MacArthur grants announced; 23 lucky people to follow, or not

October 2, 2012

I got the press release three minutes early, actually — not that I could have gotten anything published in that time.  At the promised time, in other words.

MacArthur grant announcement time!  It’s one of those things I take some delight in, to see who are the unsung (usually) from whom much will be expected.  With 23 grantees this year, it’s about as much fun as the Rhodes Scholar announcements.  Rhodes Scholars at least know they are in contention, having had to apply and go through rigorous interviews.  MacArthur fellows don’t know they’ve been nominated.

So, of course, the stories about the grantees often start with the surprise announcement.  The Foundation’s press release starts there, too.  I wonder how many news stories will replicate the press release in that?

23 MacArthur Fellows Announced
One call out of the blue – $500,000 – No strings attached

The MacArthur Foundation today named 23 new MacArthur Fellows for 2012. Working across a broad spectrum of endeavors, the Fellows include a pediatric neurosurgeon, a marine ecologist, a journalist, a photographer, an optical physicist and astronomer, a stringed-instrument bow maker, a geochemist, a fiction writer, and an arts entrepreneur. All were selected for their creativity, originality, and potential to make important contributions in the future.

The recipients learned, through a phone call out of the blue from the Foundation, that they will each receive $500,000 in no-strings-attached support over the next five years. MacArthur Fellowships come without stipulations or reporting requirements and offer Fellows unprecedented freedom and opportunity to reflect, create, and explore. The unusual level of independence afforded to Fellows underscores the spirit of freedom intrinsic to creative endeavors. The work of MacArthur Fellows knows neither boundaries nor the constraints of age, place, and endeavor.

“These extraordinary individuals demonstrate the power of creativity,” said MacArthur President Robert Gallucci. “The MacArthur Fellowship is not only a recognition of their impressive past accomplishments but also, more importantly, an investment in their potential for the future. We believe in their creative instincts and hope the freedom the Fellowship provides will enable them to pursue unfettered their insights and ideas for the benefit of the world.”

Meet the 2012 MacArthur Fellows ››

An eclectic group.  Already Larry Ferlazzo posted that one of the awardees is the young economist who bashes teachers, Raj Chetty — there is no requirement that awardees be universally loved, but someone who courts controversy rarely makes the list.  (An exception might be Eugenie Scott , the genius behind the National Center for Science Education, whose winning a MacArthur grant forever tainted such awards to creationists, to the delight of fans of science.)

Go noodle around at the MacArthur Foundation site — each awardee has a bio, a couple of very nice photos, and a video on their work.  Good stuff.

Here they are, in alphabetical order, straight from the MacArthur Foundation.  Hot links go to more information at the Foundation’s site.

Meet the 2012 MacArthur Fellows

Profile portrait of Natalia Almada

Natalia Almada

Altamura Films

Mexico City, Mexico

Age: 37

Documentary Filmmaker capturing complex and nuanced views of Mexican history, politics, and culture in insightful and poetic works that affirm the potency of documentary film as both an art form and a tool for social change.

More 

Profile portrait of Uta Barth

Uta Barth

Los Angeles, CA

Age: 54

Conceptual Photographer exploring the nature of vision and the difference between how we see reality and how a camera records it in evocative, abstract compositions that focus attention on the act of looking and the process of perception.

More 

Profile portrait of Claire Chase

Claire Chase

International Contemporary Ensemble

Brooklyn, NY

Age: 34

Arts Entrepreneur forging a new model for the commissioning, recording, and live performance of classical music and opening new avenues of artistic expression for the twenty-first-century musician.

More 

Profile portrait of Raj Chetty

Raj Chetty

Harvard University

Cambridge, MA

Age: 33

Public Economist elucidating key policy issues of our time in theoretical and empirical studies that refine our understanding of the impact of public finance on economic activity.

More 

Profile portrait of Maria Chudnovsky

Maria Chudnovsky

Columbia University

New York, NY

Age: 35

Mathematician investigating the fundamental principles of graph theory and laying the conceptual foundations for deepening connections between graph theory and other major branches of mathematics, such as linear programming and geometry.

