The 12 States of America from The Atlantic: Income inequality marks majority of America

March 10, 2011

Graphics story in The Atlantic this month — “The 12 States of America.”

Looking at my print copy I was struck that most of the “states” listed — really communities of people — have lost economic ground in the past decade.  Average per capita incomes dropped for most groups.

Since 1980, income inequality has fractured the nation. Click each icon to see each of the dozen states, which counties belong to them and how median income has changed over the last 30 years.

The old income inequality monster rearing its ugly, ugly head again.  America is losing ground.  No wonder the Republicans are discouraged — but why don’t they understand that its their policies that create the trouble?

This is a good version, but you’d do well to go check out a larger version at The Atlantic site, and read the short article by Dante Chinni and James Gimpel.

Vodpod videos no longer available.

The 12 States of America – The Atlantic, posted with vodpod

Click on any descriptor, and it will show which counties in America match that description.

Hmmm. In the headline, should that be “scars” instead of “marks?”


Mapping Australia’s history, in a .gif

February 27, 2011

Interesting .gif from Wikipedia:

History of Australia, in a map on a .gif

Political boundaries in Australia, and their changes

I like using such .gifs in PowerPoints, just one more way to add some interest and a lot more information to a session of “direct instruction.”  Do you know of other .gifs that could be used for U.S. history, or other history courses?  Please list them in comments.

Especially let us know if you find errors in this one.

Or errors in this one, which covers deeper time:

History of Autralian political boundaries, from discovery by Europeans

History of Autralian political boundaries, from discovery by Europeans


Typewriter of the moment: Helen Keller (again)

February 21, 2011

Helen Keller at her typewriter, 1946 - Perkins School for the Blind

Helen Keller at her typewriter, circa 1946 – Perkins School for the Blind

Helen Keller at her typewriter, circa 1946

Helen Keller at her typewriter, circa 1946. Perkins School for the Blind caption: In 1902, Helen Keller became the first person who was deafblind to write a book. Her autobiography, The Story of My Life, was the first of 14 books she wrote in her lifetime.

Earlier at Millard Fillmore’s Bathtub:  “Typewriter of the Moment:  Helen Keller”


The Egyptian Revolution will be Tweeted as well

February 12, 2011

Not only broadcast, but Tweeted, too.  From Dave Does The Blog:

RT @mhegi: Uninstalling dictator COMPLETE – installing now: egypt 2.0: █░░░░░░░░░░░░░░░░░░ #egypt #jan25 #tahrir#

Hey, I’m not that tech savvy — I had to think about that for a minute myself.  Quick:  Can you define “hashtag” to your grandmother?

Shouldn’t it be more like “Egypt 10.0?”

Update:  The actual Tweet:


Typewriter of the moment: Daniel Patrick Moynihan’s policy machine and crystal ball

January 15, 2011

Daniel Patrick Moynihan at his typewriter - photo from the American Academy of Political and Social Science

Daniel Patrick Moynihan at his typewriter – photo from the American Academy of Political and Social Science

This photo adorns the page announcing and asking for nominations to the annual Daniel Patrick Moynihan Prize, at the site of the American Academy of Political and Social Sciences.

Moynihan was the always-opinionated, rarely un-informed social scientist who caused a firestorm of criticism to rain down on Richard Nixon when Moynihan, working for Nixon, suggested that civil rights might benefit from a period of  “benign neglect” by the President.  Later he caused another firestorm, and along period of reflection, when he worried in a paper about the potential bad effects of social welfare programs that would ease suffering, but fail to achieve all of their loftier goals — the workers compensation program that could not restore a worker to full service, the program to provide food and shelter to the children of out-of-work parents if the parents could not find new jobs, etc.  He worried about the ‘culture of poverty.’

He raised hell as the U.S. Ambassador to the United Nations.

Time Magazine cover of UN Ambassador Daniel Patrick Moynihan

Time Magazine cover of UN Ambassador Daniel Patrick Moynihan

I knew him as the U.S. Senator from the State of New York, where he would shock his staff by showing up early on a Saturday morning to knock out a few letters to the editor, and op-ed pieces on his typewriter, without the bother of an in-session Senate to slow him down.  Later I worked for Checker Finn, who had worked with Moynihan when Moynihan was U.S. Ambassador to India.  Finn adopted many of his scholarly habits from Moynihan.  While working for Finn, nearly 25 years ago at the Department of Education, I got a taste of the world to come when Finn aggressively adopted e-mail messaging for himself and anyone of any executive influence under him, at the old Office of Educational Research and Improvement (OERI).  Aggressive adoption of new technologies can greatly improve organizations and organizational effectiveness.

