Ian Hamilton’s blog is back; “Stone of Destiny” is on the screen

October 15, 2008

We need good news from any quarter:  Ian Hamilton’s blog is back in action.  You remember Hamilton, one of the more recent heroes in the saga of the Stone of Destiny.

Maybe just in time, too.  Charles Martin Smith’s movie of Ian Hamilton’s story, “Stone of Destiny,” is just recently released, with dates booked in the UK and Canada.  You may have to call your local theatre in the U.S. to ask that they book the film.

Poster for Charles Martin Smiths Stone of Destiny, based on Ian Hamiltons story.

Poster for Charles Martin Smith's "Stone of Destiny," based on Ian Hamilton's story.

Hamilton captured the Stone of Destiny, the Stone of Scone, from Westminster Abbey on Christmas Day, 1950.  The Stone is the traditional seat of power for the throne of Scotland, and its presence in London was a source of irritation to Scot nationalists.

The Stone of Scone is reputed to be the stone upon which Jacob slept when he dreamed of ladders to heaven (see Genesis 28).

You cannot make this stuff up.  This is great history.

Resources:


Leonidas and the 300: died August 11, 480 B.C.

August 12, 2008

300 popped up on some channel last night, and we got a time delay recording to watch it, which I did, mostly.  Interesting stylization.  Cartoonish characterizations, which one should expect from a movie intended as homage to the graphic novel that directly spawned it.

A monument to Leonidas I - Inscription, Molon Lave, which roughly translates to Come and get it!

A monument to Leonidas I - Inscription, "Molon Lave," which roughly translates to "Come and get it!"

Several sources dated the climax of the battle as August 11, 480 B.C. — 2488 years ago yesterday. (The battle is said to have occurred during the Olympics that year, too.)

World history classes dig through that period of history in the first semester.  Teachers, it’s time to think about how we’re going to facilitate this history this year.  As always, some bright student will wave a hand in the air and ask, “Mr. Darrell!  How do they know what happened if no one survived, and nobody had their Sony videocorder?”

At least one other student in the course of the day will be surprised to discover the movie wasn’t a filmed-on-the-spot documentary.  But apart from that, how do we know the events well enough to pin it down to one day?  And, since the Greeks surely didn’t use the Gregorian calendar, since it wasn’t invented until the 18th century — how do we know the date?

The short answer is “Herodotus.”  The longer answer may resonate better:  This is one dramatic battle in a year-long fight for the history of the world.  The Greeks were understandably and justifiably proud that they had turned back Xerxes’s armies and navy (The Battle of Salamis, a bit after Thermopylae).  So, these events were preserved in poetry, in the chronicles, in song, in sculpture, and in every other medium available to the Greeks.  Your AP English students will probably tell you the movie reminds them of The Iliad.  There’s an entré for discussion.

Turning points in history:  Had Xerxes succeeded in avenging his father’s, Darius’s, defeats, and subjugated the Greeks, history would be much different.  The culture the Romans built on, the trading patterns from east to west and around the Mediterranean, the technologies, the myths, and the stories of the battles, would be different. (Remember, one of Darius’s defeats was at the Battle of Marathon, from which we get the modern marathon racing event, the traditional close of the modern Olympics.)

How do we know?

How do you handle that question?  Tell us in comments, please.

Resources and commentary on Thermopylae, Leonidas, and the 300:


Harrison Ford as Indiana Jones, for real

July 19, 2008

Don’t know how I missed this story earlier: Actor Harrison Ford won election to the Board of Directors of the Archaeological Institute of America (AIA).

In 1992, this hollow rock-crystal skull was sent to the Smithsonian anonymously. A letter accompanying the 30-pound, 10-inch-high artifact suggested it was of Aztec origin. (James Di Loreto & Donald Hurlburt/Courtesy Smithsonian Institution)

Caption from AIA's Archaeology: "In 1992, this hollow rock-crystal skull was sent to the Smithsonian anonymously. A letter accompanying the 30-pound, 10-inch-high artifact suggested it was of Aztec origin. (James Di Loreto & Donald Hurlburt/Courtesy Smithsonian Institution)"

He doesn’t just play one on the silver screen — he is one. Or at least, he’s part of the professional association. The press report from AIA stressed Ford’s support for archaeology and knowledge.

