300 Spartans, led by Leonidas died August 11, 480 B.C.

August 11, 2017

It’s a different Leonidas, but Michael Phelps last year tied a record for winning 12 solo events in Olympics previously held by a man called Leonidas of Rhodes. The record had stood, as best historians can tell, for 2,168 years.

That was August 10, 2016. On August 11, we remember Leonidas of Sparta, for events in war, not peace.

300 popped up on some movie channel back in 2008 as I was preparing to teach world history again.  I did not major in history, and my high school history instruction featured no AP courses (Pleasant Grove High, in Utah, didn’t offer such things then; I assume they do now, but I don’t know).

What I knew about Sparta and the stand of the 300 at Thermopylae came from my reading encyclopedias as a child, and culture.  Never had an occasion to write a speech about the events, though had I known the history better, I might have found some opportunity.  Sen. Orrin Hatch would have loved a compare and contrast speech between the stand of the Spartans and his work against the labor law reform bill in 1977 and 1978; more likely, we could have used the simple historical facts that the stand of the 300 at the same place today would be impossible due to poor soil conservation practices of the local farmers, which has created a plain broad enough for a Persian Army to march through with impunity, never fearing drowning in the sea that no longer exists there.  Thermopylae is a grand historical metaphor for a good orator.  The simple facts of history are important, too — Churchill knew Herodotus’s stories well, and considered them when planning military actions in the area in two world wars.

The movie came up from students in the previous year; it offered, perhaps, a hook for an introduction to world history, explaining why we bother to study it at all.

I got a time delay recording to watch it, which I did, mostly.  Interesting stylization.  Cartoonish characterizations, which one should expect from a movie intended as homage to the graphic novel that directly spawned it, more than an instruction about history.  We might doubt that the Persians had trained and armored rhinoceroses in their armament.  Dialogue — well, this is Hollywood.  It would have been in some dialect of Greek, and no Hollywood scriptwriter would have been able to reproduce it.

What about the battle itself.  World history courses in U.S. high schools should pay attention to this battle, I think.

A monument to Leonidas I - Inscription, Molon Lave, which roughly translates to Come and get it!

A monument to Leonidas I – Inscription, “Molon Lave,” which roughly translates to “Come and get it!”

Several sources dated the climax of the battle as August 11, 480 B.C. — 2,497 years ago. (The battle is said to have occurred during the Olympics that year, too.)

World history classes dig through that period of history in the first semester.  Teachers, it’s time to think about how we’re going to facilitate this history this year.  As always, some bright student will wave a hand in the air and ask, “Mr. Darrell!  How do they know what happened if no one survived, and nobody had their Sony videocorder?”

At least one other student in the course of the day will be surprised to discover the movie wasn’t a filmed-on-the-spot documentary.  But apart from that, how do we know the events well enough to pin it down to one day?  And, since the Greeks surely didn’t use the Gregorian calendar, since it wasn’t invented until the 18th century — how do we know the date?

The short answer is “Herodotus.”  The longer answer may resonate better:  This is one dramatic battle in a year-long fight for the history of the world.  The Greeks were understandably and justifiably proud that they had turned back Xerxes’s armies and navy (The Battle of Salamis, a bit after Thermopylae).  So, these events were preserved in poetry, in the chronicles, in song, in sculpture, and in every other medium available to the Greeks.  Your AP English students will probably tell you the movie reminds them of The IliadThere’s an entré for discussion.

Turning points in history:  Had Xerxes succeeded in avenging his father’s, Darius’s, defeats, and subjugated the Greeks, history would be much different.  The culture the Romans built on, the trading patterns from east to west and around the Mediterranean, the technologies, the myths, and the stories of the battles, would be different. (Remember, one of Darius’s defeats was at the Battle of Marathon, from which we get the modern marathon racing event, the traditional close of the modern Olympics.)

How do we know?  How do we know?

How do you handle that question?  (Tell us in comments, please.)

I like this battle for the way it ties together many of the loose threads that vex high school sophomores.  Is history exciting?  It can be, as the Frank Miller graphic novel and and the Zack Snyder movie demonstrate.  How important is accuracy in making the story exciting?  (Do the rhinoceroses improve the story of the courage of the Spartans, or merely offer a good graphical metaphor for the overwhelming forces of the Persians?)  What happens when one nation invades another — who has the advantage?  Is knowledge of geography important — in battle, for example?  The philosopher Santayana notes that those who do not remember history are “condemned” to repeat it.  Xerxes tried to apply the lessons of the history of his father’s failed invasion; was he successful?  Remember this point:  Napoleon failed in his invasion of Russia in 1812; Adolf Hitler assigned his generals to study Napoleon’s failure, for Germany’s invasion of Russia in 1941; so convinced were the Germans that they knew the lessons, they invade Russia on the anniversary of Napoleon’s invasion.  Did it go any better?  George Washington consciously patterned his life on the great Roman warrior and leader, Cincinnatus — especially in turning over rule once the task was done, as Washington did twice.  What if Washington had, instead, patterned his life after Leonidas?  How might the American Revolution have turned out, and how might the United States have developed, had Washington sacrificed himself as Leonidas did?

