Annals of global warming: Climate change hammers the Adelie penguins

July 22, 2013

Adelie penguins struggle to survive changes in their nesting and feeding sites caused by warming air and waters around Antarctica

Adelie penguins struggle to survive changes in their nesting and feeding sites caused by warming air and waters around Antarctica

New, very short film from the E. O. Wilson Biodiversity Foundation highlights threats to Adelie penguins from climate change, already.  Actor and conservation activist Harrison Ford narrated “Ghost Rookeries, Climate Change and the Adelie Penguin.”

Details from the Biodiversity Foundation at their YouTube site:

Published on Jun 26, 2013

“Ghost Rookeries,” narrated by actor, conservationist, and member of the E.O. Wilson Biodiversity Foundation (EOWBF) Board of Advisors Harrison Ford, conveys the story of the Adelie Penguin, whose habitat—and thus the biodiversity of all of Antarctica—is being threatened by real-time environmental changes.

“The consequences of a loss of biodiversity could encompass everything from altering key Antarctic marine food chains to the loss of species that may hold cures to cancer,” writes Dr. James McClintock, whose recent book, ‘Lost Antarctica: Adventures in a Disappearing Land’ (Palgrave/MacMilllan, 2012), forms the basis of “Ghost Rookeries.”

The E.O. Wilson Biodiversity Foundation (EOWBF) and the Association of Zoos and Aquariums (AZA) will be embarking on an exciting new initiative beginning in the summer of 2013. Beginning with “Ghost Rookeries: Climate Change and the Adelie Penguin” (4 minutes, 2013), short videos produced by the EOWBF will be shown at select AZA-accredited zoos and aquariums located in the United States. With the vast reach of AZA-accredited zoos and aquariums, “Ghost Rookeries” and future videos will be seen by millions of visitors.

Dr. Paula Ehrlich, President and CEO of the EOWBF, calls “Ghost Rookeries” and the partnership with AZA “. . . a wonderful way to engage audiences about the importance of preserving our biological heritage through story. The Adelie Penguin is an iconic story, a symbol, of the real-time effect of climate change on biodiversity.”

“Ghost Rookeries” was produced by the E.O. Wilson Biodiversity Foundation, with the University of Alabama at Birmingham, and the the Tennessee Aquarium.

This film looks at a small part of the Adelie penguin population, on Torgerson Island, near Palmer Station.  This population symbolizes the difficulties of dealing with climate change, or even knowing what the effects will be.  Critics of pollution control to stop climate change argue that populations of all animals and plants will adapt.  Indeed the last decade saw a rise in total numbers of Adelies across Antarctic waters, and Gentoo penguins have set up new colonies to avoid warming air and waters.

More careful watchers note problems, though.  Warming air, and decreasing hard ice, brings more snow — nominally good, if one assumes the snow turns to ice.  In this case, the snows are brief, and they melt quickly.  It’s the cold meltwater that kills the chicks, drowning them.  This may be counterintuitive, or even ironic,  that warming causes a cold water seabird to drown, or die of hypothermia.  Nature is stranger than we can imagine, and often strange enough that it defies the understanding of scientifically-dilettante politicians.

Generally the loss of ice is the biggest problem for penguins; specific populations face entirely different threats, however, depending on the local effects of climate change.

Dr. Jim McClintock, in Antarctica.  A professor at the University of Alabama-Birmingham

Dr. Jim McClintock, in Antarctica. A professor at the University of Alabama-Birmingham, he wrote Antarctica Lost, upon which the film about the Adelie penguins is based.

The film is a short project based off of the work of Dr. Jim McClintock, an almost-legendary Antarctic researcher based out of the University of Alabama at Birmingham (UAB).  McClintock published a book on his work last year that deals with many different aspects of climate change in the Southern Ocean and its continental land mass, Lost Antarctica, Adventures in a Disappearing Land.