The Archaeological Institute of America is North America’s oldest and largest non-profit organization devoted to archaeology. With more nearly a quarter of a million members and subscribers and 105 local chapters, it promotes archaeological excavation, research, education, and preservation on a global basis. At the core of its mission is the belief that an understanding of the past enhances our shared sense of humanity and enriches our existence. As archaeological finds are a non-renewable resource, the AIA’s work benefits not only the current generation, but also those yet to come in the future.

“Harrison Ford has played a significant role in stimulating the public’s interest in archaeological exploration,” said Brian Rose, President of the AIA. “We are all delighted that he has agreed to join the AIA’s Governing Board.”

AIA was chartered by Congress in 1906 — a full decade before the Boy Scouts of America, for comparison — with a charge to help enforce the Antiquities Act (16 U.S.C. § 431).

More interesting, and more useful in the classroom, are the story and sidebar in the online magazine of the Institute, which notes that the crystal skull stories involve faked artifacts — and even that the idol in the opening scene of the very first Indy movie involves a faked artifact.

“Legend of the Crystal Skulls: The truth behind Indianapolis Jones’s latest quest” tells a great story by Jane MacLaren Walsh, a true story, the best kind for history buffs.

Sixteen years ago, a heavy package addressed to the nonexistent “Smithsonian Inst. Curator, MezoAmerican Museum, Washington, D.C.” was delivered to the National Museum of American History. It was accompanied by an unsigned letter stating: “This Aztec crystal skull, purported to be part of the Porfirio Díaz collection, was purchased in Mexico in 1960…. I am offering it to the Smithsonian without consideration.” Richard Ahlborn, then curator of the Hispanic-American collections, knew of my expertise in Mexican archaeology and called me to ask whether I knew anything about the object–an eerie, milky-white crystal skull considerably larger than a human head.

I told him I knew of a life-sized crystal skull on display at the British Museum, and had seen a smaller version the Smithsonian had once exhibited as a fake. After we spent a few minutes puzzling over the meaning and significance of this unusual artifact, he asked whether the department of anthropology would be interested in accepting it for the national collections. I said yes without hesitation. If the skull turned out to be a genuine pre-Columbian Mesoamerican artifact, such a rare object should definitely become part of the national collections.

I couldn’t have imagined then that this unsolicited donation would open an entirely new avenue of research for me.

Great story. In the classroom, it shows the methods of archaeologists and historians. Walsh reveals how archaeologists work, and along the way she details a lot of the history that prompts adventure stories like the Indiana Jones series.

Archaeology, the real stuff, never nukes the fridge.

File these links and this article away. The new movie in the “Mummy” series with Brendan Fraser in the starring role, is due out August 1, “The Mummy: Tomb of the Dragon Emperor.” The new movie is set on a dig in China, presenting more opportunities to use popular entertainment as an entré to real history, and real science (and probably all sorts of historical errors to correct).

But while the latest Indiana Jones epic reunites Jones with Marian Ravenwood played by Karen Allen, Rachel Weisz doesn’t appear in the pending Mummy installment. Weisz was replaced by another actress playing Evelyn O’Connell.


Jihad for Love – in New York City this week (take 2)

May 23, 2008

How very, very odd. I had a post up, and it disappeared.

This is a recreation, as much as I can.

If you’re in New York City this week, go see this movie. It’s got a great producer, a fellow I know only through the Louis August Jonas Foundation. It has a good director, and a few very good reviews. And it covers a topic of surpassing importance.

Below, the press release from the producer, Sandi DuBowski, and other resources.

A Jihad For Love Launches U.S. Theatrical Release at IFC Center in New York from May 21st – June 4th – Two Weeks Only!