The story of the Battle of Thermopylea, the bravery and cunning tactics of Leonidas and the 300, the wars between Persia and the Greek City States, form a good foundation for a study of history at any point after.  It is the stuff of great history, and the stuff of great rhetoric.  It could be the stuff of great AP essays and good writing exercises in general.   Damn the Common Core State Standards*, and damn the misguided Texas critics of CSCOPE, this is a topic I wish more world history teachers would spend some good, profitable time on

Resources and commentary on Thermopylae, Leonidas, and the 300:

More:

Livius.org map of the area where the Battle of Thermopylae was fought

Livius.org map of the area where the Battle of Thermopylae was fought. Note that, in purple, the map shows where a plain now exists, which was an ocean the Spartans could use to squeeze the Persian Army, about 25 centuries ago. What a difference 25 centuries can make.

_____________

*  Common Core State Standards in social studies actually would support what I’m asking here, if only they weren’t filtered through state school boards who do not value scholarship, but instead wish history to be a checklist of faux-patriotic bullet points to regurgitate.  Here in Texas, we are not affected by Common Core — but we are affected by meddling in history standards by people whose agenda does not include making history exciting and good.  Common Core standards — technically — do not mention Thermopylae.  However, this is the sort of material, including the original texts of Herodotus, whose study the Common Core standards encourage, especially for analysis of the sort I think Thermopylae invites.  Texas TEKS allow mention of the battle, though the Battle of Thermopylae has been purged from the actual standards; Texas lesson plans frequently suggest “watching a film on the Battle of Thermopylae,” and “Answer questions on the battle; trade and grade.”  Teachers infuse those dull words with life — we hope.  Teachers’ actual practice in the classroom is the saving grace for this important history, in Texas; Texas world history teachers face their own Xerxes.  The Texas Lege recently removed the requirement that students study world history, instead giving them a choice of either world history or world geography.  And so the dumbing down of history by (probably well-meaning, but not well-thinking) legislators continues.

Yes, this is mostly an encore post. Fighting ignorance requires patience.

Yes, this is mostly an encore post. Fighting ignorance requires patience.

Save


Chess games of the rich and famous: John Wayne, “The Longest Day”

October 27, 2016

Chess games used to play a big role in Hollywood movies — behind the scenes, usually. Cast members and crew on films often kept games going in the long down-times required in movie making, while lights were set up, sound issues were worked out, weather conditions changed, or other actors filmed scenes without those at the chess board.

John Wayne may be the most-photographed movie star at chess boards. He loved to play, and he played with anyone good on the sets of many of his films.

Here is a still photo of Wayne and two other actors, on location in France while filming the 1962 film, “The Longest Day.”

John Wayne and two other actors (who are they?) on location for

John Wayne and two other actors (who are they? Jeffrey Hunter in the middle? Stuart Whitman on the right?) on location for “The Longest Day,” playing chess between scenes. Image from MyFrenchFilmFestival.com

More:

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300 Spartans, led by Leonidas died August 11, 480 B.C.

August 11, 2016

It’s a different Leonidas, but Michael Phelps yesterday tied a record for winning 12 solo events in Olympics previously held by a man called Leonidas of Rhodes. The record had stood, as best historians can tell, for 2,168 years.

That was August 10, 2016. On August 11, we remember Leonidas of Sparta, for events in war, not peace.

300 popped up on some movie channel back in 2008 as I was preparing to teach world history again.  I did not major in history, and my high school history instruction featured no AP courses (Pleasant Grove High, in Utah, didn’t offer such things then; I assume they do now, but I don’t know).

What I knew about Sparta and the stand of the 300 at Thermopylae came from my reading encyclopedias as a child, and culture.  Never had an occasion to write a speech about the events, though had I known the history better, I might have found some opportunity.  Sen. Orrin Hatch would have loved a compare and contrast speech between the stand of the Spartans and his work against the labor law reform bill in 1977 and 1978; more likely, we could have used the simple historical facts that the stand of the 300 at the same place today would be impossible due to poor soil conservation practices of the local farmers, which has created a plain broad enough for a Persian Army to march through with impunity, never fearing drowning in the sea that no longer exists there.  Thermopylae is a grand historical metaphor for a good orator.  The simple facts of history are important, too — Churchill knew Herodotus’s stories well, and considered them when planning military actions in the area in two world wars.

The movie came up from students in the previous year; it offered, perhaps, a hook for an introduction to world history, explaining why we bother to study it at all.

I got a time delay recording to watch it, which I did, mostly.  Interesting stylization.  Cartoonish characterizations, which one should expect from a movie intended as homage to the graphic novel that directly spawned it, more than an instruction about history.  We might doubt that the Persians had trained and armored rhinoceroses in their armament.  Dialogue — well, this is Hollywood.  It would have been in some dialect of Greek, and no Hollywood scriptwriter would have been able to reproduce it.