More 

Profile portrait of Eric Coleman

Eric Coleman

University of Colorado School of Medicine

Denver, CO

Age: 47

Geriatrician addressing system-wide deficiencies in patient transitions from hospitals to homes and other sites of care and improving the health outcomes of millions of older adults suffering from chronic illness.

More 

Profile portrait of Junot Díaz

Junot Díaz

Massachusetts Institute of Technology

Cambridge, MA

Age: 43

Fiction Writer using raw, vernacular dialogue and spare, unsentimental prose to draw readers into the various and distinct worlds that immigrants must straddle.

More 

Profile portrait of David Finkel

David Finkel

Washington Post

Washington, DC

Age: 56

Journalist pushing beyond the constraints and conventions of traditional news writing to craft sustained narratives that heighten the reality of military service and sacrifice in the public consciousness.

More 

Profile portrait of Olivier Guyon

Olivier Guyon

University of Arizona

Tucson, AZ

Age: 36

Optical Physicist and Astronomer designing telescopes and other astronomical instrumentation that play a critical role in the search for Earth-like planets outside our solar system.

More 

Profile portrait of Elissa Hallem

Elissa Hallem

University of California, Los Angeles

Los Angeles, CA

Age: 34

Neurobiologist exploring the physiology and behavioral consequences of odor detection and chemoreception in invertebrates and identifying interventions that may eventually reduce the scourge of parasitic infections in humans.

More 

Profile portrait of An-My Lê

An-My Lê

Bard College

Annandale-on-Hudson, NY

Age: 52

Photographer approaching the subjects of war and landscape from new perspectives to create images that blur the boundaries between fact and fiction and are rich with layers of meaning.

More 

Profile portrait of Sarkis Mazmanian

Sarkis Mazmanian

California Institute of Technology

Pasadena, CA

Age: 39

Medical Microbiologist illuminating the complex interplay between microbes and the host immune system and the role certain bacteria may play in the development, or mitigation, of a broad range of human diseases.

More 

Profile portrait of Dinaw Mengestu

Dinaw Mengestu

Washington, DC

Age: 34

Writere nriching understanding of the little-explored world of the African diaspora in America in tales distilled from the experience of immigrants whose memories are seared by escape from violence in their homelands.

More 

Profile portrait of Maurice Lim Miller

Maurice Lim Miller

Family Independence Initiative

Oakland, CA

Age: 66

Social Services Innovator designing programs of mutual support and self-sufficiency that break the cycle of economic dependency for low-income families and build more resilient communities from the ground up.

More 

Profile portrait of Dylan C. Penningroth

Dylan C. Penningroth

Northwestern University

Evanston, IL

Age: 41

Historianunearthing evidence from widely scattered archives to shed light on shifting concepts of property ownership and kinship among African American slaves and their descendents following emancipation.

More 
Profile portrait of Terry Plank

Terry Plank

Columbia University

New York, NY

Age: 48

Geochemistprobing the usually invisible but remarkably powerful thermal and chemical forces deep below the Earth’s crust that drive the motion of tectonic plate collisions.

More 

Profile portrait of Laura Poitras

Laura Poitras

Praxis Films

New York, NY

Age: 48

Documentary Filmmaker revealing the consequences of military conflict abroad in illuminating documentaries that portray the lives and intimate experiences of families and communities largely inaccessible to the American media.

More 

Profile portrait of Nancy Rabalais

Nancy Rabalais

Louisiana Universities Marine Consortium

Chauvin, LA

Age: 62

Marine Ecologist documenting the environmental and economic consequences of hypoxic zones in the Gulf of Mexico and informing strategies for restoring the degraded waters of the Gulf and the Mississippi River basin.

More 

Profile portrait of Benoît Rolland

Benoît Rolland

Benoît Rolland Studio

Boston, MA

Age: 58

Stringed-Instrument Bow Maker experimenting with new designs and materials to create violin, viola, and cello bows that rival the quality of prized nineteenth-century bows and meet the artistic demands of today’s musicians.