Almost always with a bow tie.  Usually heavily editing his speeches, or writing his own op-ed pieces while other officials paid ghosts to do it for them.  Thinking thoughts Republicans would come to love, while a Democrat, but years before Republicans would come to love them.  Thinking thoughts Democrats would learn to love, but much later.

Few topics evaded his attention and careful thought.  He talked at length with David Gergen about the problem of Wikileaks, a dozen years before Wikileaks came to public attention (and years before Wikileaks even existed.)  He wrote books about international affairs, and education at home.  He pushed environmental laws to be better. Moynihan worried about the health of American families while James Dobson was still learning what a microphone and a family were.  In 1970, Moynihan warned the U.S. president that global warming is a problem.

Moynihan often appeared as the man who went everywhere, and did everything — after leaving Tulsa.  Moynihan studied everywhere.  He worked under New York Gov. Averell Harriman, and Presidents Kennedy, Johnson, Nixon and Ford, before serving a quarter century in the U.S. Senate (Is there some magic in that seat?  His predecessor was James Buckley; his successor was Hilary Rodham Clinton).   Here’s his brief Congressional biography:

MOYNIHAN, Daniel Patrick, a Senator from New York; born in Tulsa, Tulsa County, Okla., March 16, 1927; attended the public and parochial schools of New York City; attended City College of New York 1943; graduated, Tufts University, Medford, Mass., 1948; received graduate and law degrees from the Fletcher School of Law and Diplomacy 1949, 1961, 1968; studied as a Fulbright fellow, London School of Economics and Political Science 1950-1951; served in the United States Navy 1944-1947; Navy reserve 1947-1966; assistant and secretary to New York Governor W. Averell Harriman 1955-1958; member, New York State Tenure Commission 1959-1960; director, Syracuse University’s New York State Government Research Project 1959-1961; director, Joint Center for Urban Studies, Massachusetts Institute of Technology and Harvard University 1966-1969; author; held cabinet or sub-cabinet positions under Presidents John Kennedy, Lyndon Johnson, Richard Nixon, and Gerald Ford 1961-1976; Ambassador to India 1973-1975; United States Permanent Representative to the United Nations 1975-1976; elected as a Democrat to the United States Senate in 1976; reelected in 1982, 1988, and 1994 and served from January 3, 1977, to January 3, 2001; was not a candidate for reelection in 2000; chairman, Committee on the Environment and Public Works (One Hundred Second and One Hundred Third Congresses); Committee on Finance (One Hundred Third Congress); awarded the Presidential Medal of Freedom on August 9, 2000; professor at Syracuse University’s Maxwell School 2001; senior scholar, Woodrow Wilson International Center for Scholars 2001-2003; died of complications from a ruptured appendix on March 26, 2003; interment at Arlington National Cemetery.

Moynihan was a man ahead of his time.

In this photo, he’s making use of the technology of his time:  A typewriter (I think it’s an old Royal).  How much different would the world be had there been personal computers, and the internet, for Moynihan to toy with?

Moynihan was a writer, and the typewriter the chief tool of his trade.  How important was writing?  He gets his own page at Amazon.com.   Hendrik Hertzberg, in The New Yorker, last year:

Nevertheless, Pat Moynihan was, first, last, and always, a writer. “When I was five years old, I asked my mother, what does Dad do?” his daughter, Maura, recalls in a charming afterword to a splendid new book. “She replied, he’s a writer. And he was: he wrote every day—even at Christmas—articles, books, speeches, and, in great abundance, letters.” You might say he wrote his way to power. Without the writing, no foot-in-the-door job in John F. Kennedy’s Labor Department (and no influence once he was there), no high domestic-policy post in Richard Nixon’s White House, no ambassadorships to India and the United Nations, no twenty-four years in the Senate—and no Moynihan Station.

More, Resources:

Daniel Patrick Moynihan and typewriter, Harvard University

Daniel Patrick Moynihan and typewriter (Smith-Corona, I think) in his office at Harvard University – 1971. George Tames/The New York Times.