What about the battle itself.  World history courses in U.S. high schools should pay attention to this battle, I think.

A monument to Leonidas I - Inscription, Molon Lave, which roughly translates to Come and get it!

A monument to Leonidas I – Inscription, “Molon Lave,” which roughly translates to “Come and get it!”

Several sources dated the climax of the battle as August 11, 480 B.C. — 2,493 years ago. (The battle is said to have occurred during the Olympics that year, too.)

World history classes dig through that period of history in the first semester.  Teachers, it’s time to think about how we’re going to facilitate this history this year.  As always, some bright student will wave a hand in the air and ask, “Mr. Darrell!  How do they know what happened if no one survived, and nobody had their Sony videocorder?”

At least one other student in the course of the day will be surprised to discover the movie wasn’t a filmed-on-the-spot documentary.  But apart from that, how do we know the events well enough to pin it down to one day?  And, since the Greeks surely didn’t use the Gregorian calendar, since it wasn’t invented until the 18th century — how do we know the date?

The short answer is “Herodotus.”  The longer answer may resonate better:  This is one dramatic battle in a year-long fight for the history of the world.  The Greeks were understandably and justifiably proud that they had turned back Xerxes’s armies and navy (The Battle of Salamis, a bit after Thermopylae).  So, these events were preserved in poetry, in the chronicles, in song, in sculpture, and in every other medium available to the Greeks.  Your AP English students will probably tell you the movie reminds them of The IliadThere’s an entré for discussion.

Turning points in history:  Had Xerxes succeeded in avenging his father’s, Darius’s, defeats, and subjugated the Greeks, history would be much different.  The culture the Romans built on, the trading patterns from east to west and around the Mediterranean, the technologies, the myths, and the stories of the battles, would be different. (Remember, one of Darius’s defeats was at the Battle of Marathon, from which we get the modern marathon racing event, the traditional close of the modern Olympics.)

How do we know?  How do we know?

How do you handle that question?  (Tell us in comments, please.)

I like this battle for the way it ties together many of the loose threads that vex high school sophomores.  Is history exciting?  It can be, as the Frank Miller graphic novel and and the Zack Snyder movie demonstrate.  How important is accuracy in making the story exciting?  (Do the rhinoceroses improve the story of the courage of the Spartans, or merely offer a good graphical metaphor for the overwhelming forces of the Persians?)  What happens when one nation invades another — who has the advantage?  Is knowledge of geography important — in battle, for example?  The philosopher Santayana notes that those who do not remember history are “condemned” to repeat it.  Xerxes tried to apply the lessons of the history of his father’s failed invasion; was he successful?  Remember this point:  Napoleon failed in his invasion of Russia in 1812; Adolf Hitler assigned his generals to study Napoleon’s failure, for Germany’s invasion of Russia in 1941; so convinced were the Germans that they knew the lessons, they invade Russia on the anniversary of Napoleon’s invasion.  Did it go any better?  George Washington consciously patterned his life on the great Roman warrior and leader, Cincinnatus — especially in turning over rule once the task was done, as Washington did twice.  What if Washington had, instead, patterned his life after Leonidas?  How might the American Revolution have turned out, and how might the United States have developed, had Washington sacrificed himself as Leonidas did?

The story of the Battle of Thermopylea, the bravery and cunning tactics of Leonidas and the 300, the wars between Persia and the Greek City States, form a good foundation for a study of history at any point after.  It is the stuff of great history, and the stuff of great rhetoric.  It could be the stuff of great AP essays and good writing exercises in general.   Damn the Common Core State Standards*, and damn the misguided Texas critics of CSCOPE, this is a topic I wish more world history teachers would spend some good, profitable time on

Resources and commentary on Thermopylae, Leonidas, and the 300:

More:

Livius.org map of the area where the Battle of Thermopylae was fought

Livius.org map of the area where the Battle of Thermopylae was fought. Note that, in purple, the map shows where a plain now exists, which was an ocean the Spartans could use to squeeze the Persian Army, about 25 centuries ago. What a difference 25 centuries can make.

_____________

*  Common Core State Standards in social studies actually would support what I’m asking here, if only they weren’t filtered through state school boards who do not value scholarship, but instead wish history to be a checklist of faux-patriotic bullet points to regurgitate.  Here in Texas, we are not affected by Common Core — but we are affected by meddling in history standards by people whose agenda does not include making history exciting and good.  Common Core standards — technically — do not mention Thermopylae.  However, this is the sort of material, including the original texts of Herodotus, whose study the Common Core standards encourage, especially for analysis of the sort I think Thermopylae invites.  Texas TEKS allow mention of the battle, though the Battle of Thermopylae has been purged from the actual standards; Texas lesson plans frequently suggest “watching a film on the Battle of Thermopylae,” and “Answer questions on the battle; trade and grade.”  Teachers infuse those dull words with life — we hope.  Teachers’ actual practice in the classroom is the saving grace for this important history, in Texas; Texas world history teachers face their own Xerxes.  The Texas Lege recently removed the requirement that students study world history, instead giving them a choice of either world history or world geography.  And so the dumbing down of history by (probably well-meaning, but not well-thinking) legislators continues.