More 

Profile portrait of Daniel Spielman

Daniel Spielman

Yale University

New Haven, CT

Age: 42

Computer Scientist connecting theoretical and applied computing to resolve issues in code optimization theory with implications for how we measure, predict, and regulate our environment and behavior.

More 

Profile portrait of Melody Swartz

Melody Swartz

École Polytechnique Fédérale de Lausanne

Lausanne, Switzerland

Age: 43

Bioengineer enhancing understanding of the dynamic processes of tissue vascularization and immune responses to tumor invasion using a large toolbox of concepts and methods from biophysics, cell culture, molecular genetics, engineering, and immunology.

More 

Profile portrait of Chris Thile

Chris Thile

New York, NY

Age: 31

Mandolinist and Composer creating a new musical aesthetic and a distinctly American canon for the mandolin through a lyrical fusion of traditional bluegrass orchestrations with a range of styles and genres.

More 

Profile portrait of Benjamin Warf

Benjamin Warf

Children’s Hospital Boston

Boston, MA

Age: 54

Pediatric Neurosurgeon revolutionizing treatment of hydrocephalus and other intra-cranial diseases in very young children and advancing standards of and access to health care in both the developed and poorest regions of the world.

More 

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August 14, 1951: Leo Fender’s Telecaster guitar patent issued

August 16, 2012

August 14 carries a lot of weight in history, doesn’t it?  Just learned of this August 14, 1951 event:

Patent drawins for Clarence L. Fender's new guitar , later named "Telecaster"

Most guitar aficionados recognize this icon of rock and roll — the Fender Telecaster. In these drawings on the August 14, 1951, patent grant, it was just a “guitar.”

Leo Fender‘s first name was Clarence?  Who knew?

Take a look at page 2 of the patent:  Gretsch?  What other names do you recognize?

One of my ex-brothers-in-law was Fender’s tax guy, but years later.  I was never successful in dropping the hint that Fender’s tax attorney’s brother-in-law might be real grateful if, you know, a sample or a second might find its way to the tax attorney’s office, and then to the brother-in-law’s home and amplifier . . .

Tip of the old scrub brush to Premier Guitar’s Facebook page.

More, Related Material:

"Road worn" Fender Telecaster - photo by Fender

“Road worn” Fender Telecaster – photo by Fender


Willie Nelson Blvd.

August 12, 2012

 

Willie Nelson Blvd, Austin, Texas - IMGP2228 photo by Ed Darrell (please attribute)

Waiting for the bats in Austin, and I looked up to find I was on Willie Nelson Boulevard!

A star on the sidewalk in Hollywood is nice, I suppose.  But how many recording or film artists get streets named after them in the capital city of their home state?

And, can you list that as a good reference on your sentencing report on a possession charge?

Details, from the Austin American-Statesman:

2nd Street renamed for Willie Nelson

By Sarah Coppola | Thursday, May 27, 2010, 10:55 AM

Part of Second Street will now bear the honorary name Willie Nelson Boulevard.

The City Council approved the change this morning as a tribute to the singer, who has lived in the Austin area nearly 40 years and sold more than 50 million records.

The city will install Willie Nelson Boulevard signs this summer at every block along Second Street from Trinity Street to San Antonio Street. The formal name, mailing addresses and street signs for Second Street will stay the same, but residents and businesses along the street will be able to receive mail using the Willie Nelson Boulevard address, said Mayor Lee Leffingwell, who proposed the idea.

A nonprofit group, Capital Area Statues, is raising money to put a full-size statue of Nelson on Second Street, in front of the new Austin City Limits studio. That nonprofit commissioned the sculpture and unveiled a smaller version of it earlier this month.

More Willie Nelson


Peter Schickele – 77 on July 17, 2012

July 17, 2012

 

Peter Schickele is 77 today yesterday.