Buy your ticket online at http://www.ifccenter.com/film?filmid=38472.
Box Office: 212.924.7771 323 Sixth Avenue (at W. 3rd St. )

“CRITIC’S PICK! BRAVE…EYE-OPENING!”
– New York Magazine

“REVEALING AND MOVING…A GIFTED FILMMAKER!”
Wall Street Journal

“COURAGEOUS!”
-The Guardian

“LIFTS THE VEIL OF SECRECY…FRANKLY BRAVE!”
-NPR Talk of the Nation

Fourteen centuries after the revelation of the holy Qur’an to the Prophet Muhammad, Islam today is the world’s second largest and fastest growing religion. Muslim gay filmmaker Parvez Sharma travels the many worlds of this dynamic faith, discovering the stories of its most unlikely storytellers: lesbian and gay Muslims.

Produced by Sharma and Sandi DuBowski (director of the award-winning Trembling Before G-d), A Jihad for Love was filmed over 5 years in 12 countries and 9 languages and comes from the heart of Islam. Looking beyond a hostile and war-torn present, it reclaims the Islamic concept of a greater Jihad, whose true meaning is akin to ‘an inner struggle’ or ‘to strive in the path of God.’ In doing so the film and its remarkable subjects move beyond the narrow concept of ‘Jihad‘ as holy war.

www.ajihadforlove.com

After Premieres in 15 countries, being banned in Singapore , selling out everywhere including India and Turkey and five international awards, the film comes to the U.S. and NYC.

We need people to show up during our NYC theatrical run in very large numbers. Bookers across the country will be looking at the success of the film at the NYC Box Office to determine its life everywhere else in the country. If you come the first five days, you can significantly impact the film’s theatrical life in the U.S. and other countries.

Joining director/producer Parvez Sharma and producer Sandi DuBowski in the theater are Imam Muhsin Hendricks, the first openly gay imam from Cape Town , South Africa and Mazen from Egypt/France, featured stars of the film and Faisal Alam, the founder of Al-Fatiha.

We will turn the cinema into a town hall – for debate, change and transformation. Visit http://www.ajihadforlove.com/screenings_D.html for our dazzling line-up of Q & A’s and forums on Islam, Human Rights, South Asian Sexualities, Interfaith such as

Thursday, May 22nd, 7 PM & 9.30 PM
Evening with Sholay and A Jihad for Love Team

Friday, May 23rd, 7pm
Dialogue with Progressive Muslims Meet Up Group

Saturday, May 24th, 5:05pm, 7pm, 9:30pm
Human Rights Watch and Scott Long present in association with A Jihad for Love: Before the Crusade Passes By: Trapped in the middle of a “clash of civilizations.”

Sunday, May 25th, 7 PM and 9.30 PM
Films for Change

… Looking forward to seeing you there!

May 21st – May 29th Show Times: 11:20am, 1:15pm, 3:10pm, 5:05pm, 7:00pm and 9:30pm

Q & A’s and forums with Parvez, Sandi, Muhsin, Mazen, Faisal, and others after 7pm & 9:30pm shows

Get Involved! Here are some ways you can support this film:

Right Now:

* Purchase tickets online for The IFC Center
* Post a link to www.ajihadforlove.com and www.ajihadforlove.blogspot.com on your blog

Support The Cause:

* Donate to our International Muslim Dialogue Project at http://www.ajihadforlove.com/donate.html

Watch A Jihad for Love trailer at http://www.youtube.com/watch?v=78jUBRio3So

Listen to Parvez Sharma on NPR‘s The Takeaway at http://www.thetakeaway.org/archives/2008/05/19/3

Best,

Sandi DuBowski
Producer, A Jihad for Love
Director/Producer, Trembling Before G-d

Parvez Sharma
Director/Producer, A Jihad for Love

Other resources:


Dangers of creationism: Synapse shutdown

May 3, 2008

One of the ultimate defenses of creationism, once you’ve demonstrated that there is no science and no good theology in it, is the creationist claim “it doesn’t hurt anyone.”

Well, yes, it does. Over the years I’ve noticed that creationism appears to suck the intelligence right out of otherwise smart or educated people. I also note that it tends to make otherwise good and honest people defend academic debauchery and dishonesty.

It’s as if claiming to be creationist hogs all the available RAM in their brains and forces a near-total synapse shutdown.