Typewriter of the moment: Sigurd Olson, a typewriter in the wilderness

January 11, 2011

 

Chuck Wick with Sigurd Olson's typewriter, in Olson's Ely, Minnesota, Home.  MPR photo
Chuck Wick knew Sigurd Olson and now owns Olson’s Ely home and writing shack. Olson’s old Royal typewriter, his pipes, photos, duck decoys and rock collection are still in the shack, where they were left after Olson died more than 20 years ago. (MPR Photo/Bob Kelleher)

Sigurd Olson, in his spare time, ghosted part of the National Wilderness Act, always fighting to preserve and protect his love, the Boundary Waters Canoe Area — on this typewriter.

It’s just a small shack, really an old garage — a drab olive green with a pair of windows on each side, tucked under a few shade trees in the corner of the yard.

When you enter, you hear the spring of a weathered, wooden screen door, and the slap when it closes behind.

Inside, it’s mustiness and old pine. The faded Royal typewriter still waits on a broad oak desk. Olson’s pipes are in the shallow bowl to the right.

Sigurd Olson at Quetico

Sigurd Olson at Quetico

From this typewriter, and this shack, Sigurd Olson captured in words the spirit of wilderness. Olson’s poetic writing has been compared to Henry David Thoreau’s, or John Muir’s. Chuck Wick owns the shack now.

“There’s all kinds of stuff here,” Wick says, fumbling a metal axe head pulled from a wooden drawer. “This piece here — this is an interesting one here. This is a trader’s axe that’s back from the voyageurs era.”

As he worked in his shack, Olson worried that 20th century America was fast gobbling up the nation’s last wild places.

Read the story at Minnesota Public Radio.

Read Olson’s book, The Singing Wilderness, or visit the website for the documentary on Olson with the same title, by Peter Olsen.

Resources:

It is wonderful to have national parks and forests to go to, but they are not enough. It is not enough to make a trip once a year or to see these places occasionally over a long week end. We need to have places close at hand, breathing spaces in cities and towns, little plots of ground where things have not changed; green belts, oases among the piles of steel and stone.

Sigurd Olson, “Our Need of Breathing Space,” at a Resources for the Future, Inc., forum, Washington, D.C., early 1958.


December 31: Bright Idea Day, anniversary of Edison’s light bulb

December 31, 2010

100,000 people gather in Times Square, New York City, tonight, and millions more around the world, in festivities for the new year made possible by the work of Thomas Alva Edison.

Here it is, the invention that stole sleep from our grasp, made clubbing possible, and launched 50,000 cartoons about ideas:

The light bulb Thomas Edison demonstrated on December 31, 1879, at Menlo Park, New Jersey - Wikimedia image

The light bulb Thomas Edison demonstrated on December 31, 1879, at Menlo Park, New Jersey - Wikimedia image (GFDL)

The light bulb. It’s an incandescent bulb.

It wasn’t the first bulb. Edison a few months earlier devised a bulb that worked with a platinum filament. Platinum was too expensive for mass production, though — and Edison wanted mass production. So, with the cadre of great assistants at his Menlo Park laboratories, he struggled to find a good, inexpensive filament that would provide adequate life for the bulb. By late December 1879 they had settled on carbon filament.

Edison invited investors and the public to see the bulb demonstrated, on December 31, 1879.

Thomas Edison in 1878, the year before he demonstrated a workable electric light bulb.  Library of Congress image

Thomas Edison in 1878, the year before he demonstrated a workable electric light bulb. CREDIT: Thomas Edison, head-and-shoulders portrait, facing left, 1880. Prints and Photographs Division, Library of Congress. Reproduction number LC-USZ62-98067

Edison’s successful bulb indicated changes in science, technology, invention, intellectual property and finance well beyond its use of electricity. For example:

  • Edison’s Menlo Park, New Jersey, offices and laboratory were financed with earlier successful inventions. It was a hive of inventive activity aimed to make practical inventions from advances in science. Edison was all about selling inventions and rights to manufacture devices. He always had an eye on the profit potential. His improvements on the telegraph would found his laboratory he thought, and he expected to sell the device to Western Union for $5,000 to $7,000. Instead of offering it to them at a price, however, he asked Western Union to bid on it. They bid $10,000, which Edison gratefully accepted, along with the lesson that he might do better letting the marketplace establish the price for his inventions. Other inventive labs followed Edison’s example, such as the famous Bell Labs, but few equalled his success, or had as much fun doing it.  (Economics teachers:  Need an example of the marketplace in action?)
  • While Edison had some financial weight to invest in the quest for a workable electric light, he also got financial support, $30,000 worth, from some of the finance giants of the day, including J. P. Morgan and the Vanderbilts who established the Edison Light Company.
  • Edison didn’t invent the light bulb — but his improvements on it made it commercial. “In addressing the question ‘Who invented the incandescent lamp?’ historians Robert Friedel and Paul Israel list 22 inventors of incandescent lamps prior to Joseph Wilson Swan and Thomas Edison. They conclude that Edison’s version was able to outstrip the others because of a combination of three factors: an effective incandescent material, a higher vacuum than others were able to achieve (by use of the Sprengel pump) and a high resistance lamp that made power distribution from a centralized source economically viable.”
  • Edison’s financial and business leadership acumen is partly attested to by the continuance of his organizations, today — General Electric, one of the world’s most successful companies over the past 40 years, traces its origins to Edison.