Peter Schickele, a.k.a. P. D. Q. Bach

Peter Schickele, born July 17, 1935

May he live to be a happy, robust, still-composing, still performing 137, at least.

Some people know him as a great disk jockey. Some people know him as the singer of cabaret tunes. Some people know and love him as a composer of music for symphony orchestra, or to accompany Where the Wild Things Are.

Peter Shickele, left, and P. D. Q. Bach, together, in happier times.

Then there are those happy masses who know him for his historical work, recovering the works of Johann Sebastian Bach’s final and most wayward child, P. D. Q. Bach.

Tip of the old bathtub-hardened conductor’s baton to Eric Koenig.

This is mostly an encore post.  It was scheduled to run on time, not sure why it didn’t — problems of being on the road, you know.

 


Woody Guthrie’s 100th birthday

July 14, 2012

Woody Guthrie singing, Smithsonian Folkways image

Woody Guthrie singing, Smithsonian Folkways image – The sticker on Woody’s guitar reads, “This Machine Kills Fascists.”  Woody regarded music as a great tool of democracy and freedom.

July 14, 2012, marks the 100th anniversary of the birth of Woody Guthrie, folksinger, union organizer, chronicler of American values, troubles and change.

We’re already more than halfway through Woody’s centennial year — and what celebration took place at Millard Fillmore’s Bathtub?  History slips by so fast.

Much celebration remains.  Get out your calendar and figure out which events you can join in.

Poster for the 2012 Woody Guthrie Folk Festival in Okemah, Oklahoma

Poster for the 2012 Woody Guthrie Folk Festival in Okemah, Oklahoma

Wonderfully, a website celebrates Woody’s 100th:

Perhaps fittingly, Millard Fillmore’s Bathtub hits the road again, today — off through Oklahoma.

In the interim, get out there, get the history, and join in the chorus!

More, Other Sources:

Page from booklet of Woody Guthrie sheet music...

Page from booklet of Woody Guthrie sheet music and lyrics (Photo credit: Wikipedia)


Facebook-fiends-and-Twitterists? “I’ve got them on the list.”

May 26, 2012

Believe it or not, this post is about education leadership, or its lack.

It is said that Gerald Ford once said of Richard Nixon’s “enemies list,”

“Anybody who can’t keep his enemies in his head has too many enemies.”

Richard Nixon, had he acknowledged the sentiment, probably could have devised a way to pare his list not exactly in keeping with Gerald Ford’s good-guy intentions.  More than one way to pare a list, if you know what I mean.

My mind wandered off to enemies lists when I discovered this week that one of our former administrators had actually kept lists of teachers — and probably other support people — and threatened more than one with “placement on the list.”

What school of school leadership taught that?  The Monty Python School of How KnNot to Do It?

English: 1919 D'Oyly Carte Opera Company publi...

1919 D’Oyly Carte Opera Company publicity poster for The Mikado, featuring the character of the Lord High Executioner. Illustration by J. Hassal.

The only appropriate response when learning of such a list is to ask, “Who appointed you Lord High Executioner?”

Do you disagree?  Lists of enemies do not denote the great leader.  They denote someone who either saw “The Mikado” and missed all the jokes, or didn’t bother to see the thing at all.  Who can follow someone who doesn’t know the jokes from “Mikado,” and consequently, falling victim to the trap warned of by Santayana’s Ghost, falls right into the trap?

It’s silly.  It’s lampooned well enough in Gilbert and Sullivan‘s masterpiece of bureaucracy farce that any leader, even a Modern Major General, would know better than to do it.

Notice I did NOT say, “know better than to let it be known that the list existed.”  I said “know better than to do it.

What’s that?   You are unfamiliar with the song of which I speak?  Here, watch Opera Australia show how it’s done (at least, how it’s done Down Under where there are, unbelievable as it may be, climate denialists and people who are obnoxious about Facebook and Twitter):

DVD Available Now: http://bit.ly/HCzeWc

Mitchell Butel of Avenue Q fame sings “I’ve Got a Little List” from Gilbert and Sullivan’s The Mikado. This excerpt is from the cinema/DVD recording of Opera Australia’s 2011 production at the Arts Centre, Melbourne.