Cases in point: Creationists are scrambling to the defense of the mockumentary movie “Expelled!” in which Ben Stein trots out almost every creationist canard known to Hollywood in defending some of the greater misdeeds of the intelligent design hoaxers. Otherwise sane, good people, claiming to be Christian, make atrocious defenses of the movie.

I cannot make this up: Go see Mere Orthodoxy and Thinking Christian. Bad enough they defend the movie — but to defend it because, they claim, Darwin and Hitler were brothers in thought? Because evolution urges immoral behavior? I stepped in something over at Thinking Christian, and when I called it to the attention of Tom Gilson in the comments, he deleted the comment. (I’ve reposted, but I wager he’ll delete that one, too, while letting other comments of mine stand; he’s got no answer to any of my complaints.)

The stupid goes past 11, proudly, defiantly. The Constitution specifically protects the right of people to believe any fool claptrap they choose. These defenses of a silly movie come awfully close to abuse of the privilege.

Other useful things:

Update: Holy mother of ostriches! Tom Gilson at “Thinking Christian” has a nifty device that bans people from viewing his blog. Paranoia sticks its head into a whole new depth of sand!  Here’s a truism:  Creationists who like to claim Darwin was the cause of Stalin and Hitler, which is by itself an extremely insulting and repugnant claim, almost never fail to resort to Stalinist and Hitlerian tactics when their claims are questioned.  Call it Darrell’s Law of Evolution History Revisionism.


Darwin speaks out, sorta

April 27, 2008

In his on-camera parts in his mockumentary movie “Expelled!” Ben Stein paid a visit to the statue of Charles Darwin in the British Museum (too bad Stein didn’t bother to visit any of the exhibits).

It was a brave move.  Stein, ever the prankster, surely understood that his move would be open to pranking itself.  Sure enough, The Beagle Project sponsored a captioning contest, similar to The New Yorker’s cartoon captioning contests.

Here’s the winner, in a .gif animation from Eclectech:

Ben Stein meets Darwin's statue

See the other entries in the captioning contest at The Beagle Project.

Oooh, and see all the other creativity Stein’s misstep created:

Tip of the old scrub brush (again) to Pharyngula.


More “Expelled”: Origins of life research ignored by intelligent design advocates

April 22, 2008

A reader named Matt provided some incisive comments in another thread, “Cold showers for intelligent design:  ID not even fringe research,” and I bring them to the top here to highlight a major failing of the intelligent design advocates, their complete absence from participation in origins of life research.

Matt blogs at Consanguinity, which recently featured an exchange on Ben Stein’s mockumentary, “Expelled!

Matt took issue with a characterization that the intelligent design movement is not science.  He wondered if they would get a fair hearing were they to submit their research to science journals.  I pointed to the court records that show they would get a fair hearing, but that they do no research and so submit nothing for publication — which indicates the lack of science we were discussing.  Matt suggested that Francis Crick and Frederick Hoyle were sympathetic to the ID cause, and I pointed out they both specifically refuted creationism and ID.

Our discussion is below the fold.

Read the rest of this entry »


Rape in the Congo: When is “never again?”

April 5, 2008

An epidemic of brutal, and constant, rapes in Congo made me wonder when the world will stand up against such mass, directed violence.

A new movie asks the same question: The Greatest Silence – Rape in the Congo.  The movie premieres on HBO on Tuesday, April 8, 2008.

Poster for movie, The Greatest Silence

War in the Congo is not about liberty, it’s not really about the politics of a nation, at least, not a nation as any book defines it. At this point, the conflict is over who controls deposits of ores, some fo them rare, from which today’s modern technological devices are manufactured. The world needs to worry about blood diamonds, but also blood cell phones, blood iPods and blood computers.

Seriously, when does “never again” begin?


Movies to make your high school history teacher cry

March 24, 2008

Via Popehat, Yahoo!’s list of the Ten Most Historically Inaccurate MoviesPopehat notes that Mel Gibson is a big player in three of the ten.

There are a lot more to add to the list, I think — pick your favorite Zorro movie, for example.  Or think of the fog at the airport in “Casablanca.”  Especially if one starts picking historical nits in pictures that don’t pretend to portray historical events, the list grows quickly.   Has anyone vetted the years of the song in the soundtrack for “Forrest Gump?”