Look around yourself this evening, and you can find a score of ways that Edison’s invention and its descendants affect your life. One of the more musing effects is in cartooning, however. Today a glowing lightbulb is universally accepted as a nonverbal symbol for ideas and inventions. (See Mark Parisi’s series of lightbulb cartoons, “Off the Mark.”)

Even with modern, electricity-saving bulbs, the cartoon shorthand hangs on, as in this Mitra Farmand cartoon.

Fusilli has an idea, Mitra Farmand, Fuffernutter

Brilliant cartoon from Mitra Farmand, Fuffernutter

Or see this wonderful animation, a video advertisement for United Airlines, by Joanna Quinn for Fallon — almost every frame has the symbolic lightbulb in it.

Other resources:

Patent drawing for Thomas Edison's successful electric lamp.  Library of Congress

Thomas Edison's electric lamp patent drawing and claim for the incandescent light bulb CREDIT: “New Jersey--The Wizard of Electricity--Thomas A. Edison's System of Electric Illumination,” 1880. Prints and Photographs Division, Library of Congress. Reproduction Number LC-USZ62-97960.

Yeah, this is mostly an encore post.


Antique, if not ancient, technology

December 28, 2010

Slide rule, gifted to Art Hunt in December 2010 by his children - photo by Art Hunt

You could slide through the physics final with this device, at one time.

This is the device used to put humans on the Moon.

Have you ever used one?

It’s a slide ruleNice story about Art Hunt’s kids listening to tales from the olden days, and bringing back a little piece of the olden days for him.  He now claims to be ready for a power outage at his lab.

How does anyone understand a logarithmic scale anymore without a slide rule?  Does anyone make good slide rules anymore?

 


The view from the seat of the pilot of the Enola Gay / Smithsonian National Air and Space Museum

December 19, 2010

Old friend and thorn in the side Gil Brassard in Baton Rouge alerted us to this wonderful marriage of modern technology and history from David Palermo Photography — an interactive, panoramic view of the cockpit of the Enola Gay, the B-29 from which the first atomic bomb used in war was dropped.

How can you use this in class, teachers?  Got a lesson plan that puts a student in the seat of the pilot?

Vodpod videos no longer available.

Enola Gay / Smithsonian National Air and Space …, posted with vodpod

For technical reasons beyond my ken, one may not make this a full screen image. No problem. Go to David Palermo’s site, and see this as big as your computer monitor. I recommend viewing it there — it’s better, really.

Palermo has a portfolio of cockpits he’s shot at the Smithsonian, including the French Concorde, Gemini VII, a Bell Huey helicopter, Mercury Friendship VII, and a Lockheed Martin X-35 — with spherical panoramas available of those and more (look for the link that says “HD360°” and look at the drop-down menu).  He sells massive prints of the cockpits — something special for aviation and space buffs.


Typewriter of the moment: William Saroyan

December 19, 2010

William Saroyan's typewriter, photo from the Bancroft Library, University of Caliornia - Berkeley

William Saroyan's typewriter, displayed at the Saroyan Museum at his home in San Francisco - photo from the Bancroft Library, University of California; Berkeley

William Saroyan’s niece, Jacqueline Kazarian, recently gifted the Bancroft Library with a significant part of the archives of Saroyan’s work.  The press release on the gift included a photo of Saroyan’s Fox typewriter, which is displayed at the Saroyan museum in San Francisco.

Saroyan came from an Armenian American family, born in Fresno, California in 1908.  His writings illuminated the experience of Californians and Armenian Americans, especially during the Great Depression.

