Fly your flag today: Columbus Day 2012

October 8, 2012

Falling down on the job here as arbiter of your flag-flying habits.  How could I forget that some of America celebrates this day as Columbus Day?  (No one in this household gets the day off.)

Fly your U.S. flag today. Fly it to honor Columbus’s discovery of the Americas.  Or, fly your flag to honor exploration and explorers, and to remember the people who suffered so greatly as a result of the collision of European cultures in search of money, and American cultures lacking gunpowder and steel.

The second Monday in October is celebrated as Columbus Day, a federal holiday (though not widely honored in private enterprise).  Columbus made landfall in the Americas for the first time on October 12, 1492, 520 years ago.

John Vanderlyn Oil on canvas, 12 x 18 Commissioned 1836/1837; placed 1847 Rotunda Christopher Columbus is shown landing in the West Indies, on an island that the natives called Guanahani and he named San Salvador, on October 12, 1492. He raises the royal banner, claiming the land for his Spanish patrons, and stands bareheaded, with his hat at his feet, in honor of the sacredness of the event. The captains of the Niña and Pinta follow, carrying the banner of Ferdinand and Isabella. The crew displays a range of emotions, some searching for gold in the sand. Natives watch from behind a tree. John Vanderlyn (1775-1852) had studied with Gilbert Stuart and was the first American painter to be trained in Paris, where he worked on this canvas for ten years with the help of assistants.

John Vanderlyn, Oil on canvas, 12′ x 18′ – Commissioned 1836/1837; placed 1847 in the Rotunda of the Capitol. Christopher Columbus is shown landing in the West Indies, on an island that the natives called Guanahani and he named San Salvador, on October 12, 1492. He raises the royal banner, claiming the land for his Spanish patrons, and stands bareheaded, with his hat at his feet, in honor of the sacredness of the event. The captains of the Niña and Pinta follow, carrying the banner of Ferdinand and Isabella. The crew displays a range of emotions, some searching for gold in the sand. Natives watch from behind a tree. John Vanderlyn (1775-1852) had studied with Gilbert Stuart and was the first American painter to be trained in Paris, where he worked on this canvas for ten years with the help of assistants.

Did you notice?  In the painting in the U.S. Capitol, Columbus isn’t flying the U.S. flag.  Acccuracy over political correctness winds, eh?

Below the fold:  A description of the painting in the Capitol Rotunda, from the Architect of the U.S. Capitol (the “official” version.)

More:

Read the rest of this entry »

Leave a Comment » | 1492, Art, Christopher Columbus, Education, Flag etiquette, Fly your flag today, History, Patriotism | Tagged: , , , , , , , , | Permalink
Posted by Ed Darrell

MacArthur grants announced; 23 lucky people to follow, or not

October 2, 2012

I got the press release three minutes early, actually — not that I could have gotten anything published in that time.  At the promised time, in other words.

MacArthur grant announcement time!  It’s one of those things I take some delight in, to see who are the unsung (usually) from whom much will be expected.  With 23 grantees this year, it’s about as much fun as the Rhodes Scholar announcements.  Rhodes Scholars at least know they are in contention, having had to apply and go through rigorous interviews.  MacArthur fellows don’t know they’ve been nominated.

So, of course, the stories about the grantees often start with the surprise announcement.  The Foundation’s press release starts there, too.  I wonder how many news stories will replicate the press release in that?

23 MacArthur Fellows Announced
One call out of the blue – $500,000 – No strings attached

The MacArthur Foundation today named 23 new MacArthur Fellows for 2012. Working across a broad spectrum of endeavors, the Fellows include a pediatric neurosurgeon, a marine ecologist, a journalist, a photographer, an optical physicist and astronomer, a stringed-instrument bow maker, a geochemist, a fiction writer, and an arts entrepreneur. All were selected for their creativity, originality, and potential to make important contributions in the future.

The recipients learned, through a phone call out of the blue from the Foundation, that they will each receive $500,000 in no-strings-attached support over the next five years. MacArthur Fellowships come without stipulations or reporting requirements and offer Fellows unprecedented freedom and opportunity to reflect, create, and explore. The unusual level of independence afforded to Fellows underscores the spirit of freedom intrinsic to creative endeavors. The work of MacArthur Fellows knows neither boundaries nor the constraints of age, place, and endeavor.

“These extraordinary individuals demonstrate the power of creativity,” said MacArthur President Robert Gallucci. “The MacArthur Fellowship is not only a recognition of their impressive past accomplishments but also, more importantly, an investment in their potential for the future. We believe in their creative instincts and hope the freedom the Fellowship provides will enable them to pursue unfettered their insights and ideas for the benefit of the world.”

Meet the 2012 MacArthur Fellows ››

An eclectic group.  Already Larry Ferlazzo posted that one of the awardees is the young economist who bashes teachers, Raj Chetty — there is no requirement that awardees be universally loved, but someone who courts controversy rarely makes the list.  (An exception might be Eugenie Scott , the genius behind the National Center for Science Education, whose winning a MacArthur grant forever tainted such awards to creationists, to the delight of fans of science.)

Go noodle around at the MacArthur Foundation site — each awardee has a bio, a couple of very nice photos, and a video on their work.  Good stuff.

Here they are, in alphabetical order, straight from the MacArthur Foundation.  Hot links go to more information at the Foundation’s site.

Meet the 2012 MacArthur Fellows

Profile portrait of Natalia Almada

Natalia Almada

Altamura Films

Mexico City, Mexico

Age: 37

Documentary Filmmaker capturing complex and nuanced views of Mexican history, politics, and culture in insightful and poetic works that affirm the potency of documentary film as both an art form and a tool for social change.