Lyrics:
As someday it may happen that a victim must be found,
I’ve got a little list. I’ve got a little list
Of society offenders who might well be underground
And who never would be missed, who never would be missed.

There’s the idiot denouncing with enthusiastic tone
All football teams but his and every suburb but his own.
The man who sits beside you on the plane and wants to talk,
Whose jabbering inspires you to jab him with your fork.
Your aunty with the moustache who insists on being kissed.
They’d none of them be missed, they’d none of them be missed.

(He’s got them on the list! He’s got them on the list!
And they’d none of them be missed! They’d none of them be missed!)

Those whinging letter writers and those pundits in the press.
That opinion columnist, that bore would not be missed.
That trendy thing in opera if the plot seems like a mess,
That nice surtitlist!
(Surtitles: ‘This song is not on my list. Normal transmission will resume shortly’)
The politician prancing round in speedos tightly packed,
He thought it cool but really it just showed us what he lacked.
And Canberra’s leading red-head who’s afraid of stickybeaks,
Who’d like to keep her fumbles and mistakes off Wikileaks.
Australian Idol singers who pathetically persiiiiiiiiiist.
They’d none of them be missed. They’d none of them be missed.

(He’s got them on the list! He’s got them on the list!
And they’d none of them be missed! They’d none of them be missed!)

And the purists who insist piano music stops at Brahms,
I’ll put them on the list, and make them sit through Liszt.
On Saturday night the mob at Flinder’s Street all singing psalms,
I wish they would desist, and their happy claps resist.
That music theatre sequel that they promised would be good,
“Love never dies” they say, but I confess I wish it would.
That Frenchman and the other one who judge My Kitchen Rules,
Who give new definition to the label ‘Kitchen Tools’.
That morning television host who’s funny as a cyst,
Gold Logies he has kissed, but it’s time to kiss my fist.

(He’s got them on the list! He’s got them on the list!
And they’d none of them be missed! They’d none of them be missed!)

Then the merchant banker wankers and the bonuses they flout,
And the subprimortgagist, I’ve got him on the list!
The governments like lapdogs rushing in to bail them out,
To their mills it’s simply grist, so I’ve got them on the list.
Retirees who migrate to the country to make wine,
And Britney Spears for accidentally showing her ‘vagine’.
Those climate change deniers who don’t like the carbon tax,
Who haven’t read the science and don’t really know the facts.
The women on the tram who at Spring Carnaval got pi– really drunk!
Narelle! Where are my shoes?!
They’d none of them be missed. They’d none of them be missed.

(You may put them on the list. You may put them on the list.
And they’d none of them be missed! They’d none of them be missed!)

There’s the ticket holder next to you who cannot work their phone,
And cannot get the gist. I’ve got her on the list!
Who leaves it on or switches to that dreadful silent drone… Vrrrrrr Vrrrrr Vrrrrr
Facebook fiends and Twitterists are also on the list.
And people who inflict on us full cycles of the Ring,
I’d rather ride a valkyrie than hear Brunhilde sing.
And all commercial managements who want to cast a star,
They couldn’t get one this time, they got me, so there you are.
Or worst of all the actor who’s an extra lyricist,
I don’t think he’d be missed, so I’ve got him on the list.

(You may put them on the list! You may put them on the list!
And they’d none of them be missed! They’d none of them be missed!)

Your shock at Gilbert and Sullivan’s sounding so astonishingly contemporary comes through even the internet.  How could they know?

I’m not sure what the original script said, having never done that particular operetta.  Somewhere, the practice  arose to have someone spice up the lyric to this tune, to the times, to the city in which the operetta is performed, and to thezeitgeist of the audience.  Fans of G&S wait to see what and whom the “supplemental lyricist,” or “extra lyricist” poked at.

Even composers of silly operetta tunes understand that what is said, and what is done, needs to be molded to the local circumstances — and that in no case should a bureaucrat keep a list of enemies.