Yes, this is mostly an encore post. Fighting ignorance requires patience.

Yes, this is mostly an encore post. Fighting ignorance requires patience.

Save


Typewriters of the moment: Billy Wilder’s

November 27, 2014

At A Certain Cinema: Billy Wilder and I.A.L. Diamond at work on the screenplay for Irma la Douce

At IMDB: Billy Wilder and I.A.L. Diamond at work on the screenplay for Irma la Douce

Billy Wilder’s reputation as a great film director would not be possible, but for the typewriter. It is fate, perhaps, that we find several photographs of Mr. Wilder with various typewriters.  In the photo above, he’s pictured working with I. A. L. Diamond, “Izzy.”  The pair collaborated on at least 17 different screenplays.

Hollywood Legacy's Pinterest site: BILLY WILDER and frequent screenwriter partner, I.A.L. DIAMOND.

This one is clearly a Royal; Hollywood Legacy’s Pinterest site: “BILLY WILDER and frequent screenwriter partner, I.A.L. DIAMOND. “Izzy” is seated at the typewriter, with Wilder standing, as usual. Wilder liked to “think on his feet” and was a notorious pacer. Wilder & Diamond wrote 17 films together, including: SOME LIKE IT HOT, THE APARTMENT, LOVE IN THE AFTERNOON, IRMA LA DOUCE”

Wilder’s scripts often featured writers and others who used typewriters.  He had almost a fetish for featuring typewriters in his movies.  How could we not like a guy who loved typewriters like that?

 

From the great Oz Typewriters site:

From the great Oz Typewriters site: “Wilder died in Beverly Hills on March 27, 2002. Here is what is on his tombstone

More:


Remembering Leonidas and the 300 Spartans: died August 11, 480 B.C.

August 11, 2013

300 popped up on some movie channel back in 2008 as I was preparing to teach world history again.  I did not major in history, and my high school history instruction featured no AP courses (Pleasant Grove High, in Utah, didn’t offer such things then; I assume they do now, but I don’t know).

What I knew about Sparta and the stand of the 300 at Thermopylae came from my reading encyclopedias as a child, and culture.  Never had an occasion to write a speech about the events, though had I known the history better, I might have found some opportunity.  Sen. Orrin Hatch would have loved a compare and contrast speech between the stand of the Spartans and his work against the labor law reform bill in 1977 and 1978; more likely, we could have used the simple historical facts that the stand of the 300 at the same place today would be impossible due to poor soil conservation practices of the local farmers, which has created a plain broad enough for a Persian Army to march through with impunity, never fearing drowning in the sea that no longer exists there.  Thermopylae is a grand historical metaphor for a good orator.  The simple facts of history are important, too — Churchill knew Herodotus’s stories well, and considered them when planning military actions in the area in two world wars.

The movie came up from students in the previous year; it offered, perhaps, a hook for an introduction to world history, explaining why we bother to study it at all.

I got a time delay recording to watch it, which I did, mostly.  Interesting stylization.  Cartoonish characterizations, which one should expect from a movie intended as homage to the graphic novel that directly spawned it, more than an instruction about history.  We might doubt that the Persians had trained and armored rhinoceroses in their armament.  Dialogue — well, this is Hollywood.  It would have been in some dialect of Greek, and no Hollywood scriptwriter would have been able to reproduce it.

What about the battle itself.  World history courses in U.S. high schools should pay attention to this battle, I think.

A monument to Leonidas I - Inscription, Molon Lave, which roughly translates to Come and get it!

A monument to Leonidas I – Inscription, “Molon Lave,” which roughly translates to “Come and get it!”

Several sources dated the climax of the battle as August 11, 480 B.C. — 2,493 years ago. (The battle is said to have occurred during the Olympics that year, too.)

World history classes dig through that period of history in the first semester.  Teachers, it’s time to think about how we’re going to facilitate this history this year.  As always, some bright student will wave a hand in the air and ask, “Mr. Darrell!  How do they know what happened if no one survived, and nobody had their Sony videocorder?”

At least one other student in the course of the day will be surprised to discover the movie wasn’t a filmed-on-the-spot documentary.  But apart from that, how do we know the events well enough to pin it down to one day?  And, since the Greeks surely didn’t use the Gregorian calendar, since it wasn’t invented until the 18th century — how do we know the date?

The short answer is “Herodotus.”  The longer answer may resonate better:  This is one dramatic battle in a year-long fight for the history of the world.  The Greeks were understandably and justifiably proud that they had turned back Xerxes’s armies and navy (The Battle of Salamis, a bit after Thermopylae).  So, these events were preserved in poetry, in the chronicles, in song, in sculpture, and in every other medium available to the Greeks.  Your AP English students will probably tell you the movie reminds them of The IliadThere’s an entré for discussion.