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Profile portrait of Uta Barth

Uta Barth

Los Angeles, CA

Age: 54

Conceptual Photographer exploring the nature of vision and the difference between how we see reality and how a camera records it in evocative, abstract compositions that focus attention on the act of looking and the process of perception.

More 

Profile portrait of Claire Chase

Claire Chase

International Contemporary Ensemble

Brooklyn, NY

Age: 34

Arts Entrepreneur forging a new model for the commissioning, recording, and live performance of classical music and opening new avenues of artistic expression for the twenty-first-century musician.

More 

Profile portrait of Raj Chetty

Raj Chetty

Harvard University

Cambridge, MA

Age: 33

Public Economist elucidating key policy issues of our time in theoretical and empirical studies that refine our understanding of the impact of public finance on economic activity.

More 

Profile portrait of Maria Chudnovsky

Maria Chudnovsky

Columbia University

New York, NY

Age: 35

Mathematician investigating the fundamental principles of graph theory and laying the conceptual foundations for deepening connections between graph theory and other major branches of mathematics, such as linear programming and geometry.

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Profile portrait of Eric Coleman

Eric Coleman

University of Colorado School of Medicine

Denver, CO

Age: 47

Geriatrician addressing system-wide deficiencies in patient transitions from hospitals to homes and other sites of care and improving the health outcomes of millions of older adults suffering from chronic illness.

More 

Profile portrait of Junot Díaz

Junot Díaz

Massachusetts Institute of Technology

Cambridge, MA

Age: 43

Fiction Writer using raw, vernacular dialogue and spare, unsentimental prose to draw readers into the various and distinct worlds that immigrants must straddle.

More 

Profile portrait of David Finkel

David Finkel

Washington Post

Washington, DC

Age: 56

Journalist pushing beyond the constraints and conventions of traditional news writing to craft sustained narratives that heighten the reality of military service and sacrifice in the public consciousness.

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Profile portrait of Olivier Guyon

Olivier Guyon

University of Arizona

Tucson, AZ

Age: 36

Optical Physicist and Astronomer designing telescopes and other astronomical instrumentation that play a critical role in the search for Earth-like planets outside our solar system.

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Profile portrait of Elissa Hallem

Elissa Hallem

University of California, Los Angeles

Los Angeles, CA

Age: 34

Neurobiologist exploring the physiology and behavioral consequences of odor detection and chemoreception in invertebrates and identifying interventions that may eventually reduce the scourge of parasitic infections in humans.

More 

Profile portrait of An-My Lê

An-My Lê

Bard College

Annandale-on-Hudson, NY

Age: 52

Photographer approaching the subjects of war and landscape from new perspectives to create images that blur the boundaries between fact and fiction and are rich with layers of meaning.

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Profile portrait of Sarkis Mazmanian

Sarkis Mazmanian

California Institute of Technology

Pasadena, CA

Age: 39

Medical Microbiologist illuminating the complex interplay between microbes and the host immune system and the role certain bacteria may play in the development, or mitigation, of a broad range of human diseases.

More 

Profile portrait of Dinaw Mengestu

Dinaw Mengestu

Washington, DC

Age: 34

Writere nriching understanding of the little-explored world of the African diaspora in America in tales distilled from the experience of immigrants whose memories are seared by escape from violence in their homelands.

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Profile portrait of Maurice Lim Miller

Maurice Lim Miller

Family Independence Initiative

Oakland, CA

Age: 66

Social Services Innovator designing programs of mutual support and self-sufficiency that break the cycle of economic dependency for low-income families and build more resilient communities from the ground up.

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Profile portrait of Dylan C. Penningroth

Dylan C. Penningroth

Northwestern University

Evanston, IL

Age: 41

Historianunearthing evidence from widely scattered archives to shed light on shifting concepts of property ownership and kinship among African American slaves and their descendents following emancipation.

More 
Profile portrait of Terry Plank

Terry Plank

Columbia University

New York, NY

Age: 48

Geochemistprobing the usually invisible but remarkably powerful thermal and chemical forces deep below the Earth’s crust that drive the motion of tectonic plate collisions.

More 

Profile portrait of Laura Poitras

Laura Poitras

Praxis Films

New York, NY

Age: 48

Documentary Filmmaker revealing the consequences of military conflict abroad in illuminating documentaries that portray the lives and intimate experiences of families and communities largely inaccessible to the American media.

More 

Profile portrait of Nancy Rabalais

Nancy Rabalais

Louisiana Universities Marine Consortium

Chauvin, LA

Age: 62

Marine Ecologist documenting the environmental and economic consequences of hypoxic zones in the Gulf of Mexico and informing strategies for restoring the degraded waters of the Gulf and the Mississippi River basin.

More 

Profile portrait of Benoît Rolland

Benoît Rolland

Benoît Rolland Studio

Boston, MA

Age: 58

Stringed-Instrument Bow Maker experimenting with new designs and materials to create violin, viola, and cello bows that rival the quality of prized nineteenth-century bows and meet the artistic demands of today’s musicians.

More 

Profile portrait of Daniel Spielman

Daniel Spielman

Yale University

New Haven, CT

Age: 42

Computer Scientist connecting theoretical and applied computing to resolve issues in code optimization theory with implications for how we measure, predict, and regulate our environment and behavior.

More 

Profile portrait of Melody Swartz

Melody Swartz

École Polytechnique Fédérale de Lausanne

Lausanne, Switzerland

Age: 43

Bioengineer enhancing understanding of the dynamic processes of tissue vascularization and immune responses to tumor invasion using a large toolbox of concepts and methods from biophysics, cell culture, molecular genetics, engineering, and immunology.