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Harrison Ford as Indiana Jones, for real

July 19, 2008

Don’t know how I missed this story earlier: Actor Harrison Ford won election to the Board of Directors of the Archaeological Institute of America (AIA).

In 1992, this hollow rock-crystal skull was sent to the Smithsonian anonymously. A letter accompanying the 30-pound, 10-inch-high artifact suggested it was of Aztec origin. (James Di Loreto & Donald Hurlburt/Courtesy Smithsonian Institution)

Caption from AIA's Archaeology: "In 1992, this hollow rock-crystal skull was sent to the Smithsonian anonymously. A letter accompanying the 30-pound, 10-inch-high artifact suggested it was of Aztec origin. (James Di Loreto & Donald Hurlburt/Courtesy Smithsonian Institution)"

He doesn’t just play one on the silver screen — he is one. Or at least, he’s part of the professional association. The press report from AIA stressed Ford’s support for archaeology and knowledge.

The Archaeological Institute of America is North America’s oldest and largest non-profit organization devoted to archaeology. With more nearly a quarter of a million members and subscribers and 105 local chapters, it promotes archaeological excavation, research, education, and preservation on a global basis. At the core of its mission is the belief that an understanding of the past enhances our shared sense of humanity and enriches our existence. As archaeological finds are a non-renewable resource, the AIA’s work benefits not only the current generation, but also those yet to come in the future.

“Harrison Ford has played a significant role in stimulating the public’s interest in archaeological exploration,” said Brian Rose, President of the AIA. “We are all delighted that he has agreed to join the AIA’s Governing Board.”

AIA was chartered by Congress in 1906 — a full decade before the Boy Scouts of America, for comparison — with a charge to help enforce the Antiquities Act (16 U.S.C. § 431).

More interesting, and more useful in the classroom, are the story and sidebar in the online magazine of the Institute, which notes that the crystal skull stories involve faked artifacts — and even that the idol in the opening scene of the very first Indy movie involves a faked artifact.

“Legend of the Crystal Skulls: The truth behind Indianapolis Jones’s latest quest” tells a great story by Jane MacLaren Walsh, a true story, the best kind for history buffs.

Sixteen years ago, a heavy package addressed to the nonexistent “Smithsonian Inst. Curator, MezoAmerican Museum, Washington, D.C.” was delivered to the National Museum of American History. It was accompanied by an unsigned letter stating: “This Aztec crystal skull, purported to be part of the Porfirio Díaz collection, was purchased in Mexico in 1960…. I am offering it to the Smithsonian without consideration.” Richard Ahlborn, then curator of the Hispanic-American collections, knew of my expertise in Mexican archaeology and called me to ask whether I knew anything about the object–an eerie, milky-white crystal skull considerably larger than a human head.

I told him I knew of a life-sized crystal skull on display at the British Museum, and had seen a smaller version the Smithsonian had once exhibited as a fake. After we spent a few minutes puzzling over the meaning and significance of this unusual artifact, he asked whether the department of anthropology would be interested in accepting it for the national collections. I said yes without hesitation. If the skull turned out to be a genuine pre-Columbian Mesoamerican artifact, such a rare object should definitely become part of the national collections.

I couldn’t have imagined then that this unsolicited donation would open an entirely new avenue of research for me.

Great story. In the classroom, it shows the methods of archaeologists and historians. Walsh reveals how archaeologists work, and along the way she details a lot of the history that prompts adventure stories like the Indiana Jones series.

Archaeology, the real stuff, never nukes the fridge.

File these links and this article away. The new movie in the “Mummy” series with Brendan Fraser in the starring role, is due out August 1, “The Mummy: Tomb of the Dragon Emperor.” The new movie is set on a dig in China, presenting more opportunities to use popular entertainment as an entré to real history, and real science (and probably all sorts of historical errors to correct).

But while the latest Indiana Jones epic reunites Jones with Marian Ravenwood played by Karen Allen, Rachel Weisz doesn’t appear in the pending Mummy installment. Weisz was replaced by another actress playing Evelyn O’Connell.