In many ways Saroyan’s work symbolizes the uniqueness of the Armenian community in America, especially California.  [You still out there, Ben Davidian?]   Wikipedia strikes the right tone:

Saroyan’s stories celebrated optimism in the midst of the trials and tribulations of the Depression. Several of Saroyan’s works were drawn from his own experiences, although his approach to autobiographical fact contained a fair bit of poetic license.

His advice to a young writer was: “Try to learn to breathe deeply; really to taste food when you eat, and when you sleep really to sleep. Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell.” Saroyan endeavored to create a prose style full of zest for life and seemingly impressionistic, that came to be called “Saroyanesque”.

The complete May 19, 2010,  press release from the University of California is below.

a sketch "from a Turkish admirer," a photo of the author in his youth, and a framed sketch of Saroyan

The Bancroft Library's new archival material on William Saroyan includes (left to right) a sketch "from a Turkish admirer," a photo of the author in his youth, and a framed drawing of Saroyan with a passage of his writing on Armenia. (Images courtesy of the Bancroft Library)

The Bancroft Library accepts gift of William Saroyan archives

By Kathleen Maclay, Media Relations | 19 May 2010

William Saroyan

William Saroyan (Photo courtesy of The Bancroft Library)

BERKELEY — The Bancroft Library at the University of California, Berkeley, has received a spectacular gift of hundreds of books, drawings, correspondence and other personal communications to and from one of America’s best-known writers, the Armenian-American author and playwright William Saroyan.

The rich collection includes approximately 48 cartons with 1,200 books and other archival materials assembled by his niece, Jacqueline Kazarian, of San Francisco, who also is the founder of the William Saroyan Literary Foundation International. A celebration of the gift is set for noon on Friday (May 21) at The Faculty Club on campus.

“UC Berkeley is such an incredible place of learning and growing and intellectual exploration,” said Kazarian, who earned degrees in communication and decorative arts at UC Berkeley in the early 1950s. “I know that my uncle wanted his library, manuscripts and galleys to go to Berkeley. Students will be inspired by the collection.”

Apart from this gift, The Bancroft Library already retains significant holdings of Saroyan’s work that it collected over the course of his life and career, and it continues to add to that collection. Most of the latest materials come from Saroyan’s home on San Francisco’s 15th Avenue that is now a Saroyan museum directed by Kazarian. Those materials were supplemented by Kazarian’s extensive personal collection, as well as by items of Saroyan’s that she acquired through a prominent Boston archivist and via a Saroyan friend.

“Jacqueline Kazarian’s new gift is the largest and most substantial augmentation to the Saroyan collections at Bancroft that we have ever received,” said Peter Hanff, Bancroft’s deputy director.

The author’s classic manual typewriter, as displayed at his San Francisco home

The author’s classic Fox manual typewriter, as displayed at his San Francisco home. (Photo courtesy of The Bancroft Library)

Saroyan, born in Fresno, Calif., in 1908, drew extensively on his Armenian-American heritage and childhood experiences for his books, plays and short stories. Much of his writing was considered impressionistic and reflected a hearty optimism often hard to find during the gritty Great Depression. He died in 1981 at the age of 72, with his niece at his side.When Story magazine editors Martha Foley and Whit Burnett printed Saroyan’s “The Daring Young Man on the Flying Trapeze” in 1934, it was an immediate success, triggering Saroyan’s fame and standing as one of his many literary achievements.

“Uncle Bill’s writing revolutionized the short story,” said Kazarian, adding that she has always found his work “almost spiritual and fable-like.”

His five-act play, “The Time of Your Life,” is the only American play to have won both the New York Drama Critics’ Circle Award and the Pulitzer Prize. Saroyan’s work as a screenwriter with Hollywood director Louis B. Mayer on the film “The Human Comedy” won an Academy Award in 1943, and Saroyan later wrote a widely acclaimed book with the same title.

Kazarian’s gift to The Bancroft Library includes multiple first editions of Saroyan’s works, such as “The Daring Young Man on the Flying Trapeze,” “My Name is Aram” (1940), “The Human Comedy” and “Obituaries” (1979), and many materials personally inscribed by the writer. Also among the new items according to Steven Black, the head of acquisitions for Bancroft, are letters, telegrams and notes written by Saroyan to relatives and others close to him, mostly during the 1930s and 1940s.

antiquarian book dealer Peter Howard of Berkeley, shown here poring through Saroyan materials

Antiquarian book dealer Peter Howard of Berkeley, poring through Saroyan materials. (Photo courtesy of The Bancroft Library)

“He personalized a lot of what passed through his hands,” Black said, noting that much of the material features marginalia reflecting Saroyan’s thoughts and interests.