More 

Profile portrait of Chris Thile

Chris Thile

New York, NY

Age: 31

Mandolinist and Composer creating a new musical aesthetic and a distinctly American canon for the mandolin through a lyrical fusion of traditional bluegrass orchestrations with a range of styles and genres.

More 

Profile portrait of Benjamin Warf

Benjamin Warf

Children’s Hospital Boston

Boston, MA

Age: 54

Pediatric Neurosurgeon revolutionizing treatment of hydrocephalus and other intra-cranial diseases in very young children and advancing standards of and access to health care in both the developed and poorest regions of the world.

More 

More:

3 Comments | Art, Education, Music, Science | Tagged: , , , , , | Permalink
Posted by Ed Darrell

225 years ago today, in this room

September 17, 2012

Independence Hall, Philadelphia; room where the Constitution was created and signed; Dept of Interior photo

Caption from Department of Interior’s Tumblr site: 225 years ago today, the Constitution of the United States was signed in Independence Hall. Today, you can tour the Hall and see where the Declaration of Independence and Constitution were both signed, and you can also view the Liberty Bell [close by]. This is a site not to miss while visiting Philadelphia.
Photo: National Park Service

Does this room look a little familiar?  You’ve probably seen Howard Chandler Christy’s painting of the event we celebrate today.

Howard Chandler Christy’s “Signing of the Constitution,” 1940

Howard Chandler Christy’s “Signing of the Constitution,” 1940; Architect of the Capitol image. This massive, 20′ x 30′ painting hangs in the House Wing of the U.S. Capitol, in the east stairway — a location where, alas, most people cannot get to without a guide anymore.

Click to the Architect of the Capitol’s site for the story of the painting, intended by Congress to fill a gap in the story of America told by art in the Rotunda and throughout the halls of the building.

Dr. Gordon Lloyd, Pepperdine University, creator of the interactive

Dr. Gordon Lloyd, Pepperdine University’s School of Public Policy, and expert in the Constitution and its history.  I met Lloyd almost a decade ago, in programs for history teachers, sponsored by the Bill of Rights Institute, Liberty Fund, and National Endowment for the Humanities.

My old friend Dr. Gordon Lloyd of Pepperdine University, working with the Ashbrook Center for Public Affairs, created a study tool from the Christy painting which should be used a lot more in classrooms.  Click over to the Edsitement site, and see for yourself.

Every year there are a few more tools on the internet to study the Constitution with, for teachers to use in the classroom on Constitution Day and every day.  I wonder what will be the effects in another decade.

How important is it that students learn the Constitution, what it says, and how it affects our daily lives?  How important is it that students learn the history of the creation of the Constitution, and does that history reverberate for those students as they venture out into their roles as citizens in the republic created by the document?

More:

1 Comment | Art, History, Law, U.S. Constitution | Tagged: , , , , , , , , , , | Permalink
Posted by Ed Darrell

EPA photograph exhibit in Dallas: Progress in environmental protection?

August 8, 2012

Let’s see what history shows.  EPA started a photographic record of environmental conditions, in 1971.  Recently the project gained light again with help of the National Archives.  Parts of the record are touring the country, and the display is available in Dallas for a week (photos added):

National “Documerica” Environmental Photo Exhibit Comes to Dallas

(DALLAS – August 7, 2012) The Environmental Protection Agency will open “Documerica” exhibit of photographs depicting environmental conditions of the past and present beginning August 7, 2012. The display arrives in Dallas after a quick stop in Austin at the Texas Environmental Superconference as part of its national tour. The exhibit will be open on the 7th Floor at Fountain Place in downtown Dallas through August 14, 2012.

(From the Documerica-1 Exhibition. For Other I...

One of the photos in the Documerica archives, looking to me to be from Texas, along Texas’s Colorado River (I have no idea whether this is one of the photographs displayed) (From the Documerica-1 Exhibition. For Other Images in This Assignment, See Fiche Numbers 27, 28, 31, 32, 33.) (Photo credit: The U.S. National Archives)

From its development in 1971, “Documerica” became the United States’ first serious pictorial examination of the environment. The project collected more than 15,000 images, documenting the environmental and human conditions of this country when EPA was starting its mission. The idea was to visually record the difference in conditions in later years, providing the public with a measurement of progress made to accomplish goals set by Congress.

Forty years later the project was rediscovered with the help of National Archives. “State of the Environment” launched Earth Day 2011 as an opportunity for the public to participate and engage in a modern revitalization of Documerica. There are more than 1,900 new images that have been submitted to EPA through Flickr.

The EPA photo project will continue accepting submissions through the end of 2013. Public entries will be considered for a larger exhibit of both projects set for March-September 2013 at the U.S. National Archives’ Lawrence F. O’Brien Gallery in Washington, D.C.

-30-

To learn more and to follow the project, visit: www.epa.gov/stateoftheenvironment
To match images near you, a selection of the full record is available on the National Archives Flickr photostream

More about activities in EPA Region 6 is available at http://www.epa.gov/aboutepa/region6.html

Can I make time to go?

Fountain Place, in Dallas; image from Dallas Architecture

EPA’s art exhibit is on the 7th floor of Fountain Place, this building, usually listed at 1445 Ross Avenue. It’s between the Woodall Rodgers Freeway and Ross Avenue, between North Field Street and North Akard Street, Metered parking may be available; it should be a not-too-difficult walk from the West End, if done before the temperature rises above 95 degrees (as it is predicted to do each day in the next week).

The building that houses the exhibit is a landmark in Dallas, designed by I. M. Pei; fountains and trees grace the base of the building.  If you’re not a denizen of daytime downtown Dallas, it might be worth a trip to see.

Alas, the fleeting nature of the stay in Dallas means it will be long gone before any environmental science classes can be assigned to view it.

Fortunately the photographs are available on Flickr — teachers, will you let us know what devious assignments you make out of this collection of historic photographs?

