their classes.  Students working on National History Day projects may find it useful.  You may find it fun to read.  Check it out:  Boston University Department of History Writing Guide (in .pdf).


2nd day of school in Dallas: Student asks, “Do you believe in me?”

August 23, 2011

It’s the second day of classes here in the Dallas Independent School District (Dallas ISD, or DISD).  Already we experience great trials from the loss of funding across the board in Texas education, as Gov. Rick Perry encouraged the state legislature to cut more than $4 billion from schools.  Cuts will be larger next fall.

At Molina High School we have about 25% more students, with 10% fewer teachers.  Classes strain the seams of the school — classrooms are crowded, desks and chairs are in short supply.  Computers promised for teachers, supposed to be delivered eight months ago, still are not delivered.  Printers, printing supplies, and paper, stand in conservation mode.  There are so few technical support people that those few new computers delivered often are not set up to operate yet.

Teachers need encouragement.  Here’s a bit of it.

What follows is mostly encore post, from 2008.

_____________

Taylor Mali is one of my usual suspects for inspiring teachers. He does a great job, with just a tinge of profanity (appropriately placed, many teachers argue – if they ask for it, you have to give it to them).

This year’s inspiration for Dallas teachers comes from Dalton Sherman, a fifth grader at Charles Rice Learning Center. Here’s a YouTube video of the presentation about 20,000 of us watched last Wednesday, a small point that redeemed the annual “convocation” exercise, for 2008:

Sherman’s presentation rescued what had been shaping up as another day of rah-rah imprecations to teachers who badly wanted, and in my case needed, to be spending time putting classrooms together.

(By the way, at the start of his presentation, you can see several people leap to their feet in the first row — Mom, Dad, and older brother. Nice built-in cheering section.)

Staff at DISD headquarters put the speech together for Dalton to memorize, and he worked over the summer to get it down. This background is wonderfully encouraging.

First, it makes a statement that DISD officials learn from mistakes. Last year the keynote was given by a speaker out of central casting’s “classic motivational speaker” reserves. As one teacher described it to me before the fete last Wednesday, “It was a real beating.”

Second, DISD’s planning ahead to pull this off suggests someone is looking a little bit down the road. This was a four or five month exercise for a less-than-10 minute presentation. It’s nice to know someone’s looking ahead at all.

Third, the cynical teachers gave Dalton Sherman a warm standing ovation. That it was delivered by a 10-year-old kids from DISD made a strong symbol. But the content was what hooked the teachers. Superintendent Michael Hinojosa provided a death-by-PowerPoint presentation leading up to the speech, one that was probably not designed solely as contrasting lead in. In other words, Dalton Sherman’s speech demonstrated as nothing else the district has done lately that someone downtown understands that the teachers count, the foot soldiers in our war on ignorance and jihad for progress.

The kids came back Monday, bless ’em. School’s in session, to anyone paying attention.

Resources:

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Sideshow of DDT and malaria

August 23, 2011

Not exactly a DDT/Malaria carnival.  Just enough for a sideshow.

First, the controversy over use of DDT in Uganda continues, even as DDT is applied daily there.  This demonstrates that DDT remains freely available for use in Africa.  It also demonstrates that Africans are not clamoring for more DDT.

Uganda offers a key proving ground for the propaganda campaign against environmentalists, against scientist, against medical care officials, and for DDT.  Though malaria plagues Uganda today and has done so for the past 200 years at least, it was not a target of the World Health Organization’s (WHO) campaign to eradicate malaria in the 1950s and 1960s, because the nation lacked the governmental structures to mount an effective campaign.  DDT was used to temporarily knock down mosquito populations, so that medical care could be improved quickly and malaria cured among humans.  Then, when the mosquitoes came roaring back as they always do with DDT, there would be no pool of the disease in humans from which the mosquitoes could get infected.  End of malaria problem.

Plus, for a too-long period of time, Uganda was ruled by the brutal dictator Idi Amin.  No serious anti-malaria campaigns could be conducted there, then.

Uganda today exports cotton and tobacco.  Cotton and tobacco interests claim they cannot allow any DDT use, because, they claim, European Union rules would then require that the tobacco and cotton imports be banned from Europe.  I can’t find any rules that require such a ban, and there are precious few incidents that suggest trace DDT residues would be a problem, but this idea contributes to the political turmoil in Uganda.  Businessmen there sued to stop the use of even the small amounts of DDT used for indoor residual spraying (IRS) in modern campaigns.  They lost.  DDT use continues in Uganda, with no evidence that more DDT would help a whit.