There also is a copy of Henry Miller’s “Aller Retour New York,” an 80-page journal about a 1935 visit by Miller to New York City and his journey aboard a Dutch ship back to Europe. It is inscribed by Miller to Saroyan.

And a Saroyan scrapbook in the collection contains press announcements about the Pulitzer Prize for his book, “The Time of Your Life.” He scoffed at the award, contending that the arts should not be judged by commerce.

The new Bancroft collection also contains a pre-publication proof of “Burnt Norton,” the first poem of T.S. Eliot’s “Four Quartets,” which Black said the publisher may have given to Saroyan “when he crossed the pond” on a trip from his temporary home in France to England.

There also is a wide range of magazines, including issues of Horizon and the Partisan Review, a leading publication of the Anglo-American intelligentsia during the 1930s and ’40s, Black said.

The first major deposit at The Bancroft Library of Saroyan’s papers was recorded in October 1980, and the library agreed to organize the collection and give Saroyan a general description and an index. After Saroyan died in 1981, the Saroyan Foundation paid the library to continue assembling the papers for official archives, which the foundation ultimately decided to place at Stanford University. That happened in 1996.

William Saroyan's niece, Jacqueline Kazarian, surveys materials at his San Francisco home

William Saroyan's niece, Jacqueline Kazarian, surveys materials in his home. (Photo courtesy of The Bancroft Library)

Kazarian’s donation is in honor of Berkeley antiquarian book dealer Peter Howard, who has provided appraisal assistance to Bancroft on Saroyan materials and other collections for decades. While director of The Bancroft Library, the late James D. Hart also developed strong professional and personal ties to Saroyan over the years, according to Kazarian and Black.

“Now, the Saroyan family materials come to a place that Saroyan himself would have been happy to see accepting them,” Black said, noting that Bancroft is proud to have so much of Saroyan’s “intellectual remains” to be able to share with the public.

Scheduled to speak about the acquisition at Friday’s event are Jacqueline Kazarian; David Calonne, vice president of education for the Saroyan Literary Foundation International and a Saroyan scholar; San Francisco novelist Herbert Gold; theater director Val Hendrickson reading Saroyan’s short story, “Common Prayer,” and the credo to “The Time of Your Life”; and Charles Faulhaber, director of The Bancroft Library.

UC Berkeley already is home to an Armenian Studies Program, which is focused on contemporary Armenian history, politics, language and culture. And Bancroft, a rich, special collections library containing historical and literary documents and other materials relating to California, the West, Mexico and Latin America, is known for its strong collections on California writers, including Jack London, Robinson Jeffers, Bret Harte, Frank Norris and others.

More information about The Bancroft Library is online. Bancroft is celebrating its 150th anniversary this year.

More:

William Saroyan commemorative stamps from the U.S., and U.S.S.R.

On commemorative stamps issued in both the U.S. and the U.S.S.R., Saroyan wears the Armenian-style moustache he wore through most of his later life. For a stamp to honor a man in both the U.S. and the Soviet Union was extremely rare -- maybe unique.


Typewriter of the moment: Harlan Ellison and his Olympia SG3

December 12, 2010

Harlan Ellison, his Olympia SG3, and other stuff - photo credit to MAX KATZ and KAREN FRIEDRICH
Harlan Ellison and his typewriter.  According to Richard Polt, the machine pictured is probably the Olympia SG3. Photo credit to Max Katz and Karen Friedrich.

Writers and their tools, in their workspaces.  We could probably date this photo by the stuff in Ellison’s office — the Cheshire Cat cutout?  Wasn’t that from an Edward Gorey-illustrated version of the Alice in Wonderland story?  What year was that?  The telephone on the wall, the desk scissors design . . . none of those fall into any expertise I have.  Someone else will have to date it.  My TinEye search didn’t shed any useful light.

I found the photo at Richard Polt’s fun site at Xavier University, The Classic Typewriter Page.  Polt is clearly working toward a MacArthur Foundation genius grant with this material.  Well, he would be, were I a judge.  (Who should get credit for the photo?  I don’t know — can you help identify who gets credit? See comment from Mr. Ellison:  ” . . .  image was captured for my 1974 STORY collection, APPROACHING OBLIVION, by MAX KATZ and KAREN FRIEDRICH.”  Credit for the photo gleefully acknowledged here.)