Additional Resources: 

Leave a Comment » | Art, Dallas, Environment, Environmental protection, History, History and art, History images, photography | Tagged: , , , , , , , , , | Permalink
Posted by Ed Darrell

Propaganda posters: J. C. Leyendecker’s Uncle Sam at bat (fit for August)

July 28, 2012

Get in the game with Uncle Sam, WWI poster by J. C. Leyendecker, Museum of Play image

“Get in the Game with Uncle Sam” poster from World War I, by J. C. Leyendecker in 1917 — image from National Museum of Play

No matter how much the Texas State Board of Education wishes to run away from America’s heritage, we can’t.

Nor should we want to.

Propaganda is not a bad word.  There is bad propaganda, stuff that doesn’t work.  There is propaganda for bad purposes, stuff that promotes bad policies, or evil.  But good propaganda is stronger, long-lasting, often full of great artistic merit, and instructive.

Images of Uncle Sam provide clear pictures of what Americans were thinking, from the oldest versions to today.

This poster above is a World War I poster designed to convince Americans to get involved in the war effort.  J. C. Leyendecker, a noted illustrator, cast Uncle Sam as a baseball player up to bat.  The poster says simply, “Get in the game with Uncle Sam.”  Perhaps uniquely, this poster showed Sam in yellow-striped pants, instead of the more traditional red-striped.  Could an artist take such liberty today?

Nicolas Ricketts at the Strong Museum of National Play offered a good, concise description of the politics and history of the poster at the blog for the Museum (links added for your convenience):

Meanwhile, then-president Woodrow Wilson, who had won reelection in 1916 on an anti-war platform, faced the need for American participation in the terrible “Great War” raging in Europe. He and his cabinet knew that American involvement loomed. But how could the government convince the American public that this was necessary? One idea was to create a poster that urged Americans to metaphorically “Get in the Game,” along with their patriotic national symbol, Uncle Sam.

Artist J. C. Leyendecker (1874-1951) designed the poster, commissioned by the Publicity Committee of the Citizens Preparedness Association, a pro-war organization with federal support which also sponsored “preparedness parades” and other nationalistic activities. Leyendecker himself emigrated from Germany at age eight and was approaching the pinnacle of his career in 1917 when he created this work.

The poster just preceded James Montgomery Flagg’s famous “I Want You” image of Uncle Sam, which later became the best-known likeness of the country’s unofficial symbol. Leyendecker’s version, in spite of his baseball bat, is possibly less affable to contemporary eyes than Flagg’s friendlier Sam. But the bat he holds connected him to many Americans, who perhaps then decided that America should “get in the game.”

Some of this older propaganda had a humorous twist I think is too often missing from modern posters.  It was more effective for that, I think.

The image of Sam at bat shows up in many places in the internet world, but most often stripped of its identifying links to Leyendecker.  That does disservice to the art, to history, and to Leyendecker, who was one of our nation’s better illustrators for a very long time.

Visit the National Museum of Play in Rochester, New York.

Related articles

More posters, almost random, found through Zemanta:

English: Uncle Sam recruiting poster.

The most famous Uncle Sam recruiting poster, by James Montgomery Flagg (1917). (Photo credit: Wikipedia)

James Montgomery Flagg 1917 poster: "Boys...

James Montgomery Flagg 1917 poster: “Boys and girls! You can help your Uncle Sam win the war – save your quarters, buy War Savings Stamps” / James Montgomery Flagg . (Photo credit: Wikipedia)

1 Comment | 1914-1918, Art, History, Posters, Propaganda, Uncle Sam, World War I | Tagged: , , , , , , , , | Permalink
Posted by Ed Darrell

Fire hoop dance at the Kwahadi Indian Dancers in Amarillo

July 22, 2012

Fire Hoop Dance, Kwahadi Indian Dancers, Amarillo, Texas, 7-21-2012

Fire hoop dance at the Kwahadi Indian Dancers event center in Amarillo, Texas, July 21, 2012. The dance troupe is off on a national tour over the next three weeks or so.

Venture Crew 9 in Amarillo, Texas, preserves traditional American Indian dances, and performs them literally around the world.  Troop 355 from Duncanville, Texas, stopped off to visit and view the performance — just in time, because the troupe starts a national tour tomorrow.

The performances range from very good to spectacular.  You ought to stop in Amarillo to see.

There’s a better sequence of photos at the Kwahadi dancers’ site.

Dancers belong to a Scouting organization, either Boy Scouts or Girl Scouts — and they continue about a 50 year tradition at their museum and performance center, just off of I-40 in Amarillo.

Probably 200 Boy Scouts in the audience tonight.

 

3 Comments | Art, Boy Scouts of America, Girl Scouts, Texas, Travel | Tagged: , , , , , , | Permalink
Posted by Ed Darrell

Switched on tree

July 17, 2012

Found this on the campus of Lawrence University in Appleton, Wisconsin.  Son James assures me it’s an art installation.

Tree at Lawrence University 06-11-2012 James's graduation 232 photo by Ed Darrell

What happens if someone flips the switch?

Clever, or troubling?

Related articles

Leave a Comment » | Art, Humor | Tagged: , , | Permalink
Posted by Ed Darrell

Peter Schickele – 77 on July 17, 2012

July 17, 2012

 

Peter Schickele is 77 today yesterday.

Peter Schickele, a.k.a. P. D. Q. Bach

Peter Schickele, born July 17, 1935

May he live to be a happy, robust, still-composing, still performing 137, at least.

Some people know him as a great disk jockey. Some people know him as the singer of cabaret tunes. Some people know and love him as a composer of music for symphony orchestra, or to accompany Where the Wild Things Are.