Compare Opera Australia’s version with that of the venerable G&S troupe, D’Oyly Carte Opera Company, about 20 years earlier, 1990 or 1992, on BBC2, in London:

Of course, you may think by my lampooning of list makers that I, myself, should be on some list.  Aye, there’s the rub.

Take a look and listen to Eric Idle’s version of the song from th 1987 English National Opera production, with which Opera Australia may wish to take some exception.

In the English speaking world, wherever the works of Gilbert and Sullivan exist in book, on the stage, in oratorio, on record, tape, CD, DVD or Blu-Ray, people know leaders become comic fops instead when they make “a little list” of the names of the people they wish to be rid of.

Educated people know that.  Education people should know that, too.

More (not necessarily endorsed by Millard Fillmore’s Bathtub):

 

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Time lapse photos: NYC, before 1975

May 22, 2012

Why does time-lapse photography fascinate me so?  It reveals changes over time we too often miss, or don’t stop to appreciate.

Here’s an excerpt from a 1975 film, set to music recently released.  Watch closely, you’ll see the shadows of the World Trade Center passing over New York City.

Described at Youtube:

A music video for the gorgeous track “Exercise #3 (Building) by CFCF (Mike Silver). Song is from his upcoming EP titled “Exercises,” which arrives on April 24th via Paper Bag Records.

Footage is from the 1975 short film “Organism,” by Hilary Harris.

For more on CFCF:

http://paperbagrecords.com/artists/cfcf
http://soundcloud.com/cfcf
https://www.facebook.com/pages/CFCF/196418801490

edited by https://www.facebook.com/daviddeanburkhart

More:

Tip of the old scrub brush to Slacktivist.


“Cash On the Barrelhead,” Emmylou and Rodney Crowell in Germany, 1977

March 22, 2012

I had not realized there were so many versions of this old song.  Looking for the Country Gentlemen, I find Emmylou Harris and the Hot Band, featuring Rodney Crowell on guitar and some great steel player (who?).  Recorded from a German television broadcast, 1977.

My favorite line:  “That’ll be cash on the barrelhead, son.  This old grey dog, she gets paid to run.”

More:


Vote Irish for the presidency in 2012: O’Bama it is!

March 17, 2012

I’d forgotten about the birthers’ greatest nightmare — Obama’s got Irish blood in him!

Democratic Underground features a series of photos of President Obama with an Irish cousin at one of my favorite old haunts in Washington, the Dubliner.

President Barack Obama drinks a Guinness with his ancestral cousin from Moneygall Ireland Henry Healy, center, and the owner of the pub in Moneygall Ireland, Ollie Hayes, right, at The Dubliner Restaurant and Pub and Restaurant on St. Patrick's Day, Saturday, March 17, 2012, in Washington (Official White House Photo by Pete Souza)

President Barack Obama drinks a Guinness with his ancestral cousin from Moneygall Ireland Henry Healy, center, and the owner of the pub in Moneygall Ireland, Ollie Hayes, right, at The Dubliner Restaurant and Pub and Restaurant on St. Patrick’s Day, Saturday, March 17, 2012, in Washington (Official White House Photo by Pete Souza)

Many great memories of the Dubliner.

In 1974, when I interned at the Senate, it was just a small bar on the first floor of the Commodore Hotel.  Rocky Johnson of Sen. Mike Gravel‘s office, one of my roommates, introduced me to Guinness.  The Dubliner was the most reliable source in D.C. at the time.  The bartender was a guy named Paddy.  It was never crowded — and they had good fish and chips with a fine, imported malt vinegar. I wasn’t exactly a regular, but I made several visits.

Ironically, for my summer job that year with the Louis August Jonas Foundation, we had a trip to D.C. planned with about 16 “boys from abroad” and the designated hotel was the Commodore — it was cheap and met our needs, being close to the Capitol.  I was asked to chaperone, and happily went.   So Freddy Jonas, the great benefactor of the foundation and Camp Rising Sun, and I could sneak down to the Dubliner for a nightcap.  Michael Greene, the foundation’s executive director, warned me that Freddy would always ask if you wanted a second drink, but Freddy would not take one himself — and so, of course, neither should staffers.