Turning points in history:  Had Xerxes succeeded in avenging his father’s, Darius’s, defeats, and subjugated the Greeks, history would be much different.  The culture the Romans built on, the trading patterns from east to west and around the Mediterranean, the technologies, the myths, and the stories of the battles, would be different. (Remember, one of Darius’s defeats was at the Battle of Marathon, from which we get the modern marathon racing event, the traditional close of the modern Olympics.)

How do we know?  How do we know?

How do you handle that question?  (Tell us in comments, please.)

I like this battle for the way it ties together many of the loose threads that vex high school sophomores.  Is history exciting?  It can be, as the Frank Miller graphic novel and and the Zack Snyder movie demonstrate.  How important is accuracy in making the story exciting?  (Do the rhinoceroses improve the story of the courage of the Spartans, or merely offer a good graphical metaphor for the overwhelming forces of the Persians?)  What happens when one nation invades another — who has the advantage?  Is knowledge of geography important — in battle, for example?  The philosopher Santayana notes that those who do not remember history are “condemned” to repeat it.  Xerxes tried to apply the lessons of the history of his father’s failed invasion; was he successful?  Remember this point:  Napoleon failed in his invasion of Russia in 1812; Adolf Hitler assigned his generals to study Napoleon’s failure, for Germany’s invasion of Russia in 1941; so convinced were the Germans that they knew the lessons, they invade Russia on the anniversary of Napoleon’s invasion.  Did it go any better?  George Washington consciously patterned his life on the great Roman warrior and leader, Cincinnatus — especially in turning over rule once the task was done, as Washington did twice.  What if Washington had, instead, patterned his life after Leonidas?  How might the American Revolution have turned out, and how might the United States have developed, had Washington sacrificed himself as Leonidas did?

The story of the Battle of Thermopylea, the bravery and cunning tactics of Leonidas and the 300, the wars between Persia and the Greek City States, form a good foundation for a study of history at any point after.  It is the stuff of great history, and the stuff of great rhetoric.  It could be the stuff of great AP essays and good writing exercises in general.   Damn the Common Core State Standards*, and damn the misguided Texas critics of CSCOPE, this is a topic I wish more world history teachers would spend some good, profitable time on

Resources and commentary on Thermopylae, Leonidas, and the 300:

More:

Livius.org map of the area where the Battle of Thermopylae was fought

Livius.org map of the area where the Battle of Thermopylae was fought. Note that, in purple, the map shows where a plain now exists, which was an ocean the Spartans could use to squeeze the Persian Army, about 25 centuries ago. What a difference 25 centuries can make.

_____________

*  Common Core State Standards in social studies actually would support what I’m asking here, if only they weren’t filtered through state school boards who do not value scholarship, but instead wish history to be a checklist of faux-patriotic bullet points to regurgitate.  Here in Texas, we are not affected by Common Core — but we are affected by meddling in history standards by people whose agenda does not include making history exciting and good.  Common Core standards — technically — do not mention Thermopylae.  However, this is the sort of material, including the original texts of Herodotus, whose study the Common Core standards encourage, especially for analysis of the sort I think Thermopylae invites.  Texas TEKS allow mention of the battle, though the Battle of Thermopylae has been purged from the actual standards; Texas lesson plans frequently suggest “watching a film on the Battle of Thermopylae,” and “Answer questions on the battle; trade and grade.”  Teachers infuse those dull words with life — we hope.  Teachers’ actual practice in the classroom is the saving grace for this important history, in Texas; Texas world history teachers face their own Xerxes.  The Texas Lege recently removed the requirement that students study world history, instead giving them a choice of either world history or world geography.  And so the dumbing down of history by (probably well-meaning, but not well-thinking) legislators continues.


Typewriter of the moment: Comedian Stan Laurel

January 16, 2012

Stan Laurel at his typewriter, via Mike Lynch Cartoons

Stan Laurel at his typewriter, where he composed notes to fans. Image via Mike Lynch Cartoons

That is Stan Laurel, half of the comedic team of Laurel and Hardy, famous from the movies of the black & white era, famous from the caricatures in the cartoons our children, perhaps, have seen.  The photo is circa 1958.

Oliver Hardy died in 1957 from a series of strokes, and Laurel suffered a stroke himself.  He was unable to make movies any more, he said.  But he did bother to personally answer all his correspondence from fans.  On the typewriter pictured, he typed out short notes in response the fan mail, like this one, from 1958:

Note from comedian Stan Laurel to a fan - via Mike Lynch Cartoons, via Letters of Note

Note from comedian Stan Laurel to a fan - via Mike Lynch Cartoons, via Letters of Note

Laurel died in 1965.  It’s a bygone era.

No, I haven’t identified the typewriter.

The text of the note can be found at Mike Lynch Cartoons.  I gather Lynch got the images from Letters of Note, a blog devoted to written correspondence of some historic value (it’s very interesting).

  • Laurel and Hardy in “Nothing But Trouble,” 1944

Even more: 


25 new gems added to Library of Congress National Film Registry

December 28, 2011

Some you’ve loved forever, some you’ve never heard of (but now ought to seek out to view):  The Library of Congress announced 25 new films added to the National Film Registry, the list of great films we all ought to know about.