This list at Cracked.com hangs 11 inaccurate films.  It’s snarkier and much more profane, probably not safe for work or school.  There is a lot of overlap.

Which movies have been left off the lists, other than all of the Texas Chainsaw Massacre movies


Sticks nix creationist pic

March 14, 2008

“Expelled!” producers gave away free tickets. They invited legislators personally. But only about 100 people showed up for an IMAX showing of the movie in Tallahassee, Florida.

benstein-expelled-no.jpg

Hey, I got 1,000 times that many people to click on an 8-frame .gif animation of an ancient goat. Real science trumps creationism again.

Real science is almost always more popular than faux-science and bad religion, but that will not stop creationists from creating trouble in any state agency in any state they can.

Tip of the old scrub brush to Pharyngula.

[Yes, I’m aware of the historical implications of the headline.]


Mining the Internet Archive: Tobacco, history and controversy

May 22, 2007

European Union rules require member states to do something about indoor air pollution. European states are banning smoking in public places. Gone soon will be days when we can joke about Britons and their Player’s cigarettes, or the French and their Galois habits.

Every once in a while as I recount the great Tobacco/Health Wars, my kids remind me that they never saw a cigarette commercial on television. Once, we caught a showing of past ads, and I was truck nostalgic by Fred Flintstone’s testimony for Winston cigarettes — the kids gasped: “Fred Flintstone used to smoke!”

Everybody smoked, once upon a time, it seemed. 1940s and 1950s magazines have ads in which doctors and athletes claim cigarette smoking is either unharmful, sheer pleasure, or even health promoting. Got a cigarette cough? Switch to menthol cigarettes! Mouth burns? Try a filter cigarette.

Today, kids wonder why Virginia did so well selling tobacco to Britain — who in their right mind would have smoked? they ask.

The Internet Archive has an abundance of film material on tobacco. The films come from the University of California – San Francisco: Read the rest of this entry »


Marfa lights — seriously, does anyone know what they are?

April 30, 2007

Another of the great quirks that makes Texas, Texas, is the Marfa lights. Marfa is in far west Texas — alone, a tiny city in a very arid area. It’s desolate enough that Hollywood thought it would be a great place to film much of the movie “Giant,” which needed to use part of Godforsaken* County to make a point about how desolate Texas can be.

And way out there, there is a hill where one can stop after sundown, and watch the mysterious dancing of lights coming from the not-too-distant hills. So far as I can tell, no good explanation exists for what the lights might be. Physicists have ruled out mirages, and the lights were there long before auto headlights anyway.

Marfa hosts the “Mystery Lights Festival” over Labor Day Weekend (as the story cited above notes, the same weekend as Alpine, Texas, hosts its balloon festival — two West Texas happenings in one trip, perhaps).

Marfa lights, 2004 photo by Julie McConnell

Do you know of a good explanation? Anybody got one?

  • * No, there is not really a Godforsaken County among Texas’s 254 counties. Teachers wishing to use this in the classroom may want to be aware that there is a very short video of the Marfa lights mystery on “Texas Country Reporter’s” DVD collection commemorating 25 years of stories. Texas Country Reporter also has a DVD collection of visits to Texas State Parks, which is a good source of information about Texas geography. I suspect other DVDs from this company would offer other good geography and history supplements (Texas Country Reporter is broadcast on Channel 8 in the Dallas area, and on other television stations throughout the state).

John Reed at his typewriter

April 28, 2007

John Reed at his typewriter, Oregon Historical SocietyUndated photograph of John Reed (1880-1927) at this typewriter, from the Oregon Historical Society, “Oregon Biographies.”


Strong hints that “Texas Chainsaw Massacre” is fiction

March 14, 2007

The DVD release of the Texas Chainsaw Massacre’s latest cinema episode is probably driving the traffic to the post I did a while ago noting that the movies are not based on any Texas incidents (see “Based on a true story, except . . .). The original movie, in 1974, was billed as “based on a true story.” “The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin,” the Narrator says opening the film.

The latest enfilmations apparently carry the same claim (I say apparently because I have never seen any of them through, and only a few snippets on television of any of them — I go by what I hear and see from others).