Peter Shickele, left, and P. D. Q. Bach, together, in happier times.

Then there are those happy masses who know him for his historical work, recovering the works of Johann Sebastian Bach’s final and most wayward child, P. D. Q. Bach.

Tip of the old bathtub-hardened conductor’s baton to Eric Koenig.

This is mostly an encore post.  It was scheduled to run on time, not sure why it didn’t — problems of being on the road, you know.

Related articles

 

2 Comments | Art, History, Music, Parody | Tagged: , , , , , , | Permalink
Posted by Ed Darrell

July 12, 1855 – Liberty proposed for U.S. Capitol

July 13, 2012

Liberty statue, atop U.S. Capitol - Library of Congress photo

On top of the Capitol Dome, the Statue of Freedom faces east away from the National Mall and the White House. Image courtesy of Library of Congress

History from the Clerk of the U.S. House of Representatives:

The Statue of Freedom

July 12, 1855

Statue of Freedom

Statue of Freedom (Liberty) which appears atop the U.S. Capitol (Photo credit: Wikipedia)

On this date, Architect of the Capitol, Montgomery C. Meigs received the conceptual drawings from Thomas Crawford, an American neoclassical artist, for the Statue of Freedom.  The statue was to be the crown jewel of the dome atop the Capitol Rotunda.  The first sketch of the statue featured a woman with a liberty cap. When Secretary of War Jefferson Davis objected to the allegorical allusion to a freed Roman slave, the artist revised the drawing to feature a statue with a helmet.  Although construction on the dome began in 1856, the dome and its final accouterments were not in place until December 2, 1863. Freedom’s story contains an ironic twist; a slave named Philip Reid played an integral part in placing Freedom atop the dome.  A contract dispute threatened to halt the project’s progress until Reid determined how to complete the complicated casting of the statue.  As a result, he oversaw the remainder of the its construction.  To commemorate the completion of the statue and its crowning of the dome, officials organized a dramatic ceremony with a 35-gun military salute echoed by salutes from the 12 forts ringing the federal city.

The dome of the US Capitol building. Français ...

The dome of the US Capitol building. (Photo credit: Wikipedia)

Leave a Comment » | Art, History, Liberty, U.S. Capitol | Tagged: , , , , , , | Permalink
Posted by Ed Darrell

Eclipse? Opportunity for photographers to show off

May 24, 2012

Some photographers have the patience and skills to show off well.  Found this picture of last week’s eclipse, by Mark Langridge, on TwitPic:

Mark Langridge photo, May 20, 2012 annular eclipse

Mark Langridge photograph of the May 20, 2012 annular eclipse

Annular eclipse of May 20, 2012 - photo by Langridge via twitpic

Annular eclipse of May 20, 2012 – photo by Mark Langridge via twitpic

Mr. Langridge provided details; he used a Celestron telescope with his Nikon camera:

Celestron CGEM 800 HD, Canon EOS 60Da, Kendrick Astro baadar solar filter.

Blow this image up, or go to Langridge’s TwitPic site and see it in its large format, glorious detail.  You can see the mountains on the Moon . . .

1 Comment | Art, Astronomy, Natural history, photography, Science | Tagged: , , , , | Permalink
Posted by Ed Darrell

Time lapse photos: NYC, before 1975

May 22, 2012

Why does time-lapse photography fascinate me so?  It reveals changes over time we too often miss, or don’t stop to appreciate.

Here’s an excerpt from a 1975 film, set to music recently released.  Watch closely, you’ll see the shadows of the World Trade Center passing over New York City.

Described at Youtube:

A music video for the gorgeous track “Exercise #3 (Building) by CFCF (Mike Silver). Song is from his upcoming EP titled “Exercises,” which arrives on April 24th via Paper Bag Records.

Footage is from the 1975 short film “Organism,” by Hilary Harris.

For more on CFCF:

http://paperbagrecords.com/artists/cfcf
http://soundcloud.com/cfcf
https://www.facebook.com/pages/CFCF/196418801490

edited by https://www.facebook.com/daviddeanburkhart

More:

Tip of the old scrub brush to Slacktivist.

Leave a Comment » | animation, Art, Geography - Physical, Music, photography, Urbanization, Video and film | Tagged: , , , , , , , , , | Permalink
Posted by Ed Darrell

Quick! Vote for Bill Adkins! Get a new printer for his classroom

May 16, 2012

We have a great art department at Molina High School.  Bill Adkins, and his colleagues, pull great work out of kids who too often are not expected to produce good art.

Adkins is in contest to get a fancy printer, based on votes from the internet.  Will you do Mr. Adkins, and especially his students, a great favor and go cast a vote for him right now?  Voting ends today, and he’s in the running but not in first.

Details:

I want to thank Mr. Rhee and Mr. Jones for their efforts encouraging their students to vote for my project.  I also thank the rest of you who have voted to help me win a new printer for the art department.  It’s still a very close race, I’m currently in 3rd place and voting ends tomorrow.  If you haven’t voted yet, I hope you will.  Your students are allowed to vote too.  Just go the this link:  http://www.weareteachers.com/teaching-ideas/grant/teaching-idea?app=24725&grantId=98 and click on vote for me.

Someday schools will provide equipment like this without contests on the internet — but not yet.   A vote for Adkins is a vote for educational excellence.

Thanks!

From an earlier post:

Leave a Comment » | Art, Education, Teachers, Technology in the classroom | Tagged: , , , , , , | Permalink
Posted by Ed Darrell

Feynman and Twain: How can a scientist appreciate the beauty of a flower, a pilot the beauty of a river?