This year’s list covers 82 years of cinema, from 1912’s “The Cry of the Children” through 1992’s “El Mariachi” to 1994’s “Forrest Gump.”  It’s a very diverse list, from big Hollywood productions through animation, test films and even a series of home movies.

Here’s the list, followed by the press release; the list with descriptions of each film is below the fold.

Films Selected to the 2011 National Film Registry

  1. Allures (1961)
  2. Bambi (1942)
  3. The Big Heat (1953)
  4. A Computer Animated Hand (1972)
  5. Crisis: Behind A Presidential Commitment (1963)
  6. The Cry of the Children (1912)
  7. A Cure for Pokeritis (1912)
  8. El Mariachi (1992)
  9. Faces (1968)
  10. Fake Fruit Factory (1986)
  11. Forrest Gump (1994)
  12. Growing Up Female (1971)
  13. Hester Street (1975)
  14. I, an Actress (1977)
  15. The Iron Horse (1924)
  16. The Kid (1921)
  17. The Lost Weekend (1945)
  18. The Negro Soldier (1944)
  19. Nicholas Brothers Family Home Movies (1930s-40s)
  20. Norma Rae (1979)
  21. Porgy and Bess (1959)
  22. The Silence of the Lambs (1991)
  23. Stand and Deliver (1988)
  24. Twentieth Century (1934)
  25. War of the Worlds (1953)

The press release:

December 28, 2011

2011 National Film Registry More Than a Box of Chocolates

“Forrest Gump,” “Bambi,” “Stand and Deliver” Among Registry Picks

“My momma always said, ‘Life was like a box of chocolates. You never know what you’re gonna get.’” That line was immortalized by Tom Hanks in the award-winning movie “Forest Gump” in 1994. Librarian of Congress James H. Billington today selected that film and 24 others to be preserved as cultural, artistic and historical treasures in the National Film Registry of the Library of Congress.

Spanning the period 1912-1994, the films named to the registry include Hollywood classics, documentaries, animation, home movies, avant-garde shorts and experimental motion pictures. Representing the rich creative and cultural diversity of the American cinematic experience, the selections range from Walt Disney’s timeless classic “Bambi” and Billy Wilder’s “The Lost Weekend,” a landmark film about the devastating effects of alcoholism, to a real-life drama between a U.S. president and a governor over the desegregation of the University of Alabama. The selections also include home movies of the famous Nicholas Brothers dancing team and such avant-garde films as George Kuchar’s hilarious short “I, an Actress.” This year’s selections bring the number of films in the registry to 575.

Under the terms of the National Film Preservation Act, each year the Librarian of Congress names 25 films to the National Film Registry that are “culturally, historically or aesthetically” significant. “These films are selected because of their enduring significance to American culture,” said Billington. “Our film heritage must be protected because these cinematic treasures document our history and culture and reflect our hopes and dreams.”

Annual selections to the registry are finalized by the Librarian after reviewing hundreds of titles nominated by the public (this year 2,228 films were nominated) and conferring with Library film curators and the distinguished members of the National Film Preservation Board (NFPB). The public is urged to make nominations for next year’s registry at NFPB’s website (www. loc.gov/film).

In other news about the registry, “These Amazing Shadows,” a documentary about the National Film Registry, will air nationally on the award-winning PBS series “Independent Lens” on Thursday, Dec. 29, at 10 p.m (check local listings). Written and directed by Paul Mariano and Kurt Norton, this critically acclaimed documentary has also been released on DVD and Blu-ray and will be available through the Library of Congress Shop (www.loc.gov/shop/).

For each title named to the registry, the Library of Congress Packard Campus for Audio Visual Conservation works to ensure that the film is preserved for future generations, either through the Library’s massive motion-picture preservation program or through collaborative ventures with other archives, motion-picture studios and independent filmmakers. The Packard Campus is a state-of-the-art facility where the nation’s library acquires, preserves and provides access to the world’s largest and most comprehensive collection of films, television programs, radio broadcasts and sound recordings (www.loc.gov/avconservation/). 

The Packard Campus is home to more than six million collection items, including nearly three million sound recordings. It provides staff support for the Library of Congress National Film Preservation Board, the National Recording Preservation Board and the National Registries for film and recorded sound.

Founded in 1800, the Library of Congress is the nation’s oldest federal cultural institution. It seeks to spark imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs and exhibitions. Many of the Library’s rich resources can be accessed through its website at www.loc.gov and via interactive exhibitions on a personalized website at myLOC.gov.

Below the fold you’ll find a description of each film.

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Can’t dance to it, but can you learn with it?

July 14, 2010

It’s an awkward scene.  John Goodman has a lousy role (and I’m not fond of the direction for him or Melanie Griffith here).  I’ve never seen the movie, “Born Yesterday,” and I don’t know the context.