Oh, by the way, stay tuned:  Ellison is trying to sell his first typewriter.  That is a topic worthy of its own post.

Tip of the old scrub brush to the unfortunately moribund The Wit of the Staircase.


Norton Security: Customer service fail

November 29, 2010

For the past two weeks I’ve been trying to get approval for a license I already paid for to work on my laptop.  Probably a dozen times I’ve gotten a message that I’ve been “updated,” or “approved,” or somesuch, but each morning when I boot up I get the nastygram from Norton that my “trial” security period is ended — or now, that I’m wholly unprotected.

Never mind that this is the 6th license I’ve bought from Norton in two years for two different computers.

Skroom.  Norton security is worthless if it doesn’t work after you’ve paid them several times.  Off to shop for something else.

And, just try to contact them.  E-mails go unanswered for weeks.  Phone calls are disconnected after 15 minutes of waiting, in the middle of some explanation for why you should be happy to be waiting.

Once upon a time I found Norton to be responsive and very useful.  Now Norton is merely the subject of great frustration.

Rats.


Twitter for the secondary social studies class, and teacher

November 1, 2010

Some teachers desperately work to make sure that education doesn’t completely miss the computer, internet and telecommunications revolution, the way it missed the television revolution.

Twitter?  Sure it’s annoying — if you know it only as a tool for egotistical twenty-somethings to brag about binge drinking.

Can it be useful to support learning in the classroom, or for the classroom?

New Century History delivers information on Twitter to you on a platter.  Part 1 discusses the basics of Twitter, and the most common uses including communication that should be very useful to any classroom teacher.  Part 2 pushes the envelope a bit, discussion how to use Twitter in direct support of the classroom, and maybe in the classroom .

Well worth the read, if you have a lot of kids on smart phones, or a lot of kids with internet access at any place during the day.

This is good stuff, really.  I just routed the posts to our entire department.   I’m looking for allies who know how to use technology in the War on Ignorance of History.

More:


H. W. Brands on the study of history, with technology

September 26, 2010

Spent half a day with H. W. Brands, professor of history at the University of Texas, and author of at least one of my favorite history books, The First American (and several others).

Brands banned the use of computers for notetaking in his classrooms this fall.  It’s not the notes he objects to, of course, but the students’ side-activities of checking e-mail, eBay, and ESPN, rather than paying attention to the lecture, and other activities in lieu of taking notes.

Nominally our discussion centered on the decade of 1890 to 1900, the Reckless Decade, as Brands’ book on the era titles it.   Brands took a larger, circular route to the topic, today.  These discussions come under the aegis of the Dallas Independent School District’s Teaching American History Grant, and the Gilder-Lehrman Institute chipped in today, too.  We are a polyglot group of teachers of American history, and a few other related social studies subjects, in Dallas high schools.

I asked about technology beyond lecture, or “direct instruction” as the curriculum and teacher berating  rubrics so dryly and inaccurately phrase it.   Brands focused on the effects of connected students in the lecture, a problem which we officially should not have in Dallas schools.  We discovered he’s using Blackboard (probably the electronic classroom standard for UT-Austin).  I’ve used Blackboard in college instruction, and a somewhat less luxurious version in high schools.  Blackboard works better than others I’ve tried.

Over several hours Brands said he teaches best when he performs well as a story teller — when the students put down their note-taking pencils and listen.  Two observations:  It helps to be a good story teller, and, second, that requires that one know a story to tell.

Our grant could give us better stories to tell.  Most educational enterprises produce great benefits as by-products of the original learning goal.  Our teacher studies of history are no different.


BSA awards Bill Gates the Silver Buffalo

September 15, 2010

News came out during the Jamboree, but yesterday in Seattle the Boy Scouts of America made it tangibly official.

Microsoft founder and philanthropist Bill Gates, Jr. received the Silver Buffalo Award, the highest honor BSA gives to any Scouter.

Gates was a Life Scout; his father, William Gates, Sr.,  is an Eagle Scout.  The awards ceremony was scheduled to include members of Gates’s Cub Scout Pack 144 and Boy Scout Troop 186.

Microsoft founder Bill Gates receiving the Silver Buffalo award from Boy Scouts of America. BBC image

Microsoft founder Bill Gates receiving the Silver Buffalo award from Boy Scouts of America. BBC image

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