April 25, 2012

Mark Twain wrote about how too much knowledge can spoil beauty for a beholder.  In Life on the Mississippi, Twain described how the natural beauty of the river changed for him once he started serious study to be a river pilot.  That wonderful sunset revealed the river was high, hiding objects of danger.  That beautiful little ripple told him a snag waited underwater to pierce his boat.

Cover of "Life on the Mississippi (Signet...

Cover via Amazon

     . . . The face of the water, in time, became a wonderful book — a book that was a dead language to the uneducated passenger, but which told its mind to me without reserve, delivering its most cherished secrets as clearly as if it uttered them with a voice. And it was not a book to be read once and thrown aside, for it had a new story to tell every day. Throughout the long twelve hundred miles there was never a page that was void of interest, never one that you could leave unread without loss, never one that you would want to skip, thinking you could find higher enjoyment in some other thing. There never was so wonderful a book written by man; never one whose interest was so absorbing, so unflagging, so sparkingly renewed with every re-perusal. The passenger who could not read it was charmed with a peculiar sort of faint dimple on its surface (on the rare occasions when he did not overlook it altogether); but to the pilot that was an ITALICIZED passage; indeed, it was more than that, it was a legend of the largest capitals, with a string of shouting exclamation points at the end of it; for it meant that a wreck or a rock was buried there that could tear the life out of the strongest vessel that ever floated. It is the faintest and simplest expression the water ever makes, and the most hideous to a pilot’s eye. In truth, the passenger who could not read this book saw nothing but all manner of pretty pictures in it painted by the sun and shaded by the clouds, whereas to the trained eye these were not pictures at all, but the grimmest and most dead-earnest of reading-matter.

Now when I had mastered the language of this water and had come to know every trifling feature that bordered the great river as familiarly as I knew the letters of the alphabet, I had made a valuable acquisition. But I had lost something, too. I had lost something which could never be restored to me while I lived. All the grace, the beauty, the poetry had gone out of the majestic river! I still keep in mind a certain wonderful sunset which I witnessed when steamboating was new to me. A broad expanse of the river was turned to blood; in the middle distance the red hue brightened into gold, through which a solitary log came floating, black and conspicuous; in one place a long, slanting mark lay sparkling upon the water; in another the surface was broken by boiling, tumbling rings, that were as many-tinted as an opal; where the ruddy flush was faintest, was a smooth spot that was covered with graceful circles and radiating lines, ever so delicately traced; the shore on our left was densely wooded, and the somber shadow that fell from this forest was broken in one place by a long, ruffled trail that shone like silver; and high above the forest wall a clean-stemmed dead tree waved a single leafy bough that glowed like a flame in the unobstructed splendor that was flowing from the sun. There were graceful curves, reflected images, woody heights, soft distances; and over the whole scene, far and near, the dissolving lights drifted steadily, enriching it, every passing moment, with new marvels of coloring.

I stood like one bewitched. I drank it in, in a speechless rapture. The world was new to me, and I had never seen anything like this at home. But as I have said, a day came when I began to cease from noting the glories and the charms which the moon and the sun and the twilight wrought upon the river’s face; another day came when I ceased altogether to note them. Then, if that sunset scene had been repeated, I should have looked upon it without rapture, and should have commented upon it, inwardly, after this fashion: This sun means that we are going to have wind to-morrow; that floating log means that the river is rising, small thanks to it; that slanting mark on the water refers to a bluff reef which is going to kill somebody’s steamboat one of these nights, if it keeps on stretching out like that; those tumbling ‘boils’ show a dissolving bar and a changing channel there; the lines and circles in the slick water over yonder are a warning that that troublesome place is shoaling up dangerously; that silver streak in the shadow of the forest is the ‘break’ from a new snag, and he has located himself in the very best place he could have found to fish for steamboats; that tall dead tree, with a single living branch, is not going to last long, and then how is a body ever going to get through this blind place at night without the friendly old landmark.

No, the romance and the beauty were all gone from the river. All the value any feature of it had for me now was the amount of usefulness it could furnish toward compassing the safe piloting of a steamboat. Since those days, I have pitied doctors from my heart. What does the lovely flush in a beauty’s cheek mean to a doctor but a ‘break’ that ripples above some deadly disease. Are not all her visible charms sown thick with what are to him the signs and symbols of hidden decay? Does he ever see her beauty at all, or doesn’t he simply view her professionally, and comment upon her unwholesome condition all to himself? And doesn’t he sometimes wonder whether he has gained most or lost most by learning his trade?  (From Life on the Mississippi, Chapter 9; from the University of Virginia Library, Electronic Text Center)

Oh, it’s great literature.  But I’ve always been troubled by the anti-science nature of Twain’s complaint, that if you know something really well, you’ll lose respect for its beauty. What better way to discourage a young person from learning science, from learning about the stars, the trees, the rivers and mountains?

It was not so for me. The more I learned about western trees, and grasses and wildflowers, the better I grew to love the dry, hot western desert mountains.  The more I yearned to learn about the geology that carved spectacular canyons and isolated pinyon pines from ponderosa with a sea of sagebrush — and the more I learned, the more I appreciated how delicately balanced the whole thing was.

Then I found Feynman.  He put into a few words what I felt.  He described a continuing discussion he had with artists, about beauty and the relationship of science to the appreciation of it.  He recorded an interview for the BBC in which he reiterated much of the story, with the added advantage of his wry delivery.

I have a friend who’s an artist, and he sometimes takes a view which I don’t agree with. He’ll hold up a flower and say, “Look how beautiful it is,” and I’ll agree. But then he’ll say, “I, as an artist, can see how beautiful a flower is. But you, as a scientist, take it all apart and it becomes dull.” I think he’s kind of nutty. […] There are all kinds of interesting questions that come from a knowledge of science, which only adds to the excitement and mystery and awe of a flower. It only adds. I don’t understand how it subtracts.  (From What Do You Care What Other People Think? page 28)

5 Comments | Art, Mark Twain, Science | Tagged: , , , , , , | Permalink
Posted by Ed Darrell

If you are a cowboy, and this is January, you’re listening to poetry in Elko

January 28, 2012

Cowboy poets, cowboy poetry, Ramblin’ Jack Elliott and Baxter Black!  Do you need any more reasons to head to Elko, Nevada, next weekend?