Malaria campaign posters from World War II, South Pacific - Mother Jones compilation

Much of the anti-malaria campaign aimed at soldiers, to convince them to use Atabrine, a preventive drug, or to use nets, or just to stay covered up at night, to prevent mosquito bites. Mother Jones compilation of posters and photos.

Second, the website for Mother Jones magazine includes a wonderful 12-slide presentation on DDT in history.  Malaria took out U.S. troops more effectively than the Japanese in some assaults in World War II.  DDT appeared to be a truly great miracle when it was used on some South Pacific islands.  Particularly interesting are the posters trying to get soldiers to help prevent the disease, some done by the World War II-ubiquitous Dr. Seuss.  Good history, there.  Warning:  Portrayals of Japanese are racist by post-War standards.

Third, a new book takes a look at the modern campaigns against malaria, those that use tactics other than DDT.  These campaigns have produced good results, leading some to hope for control of malaria, and leading Bill Gates, one of the biggest investors in anti-malaria campaigns, to kindle hopes of malaria eradication again.  Here is the New York Times  review of  Alex Perry’s Lifeblood: How to Change the World One Dead Mosquito at a Time (PublicAffairs, $25.99).   Perry is chief Africa correspondent for Time Magazine.

This little gem of a book heartens the reader by showing how eagerly an array of American billionaires, including Bill Gates and the New Jersey investor Ray Chambers (the book’s protagonist), are using concepts of efficient management to improve the rest of the world. “Lifeblood” nominally chronicles the global effort to eradicate malaria, but it is really about changes that Mr. Chambers, Mr. Gates and others are bringing to the chronically mismanaged system of foreign aid, especially in Africa.

These three snippets of reporting, snapshots of the worldwide war on malaria, all diverge dramatically from the usual false claims we see that, but for ‘environmentalist’s unholy and unjust war on DDT,’ millions or billions of African children could have been saved from death by malaria.

The real stories are more complex, less strident, and ultimately more hopeful.


Hey Obama: Defend the social safety net, win big in 2012

August 20, 2011

Historian Rick Perlstein told Chris Matthews on MSNBC’s Hardball that President Obama needs to go powerfully on the defensive, defending the social safety net Republicans are working hard to shred.

You’ll note Matthews opened up the discussion showing FDR’s defense of Social Security from 1936, the same one carried here at the bathtub a few weeks ago.

Good advice, I think.  I hope Obama and his advisors pay attention.

(You can watch it at Hardball’s site, here — better quality video.)

One of the triggers of this piece was Perlstein’s article in Time Magaizine’s Swampland, “How Democrats Win:  Defending the Social Safety Net.” 

Tip of the old scrub brush to Harold Pollack at the Reality-based Community.


Perry’s lack of business experience noted — by Republicans

August 17, 2011

If you followed at all the teapot tempest over the false claims that President Obama’s cabinet lacked business experience (also here and here), this headline must have made you guffaw:

Kay Bailey Hutchison won’t endorse Rick Perry for president, says she wants someone with private-sector experience

No love lost between Hutchison and Perry.  Hutchison opposed Perry for the Republican nomination for governor of Texas in 2010.  Perry was brutal in his criticism of her, and he defeated her in the primary.

Texas Gov. Rick Perry should not count on the support of his state’s seniority senator (and his 2010 Republican gubernatorial rival) if he decides to run for president.

(Polaroid photo by Sarah Tung/Hearst Newspapers)

Sen. Kay Bailey Hutchison, R-Dallas, told NBC’s Andrea Mitchell today that she is looking for a Republican candidate with private-sector experience as her choice for the party’s 2012 presidential nomination.

Perry is a career politician who has held elective office since 1985.

“He certainly has got government experience,” Hutchison told Mitchell on MSNBC’s “The Daily Rundown” this morning, adding that “we need people who have been in the private sector, as well.”

The Republican senator’s comments hint strongly that she’d prefer one of the GOP candidates who has run a business: former Winter Olympics organizer (and venture capitalist) Mitt Romney, former Godfather’s Pizza CEO Herman Cain or former chemical company executive Jon Huntsman.

Hutchison said she has no immediate plans to endorse any candidate.