We have the testimony of the author of the original screenplay that it is fiction, loosely based on a famous case in Wisconsin which was also, very loosely, the basis for Alfred Hitchcock’s Psycho and the later, more horrifying Silence of the Lambs. Other internet sites say it’s fiction, such as Snopes.com (a favorite and very good hoax and error debunking site).

Still, the kids ask.

Why not turn this into a geography and/or history exercise? Read the rest of this entry »


RIP: VHS

November 21, 2006

VHS logoWe can still read the Gutenberg Bible. It was printed in 1455, 551 years ago. I have a few books in my library older than 80 years, and they are still quite usable. I have books from my undergraduate days that I consult regularly — though more than 25 years old, they work fine.

So while books carry on, it’s a bit of a shock, to me, to see that VHS is dead. Daily Variety carried the obituary last week, but I just heard this morning, “VHS, 30, dies of loneliness”:

After a long illness, the groundbreaking home-entertainment format VHS has died of natural causes in the United States. The format was 30 years old.

No services are planned.

The format had been expected to survive until January, but high-def formats and next-generation vidgame consoles hastened its final decline.

“It’s pretty much over,” concurred Buena Vista Home Entertainment general manager North America Lori MacPherson on Tuesday.

VHS is survived by a child, DVD, and by Tivo, VOD and DirecTV. It was preceded in death by Betamax, Divx, mini-discs and laserdiscs.

Although it had been ailing, the format’s death became official in this, the video biz’s all-important fourth quarter. Retailers decided to pull the plug, saying there was no longer shelf space.

VHS is an acronym for “vertical helical scan,” which means little to most people. It’s obscure enough that when some advertising writer suggested it stands instead for “video home system,” that explanation replaced the truth in many histories of the format.

Wikipedia says the format was launched in September 1976, the month that Orrin Hatch won an upset victory over Jack Carlson in the Utah Republican primary on the strength of the only endorsement then-former-presidential candidate Ronald Reagan gave to anyone. Hatch went on to defeat three-term incumbent Ted Moss with a vastly underpaid press secretary. On November 7, 2006, 72-year-old Orrin Hatch won a sixth six-year term to the U.S. Senate. But VHS is dead. Hatch’s career in the U.S. Senate will outlast VHS.

In late 1978 I purchased a high-end cassette tape recorder to convert my vinyl records to a format that could play in my car. I had avoided the 8-track boom, and I thought cassettes would be the format for a long time to come. That cassette recorder wore out; I have two other high-end machines I use only occasionally. I have a few hundred cassette tapes that are too decayed to play. It turns out that magnetic recording tape only lasts about a decade before it becomes unusable. Fortunately I kept the vinyl records, and now I have software to convert them to digital, for conversion to CD or MP3 formats. It is difficult to find needles for the record players these days. Cassette players still show up in autos. VHS, on the other hand, joins Generalissimo Francisco Franco in the “seriously dead” column.

I delayed purchase of VHS player until about 1989, when stereo versions were reasonably inexpensive, and when most of the war with Sony Betamax was over. In schools today VHS is almost ubiquitous, finally. My principal had to argue hard to purchase DVD players just two years ago. New VHS machines were installed in many schools in the Dallas area just a year ago.

DVDs launched in the late 1990s, according to Wikipedia. DVD sales surpassed VHS sales in June 2003. Three years later, movie studios announced they would no longer put new movies on VHS for commercial sales, in July 2006.

I may be missing something, or perhaps digital other-than-DVD formats are already eclipsing DVD, but I do not think there is a core of DVD recorders and players available to allow home recording to the extent VHS recorders were used. Or, perhaps TIVO has filled the void.

Remember all the litigation about copyright protection and VHS? Remember the fight GO Video had to make a two-head, reproducing VHS machine? All mooted now.

Alvin Toffler was right.*

VHS is dead, but will any format live long any more?

Tip of the old scrub brush to Tombrarian.

* Among other things, Toffler said: “The illiterate of the 21st Century will not be those who cannot read or write, but those who cannot learn, unlearn and relearn.”

He also wrote: “Future shock is the dizzying disorientation brought on by the premature arrival of the future.”