But ten important amendments to the Constitution, to the tune of “The Twelve Days of Christmas,” a potentially useful mnemonic device for your U.S. history, and government students; it’s mostly accurate:

There is some skipping around —  the song covers the First, Second, Fourth, Fifth, and Sixth Amendments, then skips to the Thirteenth, Fifteenth, Sixteenth, Eighteenth, and Nineteenth Amendments.  The First Amendment’s five freedoms are covered completely, other amendments not so much.

The actor in the scene, playing the senator who sings the Fifteenth Amendment, is former Tennessee U.S. Sen. Fred Thompson.  Thompson staffed the Watergate Committee chaired by Sen. Sam Ervin of North Carolina, earlier — wouldn’t it be interesting to hear his views on this scene, and song, and what other tricks he may have encountered in the Senate, from Sen. Ervin, or the late Sen. Robert C. Byrd?

It’s not Schoolhouse Rock, but it’s really very good.  Everything covered in the song is in Texas TEKS, but some things skipped, like the Fourteenth Amendment, are also required.  Can you use it in your classes?

And by the way, does anyone know a rap for the Bill of Rights?

Tip of the old scrub brush to the Facebook status of the Bill of Rights Institute.


Gilbert and Sullivan meet George Lucas: A Grievous “Modern Major General”

November 15, 2009

A friend wrote about enjoying a production of “Pirates of Penzance” at Oregon State.  I looked for YouTube versions . . .

Oh, my!

(Better:  Rent one of the movies, either of D’Oyly Carte, or the Linda Ronstadt/Rex Smith/Kevin Kline version.)


I’d give the kid a good grade, I think

July 22, 2009

Can any teacher recognize genius in the classroom?  Especially when I taught in alternative programs, I was frequently astounded by the great work students did that was just enough off the mark of the assignment that it might have gotten a zero were it not so brilliant, and had I not had a few extra minutes to grade (thanks to smaller classes).

Wee Mousie’s Cinema Burlesque — what do you do with stuff like that?

This is the stuff Creative Commons is made for, by the way.


Typewriter of the moment: William Faulkner in California

December 19, 2008

I love this photo.

William Faulkner (1897-1962) reclines in a chair in front of typewriter in Hollywood, California, December 1942.  Alfred Eriss/Pix Inc./Time Life Pictures/Getty Images

William Faulkner (1897-1962) reclines in a chair in front of typewriter in Hollywood, California, December 1942. Alfred Eriss/Pix Inc./Time Life Pictures/Getty Images

Read more about Faulkner at The American Masters site at PBS.

Resources:


And if the Matrix ran on Windows?

November 14, 2008

Closer to a documentary of some of my recent escapades:

Vodpod videos no longer available.

more about “The Matrix Runs on Windows – CollegeH…“, posted with vodpod

How about you?  What’s your experience?

(Video from CollegeHumor.com)


Ian Hamilton’s blog is back; “Stone of Destiny” is on the screen

October 15, 2008

We need good news from any quarter:  Ian Hamilton’s blog is back in action.  You remember Hamilton, one of the more recent heroes in the saga of the Stone of Destiny.

Maybe just in time, too.  Charles Martin Smith’s movie of Ian Hamilton’s story, “Stone of Destiny,” is just recently released, with dates booked in the UK and Canada.  You may have to call your local theatre in the U.S. to ask that they book the film.

Poster for Charles Martin Smiths Stone of Destiny, based on Ian Hamiltons story.

Poster for Charles Martin Smith's "Stone of Destiny," based on Ian Hamilton's story.

Hamilton captured the Stone of Destiny, the Stone of Scone, from Westminster Abbey on Christmas Day, 1950.  The Stone is the traditional seat of power for the throne of Scotland, and its presence in London was a source of irritation to Scot nationalists.

The Stone of Scone is reputed to be the stone upon which Jacob slept when he dreamed of ladders to heaven (see Genesis 28).

You cannot make this stuff up.  This is great history.

Resources:


Leonidas and the 300: died August 11, 480 B.C.

August 12, 2008

300 popped up on some channel last night, and we got a time delay recording to watch it, which I did, mostly.  Interesting stylization.  Cartoonish characterizations, which one should expect from a movie intended as homage to the graphic novel that directly spawned it.

A monument to Leonidas I - Inscription, Molon Lave, which roughly translates to Come and get it!

A monument to Leonidas I - Inscription, "Molon Lave," which roughly translates to "Come and get it!"

Several sources dated the climax of the battle as August 11, 480 B.C. — 2488 years ago yesterday. (The battle is said to have occurred during the Olympics that year, too.)

World history classes dig through that period of history in the first semester.  Teachers, it’s time to think about how we’re going to facilitate this history this year.  As always, some bright student will wave a hand in the air and ask, “Mr. Darrell!  How do they know what happened if no one survived, and nobody had their Sony videocorder?”

At least one other student in the course of the day will be surprised to discover the movie wasn’t a filmed-on-the-spot documentary.  But apart from that, how do we know the events well enough to pin it down to one day?  And, since the Greeks surely didn’t use the Gregorian calendar, since it wasn’t invented until the 18th century — how do we know the date?