English: Panorama showing Elko, Nevada - Jaros...

Panorama of scenic, Great Basin town Elko, Nevada. Photos by Jaroslaw Binczarowski, image via Wikipedia

I get e-mail that makes me wish I were wealthy enough to travel next weekend:

For Immediate Release, January 28, 2012
Contact: Darcy Minter, 775.340.4240, dminter@westernfolklife.org

Southwest Ranch Country Exhibition Opens at the 28th National Cowboy Poetry Gathering

Exhibit Features Photography of Kurt Markus and Jay Dusard

Elko, Nevada—Opening in the Western Folklife Center’s Wiegand Gallery during the 28th National Cowboy Poetry Gathering, the exhibition Southwest Ranch Country sheds light on the material and visual landscape of America’s ranching Southwest. The artistry of the region is represented through the vivid photography of Kurt Markus and Jay Dusard, and handcrafted gear of some of the region’s master craftsmen. On display January 24 – September 8, 2012, the exhibition’s opening reception is Friday, February 3, from 3:15 to 5:30 pm. During the National Cowboy Poetry Gathering, February 2-4, the gallery will feature slide shows and gallery tours by Jay Dusard and Arizona cowboy poet Ross Knox, and leatherwork demonstrations by master saddlemakers Don Butler, Bob Park and Andy Stevens.

For this exhibition, photographer Kurt Markus, of Kalispell, Montana, has selected some of his favorite images from visits to ranches in the American Southwest. These western photographs capture lives of tedium, isolation and communal living among majestic sweeping landscapes, and demonstrate Markus’ poetic sensibility combined with his realistic approach to image-making. His work cuts across many genres and he has exhibited and published widely, in this country and abroad. His books include After Barbed Wire, Buckaroo, Boxers, and Cowpuncher.This is the first time that Markus’ Southwest Cowpuncher photographs have been printed for exhibition.

Jay Dusard, of Douglas, Arizona, has meticulously photographed the landscape of the American West for 45 years, and has punched cows, off and on, for over 50 years. For this exhibition, the Western Folklife Center features his monumental-size portraits of working cowboys of the American Southwest. Jay still shoots large format film, and the resulting images have resulted in award-winning exhibitions and extensive publication, including his acclaimed first book, The North American Cowboy: A Portrait. During the National Cowboy Poetry Gathering, Jay will present slide shows and stories from his ongoing and extensive work in the rural West.

The renaissance of ranch-related craftsmanship is alive and well in the American Southwest, with these artists putting their unique stamp on an ever-evolving style. In addition to the photography of Markus and Dusard, this exhibition brings together some of the finest Southwest artists and the work they enjoy doing as either occupation or sideline.

  • Keith Basso, Rawhide Braider, Heber, Arizona
  • Jay Begay, Jr., Navajo Weaver, Tuba City, Arizona
  • Scott Brown, Saddlemaker & Violinmaker, Salt Lake City, Utah via Texas
  • Bobby Burns, Saddlemaker, Clayton, New Mexico
  • Dawson Byrne, Bootmaker & Leatherworker, Wickenburg, Arizona
  • Robert Campbell, Bit & Spurmaker, Amarillo, Texas
  • Wilson W. Capron, Bit and Spurmaker, Midland, Texas
  • Leland Hensley, Rawhide Braider, Meridian, Texas
  • Jay T. Hudson, Leatherworker and Silverworker, Hobbs, New Mexico
  • Gene Klein, Silversmith, Miami, New Mexico
  • Buddy Knight, Blacksmith & Silverworker, Marfa, Texas
  • Jerry Lansing, Navajo Weaver, Shiprock, New Mexico
  • George & Kelly Martin, Leatherworkers & Bootmakers, Animas, New Mexico
  • Sarah Natani, Navajo Artist, Window Rock, Arizona
  • Scott Farrell/O’Farrell Hat Company, Hatmaker, Santa Fe, New Mexico
  • Bob Park, Leatherworker, Phoenix, Arizona
  • Keith “Pee Wee” Peebles, Silversmith, Marathon, Texas
  • James Redman, Bootmaker, Mertzon, Texas
  • Alfred R. Reynolds, Master Bootmaker, Wickenburg, Arizona
  • Tom Paul Schneider, Silverworker, Pearce, Arizona
  • Bud Shaul, Leatherworker, Yarnell, Arizona
  • Edith Simonsen, Navajo Weaver, Window Rock, Arizona
  • Rachel Simmons, Leatherworker, Chino Valley, Arizona
  • Baru Spiller, Silverworker, Wingate, Texas
  • Dew Westover, Bootmaker, Vernon, Texas
  • Stewart Williamson, Silverworker & Bit & Spurmaker, Portales, New Mexico

Southwest Ranch Country is presented with support from the Nevada Arts Council and Margaret T. Morris Foundation. Photographs available upon request.

The National Cowboy Poetry Gathering is the nation’s greatest celebration of the American West, its people, culture and traditions. The 28th Gathering will take place January 30 to February 4, 2012, in Elko, Nevada. Every January for the last 27 years, cowboys, ranchers, rural and urban people have traveled en masse to the small community of Elko, to join with friends, family and all those who share their love of rural life in the West. Together, they listen to poetry and music, learn about cowboy culture in the U.S. and around the world, experience great art, watch western films, learn a craft, and gather together to eat, drink and swap stories. Programs at the 28th Gathering will focus on the southwestern United States, specifically Arizona and New Mexico—which are celebrating their centennials this year. In addition to the Southwest Ranch Country exhibition, the Gathering will present poets and musicians from the region, as well as workshops and panel discussions focused on regional food, culture and agriculture.