The short answer is “Herodotus.”  The longer answer may resonate better:  This is one dramatic battle in a year-long fight for the history of the world.  The Greeks were understandably and justifiably proud that they had turned back Xerxes’s armies and navy (The Battle of Salamis, a bit after Thermopylae).  So, these events were preserved in poetry, in the chronicles, in song, in sculpture, and in every other medium available to the Greeks.  Your AP English students will probably tell you the movie reminds them of The Iliad.  There’s an entré for discussion.

Turning points in history:  Had Xerxes succeeded in avenging his father’s, Darius’s, defeats, and subjugated the Greeks, history would be much different.  The culture the Romans built on, the trading patterns from east to west and around the Mediterranean, the technologies, the myths, and the stories of the battles, would be different. (Remember, one of Darius’s defeats was at the Battle of Marathon, from which we get the modern marathon racing event, the traditional close of the modern Olympics.)

How do we know?

How do you handle that question?  Tell us in comments, please.

Resources and commentary on Thermopylae, Leonidas, and the 300:


Harrison Ford as Indiana Jones, for real

July 19, 2008

Don’t know how I missed this story earlier: Actor Harrison Ford won election to the Board of Directors of the Archaeological Institute of America (AIA).

In 1992, this hollow rock-crystal skull was sent to the Smithsonian anonymously. A letter accompanying the 30-pound, 10-inch-high artifact suggested it was of Aztec origin. (James Di Loreto & Donald Hurlburt/Courtesy Smithsonian Institution)

Caption from AIA's Archaeology: "In 1992, this hollow rock-crystal skull was sent to the Smithsonian anonymously. A letter accompanying the 30-pound, 10-inch-high artifact suggested it was of Aztec origin. (James Di Loreto & Donald Hurlburt/Courtesy Smithsonian Institution)"

He doesn’t just play one on the silver screen — he is one. Or at least, he’s part of the professional association. The press report from AIA stressed Ford’s support for archaeology and knowledge.

The Archaeological Institute of America is North America’s oldest and largest non-profit organization devoted to archaeology. With more nearly a quarter of a million members and subscribers and 105 local chapters, it promotes archaeological excavation, research, education, and preservation on a global basis. At the core of its mission is the belief that an understanding of the past enhances our shared sense of humanity and enriches our existence. As archaeological finds are a non-renewable resource, the AIA’s work benefits not only the current generation, but also those yet to come in the future.

“Harrison Ford has played a significant role in stimulating the public’s interest in archaeological exploration,” said Brian Rose, President of the AIA. “We are all delighted that he has agreed to join the AIA’s Governing Board.”

AIA was chartered by Congress in 1906 — a full decade before the Boy Scouts of America, for comparison — with a charge to help enforce the Antiquities Act (16 U.S.C. § 431).

More interesting, and more useful in the classroom, are the story and sidebar in the online magazine of the Institute, which notes that the crystal skull stories involve faked artifacts — and even that the idol in the opening scene of the very first Indy movie involves a faked artifact.

“Legend of the Crystal Skulls: The truth behind Indianapolis Jones’s latest quest” tells a great story by Jane MacLaren Walsh, a true story, the best kind for history buffs.

Sixteen years ago, a heavy package addressed to the nonexistent “Smithsonian Inst. Curator, MezoAmerican Museum, Washington, D.C.” was delivered to the National Museum of American History. It was accompanied by an unsigned letter stating: “This Aztec crystal skull, purported to be part of the Porfirio Díaz collection, was purchased in Mexico in 1960…. I am offering it to the Smithsonian without consideration.” Richard Ahlborn, then curator of the Hispanic-American collections, knew of my expertise in Mexican archaeology and called me to ask whether I knew anything about the object–an eerie, milky-white crystal skull considerably larger than a human head.

I told him I knew of a life-sized crystal skull on display at the British Museum, and had seen a smaller version the Smithsonian had once exhibited as a fake. After we spent a few minutes puzzling over the meaning and significance of this unusual artifact, he asked whether the department of anthropology would be interested in accepting it for the national collections. I said yes without hesitation. If the skull turned out to be a genuine pre-Columbian Mesoamerican artifact, such a rare object should definitely become part of the national collections.

I couldn’t have imagined then that this unsolicited donation would open an entirely new avenue of research for me.

Great story. In the classroom, it shows the methods of archaeologists and historians. Walsh reveals how archaeologists work, and along the way she details a lot of the history that prompts adventure stories like the Indiana Jones series.

Archaeology, the real stuff, never nukes the fridge.

File these links and this article away. The new movie in the “Mummy” series with Brendan Fraser in the starring role, is due out August 1, “The Mummy: Tomb of the Dragon Emperor.” The new movie is set on a dig in China, presenting more opportunities to use popular entertainment as an entré to real history, and real science (and probably all sorts of historical errors to correct).

But while the latest Indiana Jones epic reunites Jones with Marian Ravenwood played by Karen Allen, Rachel Weisz doesn’t appear in the pending Mummy installment. Weisz was replaced by another actress playing Evelyn O’Connell.


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