The Western Folklife Center, a regional nonprofit organization, produces the National Cowboy Poetry Gathering. Visit the www.westernfolklife.org for more information about the National Cowboy Poetry Gathering and the Southwest Ranch Country exhibition. Tickets to the 28th National Cowboy Poetry Gathering can be purchased at http://www.westernfolklife.org, by calling 775-738-7508, toll-free 888-880-5885, or by stopping in to the Western Folklife Center’s ticket office, 501 Railroad Street, Elko.

The mission of the Western Folklife Center is to enhance the vitality of American life through the experience, understanding, and appreciation of the diverse cultural heritage of the American West.

***

28th National Cowboy Poetry Gathering Performers

Ramblin' Jack Elliott by Charlie Ekburg, Sweetlight Photography, Elko, NV.

Ramblin' Jack Elliott by Charlie Ekburg, Sweetlight Photography, Elko

Mike Beck & the Bohemian Saints, Monterey, California
Baxter Black, Benson, Arizona
Dave Bourne, Agoura Hills, California
Jerry Brooks, Sevier, Utah
Clarence Carnal, Grand Junction, Colorado
Ken Cook, Martin, South Dakota
Doris Daley, Turner Valley, Alberta, Canada
Stephanie Davis, Columbus, Montana
John Dofflemyer, Lemon Cove, California
Ramblin’ Jack Elliott, Northern California
Rolf Flake, Gilbert, Arizona
Dick Gibford, New Cuyama, California
The Gillette Brothers, Crockett, Texas
Skip Gorman, Connie Dover & the Waddie Pals, Wyoming
DW Groethe, Bainville, Montana
Amy Hale Auker, Prescott, Arizona
R.W. Hampton, Cimarron, New Mexico
Carol Heuchan, Cooranbong, New South Wales, Australia
Yvonne Hollenbeck, Clearfield, South Dakota
Hot Club of Cowtown, Austin, Texas
Jess Howard, Wibaux, Montana
Tim Hus & The Rocky Mountain Two, Calgary, Alberta, Canada
Ross Knox, Benson, Arizona
Marley’s Ghost, Mill Valley, California
Michael Martin Murphey & The Rio Grande Band featuring Pat Flynn, Pueblo, Colorado
Wally McRae, Forsyth, Montana
Waddie Mitchell, Twin Bridges, Nevada
Andy Nelson, Pinedale, Wyoming
Joel Nelson, Alpine, Texas
Rodney Nelson, Almont, North Dakota
Glenn Ohrlin, Mountain View, Arkansas
Vess Quinlan, San Acacio, Colorado
Henry Real Bird, Garryowen, Montana
Pat Richardson, Merced, California
Randy Rieman, Dillon, Montana
Ronstadt Generations, Tucson, Arizona
Martha Scanlan, Birney, Montana
Georgie Sicking, Kaycee, Wyoming
Sourdough Slim, Paradise, California
R.P. Smith, Broken Bow, Nebraska
Jay Snider, Cyril, Oklahoma
Dave Stamey, Orange Grove, California
Gail Steiger, Prescott, Arizona
Rod Taylor, Cimarron, New Mexico
Ian Tyson, Longview, Alberta, Canada
Dick Warwick, Oakesdale, Washington
Andy Wilkinson & Andy Hedges, Lubbock, Texas
Wylie & The Wild West, Conrad, Montana
Paul Zarzyski, Great Falls, Montana


Western Folklife Center • 501 Railroad Street • Elko, Nevada • 89801 • 775.738.7508
dminter@westernfolklife.org
www.westernfolklife.org
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Where are Charlie Kuralt and Stephen Fry when you really need them?

Elko, Nevada. Ruby Mountains in right background.

Elko, Nevada, Ruby Mountains in background to right. Notice the "E" on the mountain. Image via Wikipedia

1 Comment | Art, History, Poetry, Travel | Tagged: , , , , , , , , , , | Permalink
Posted by Ed Darrell

Christy World War I poster to fetch more than $400 at auction

January 6, 2012

That’s a safe bet — the bid at the moment at Heritage Auctions is at $450.  How much is it worth?

Howard Chandler Christy World War I poster, 1918 - Third Liberty Loan - Heritage Auctions image

Howard Chandler Christy poster from 1918, for the Third Liberty Loan to finance World War I - Heritage Auctions image

Heritage Auctions describes the poster:

World War I Propaganda Poster by Howard Chandler Christy (Forbes, 1918). Third Liberty Loan Poster (20″ X 30″) “Fight or Buy Bonds.” War.
Howard Chandler Christy was so good at illustrating iconic beautiful women in uniquely styled poster art, that they soon became known as “Christy Girls.” He used some of these images to sell war bonds during WW I. His lovely art was instrumental in raising countless millions for the war effort. An unrestored poster with good color and an overall very presentable appearance. It may have tears, pinholes, edge wear, wrinkling, slight paper loss, and minor stains. Please see full-color, enlargeable image below for more details. Rolled, Fine+.

Posters from the wars are great teaching tools.  I tell my students to watch to see if their parents or grandparents have any of these old posters lying around.  $450 would buy books for a semester at college.

Heritage Auctions plans to sell this poster, and many others, this coming Sunday, January 8.

2 Comments | 1914-1918, Art, Posters, Propaganda, World War I | Tagged: , , , , , , | Permalink
Posted by Ed Darrell

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