One night while Freddy and I were capping off the evening we ran into a friend from my interning, Avis Ortner, a former rodeo barrel rider who had starred in a Kodak commercial series, and who worked in a Washington law firm.  She and Freddy struck it off very nicely.  I was surprised at how much Freddy knew about horses, and the questions he had about rodeo riding.  At some point in the evening he asked me if I were going to have a second drink, and of course I declined.  “Well, you only live once.  Avis and I are having a second one, and you should join us.”  People who knew Freddy well still don’t believe me when I tell them the story.  But it’s true.  It’s the magic of the Dubliner.  [Is Avis still cleaning up at bridge in D.C.? [Yes!]]

I was back in D.C. in 1975, again with the Jonas Foundation bunch, and again at the Commodore.  The Dubliner had a successful year, and had taken over the small cafe/dining room next door to bar.

In 1976 I visited again, and after a very successful year the Dubliner kicked out the gift shop of the hotel and opened a second bar there.  It was crowded on weekends.

In 1979 I moved to D.C.  Within a couple of years the Dubliner bought out the Commodore.  You couldn’t get a seat at the bar most nights.  St. Patrick’s Day 1980 the line wrapped around the block, and though the place never had a great stage, the live act was the Clancy Brothers with Tommy Makem, if I recall correctly.

Reconstruction and massive redecorating made the hotel into a great stop.  Eventually the bar company sold the hotel, but kept the location.  After Kathryn and I got married, we’d walk over to the Dubliner for lunch at least a couple of times a month, and the fish and chips at the Dubliner got better.  I may have done in half the cod from the Grand Banks all by myself.

We’ve been in Texas now since 1987.  I miss the Dubliner.  Obama’s lucky he could get in, on St. Patrick’s Day.  I hope he appreciates his luck.

(Kenny’s in Baltimore tonight — more irony.  Girl Talk on Federal Hill (I think it’s an outdoor concert performance).  Better than waiting in line at the Dubliner.  Go when the crowds aren’t there, and you can savor the place.)


Flash mobs for cultural literacy, history and heritage, and a little fun

March 12, 2012

What happens when you take a 20th century rock song (from U2), contemporary dancers, a church choir, an ancient but beautiful language, battery-powered amps for buskers, and use digital personal communications to mash them all up on Grafton Street in Dublin?

Great stuff:  “A Language That Will Never Die” from PBO

More:

 


“John Brown’s Body” becoming “The Battle Hymn of the Republic”: Managing expectations of a nation during a civil war

November 27, 2011

Our textbooks and curriculum guides too often fail to make clear the links between the bloody conflicts in the Kansas Territory and the Civil War, between the conflicts engaged in by men like John Brown in Kansas, and later at Harper’s Ferry, Virginia, and the conflicts of the Civil War.

We might make the history more vivid and clear with the use of Julia Ward Howe’s “Battle Hymn of the Republic,” an epic war song based closely on a folk tune favored by Union troops of the time, conscripted specifically because of that affinity by Howe to serve the greater action of repurposing the war from merely saving the Union to freeing people from bondage.  It’s a study in propaganda earlier than we usually think of it.

Prof. R. Blakeslee Gilpin’s essay explaining those links, and exposing the substantial and usually hidden role Julia Ward Howe’s husband played in Brown’s raid on Harper’s Ferry, appears in the New York Times’s coverage of the 150th anniversary of the Civil War.  As identified at the NYT website, Gilpin is a visiting assistant professor of history at the University of South Carolina, and the author of a book on the issue, John Brown Still Lives!: America’s Long Reckoning With Violence, Equality, and Change.

Early lyric sheet for "Battle Hymn of the Republic," by Julia Ward Howe, Library of Congress via New York Times

An early lyric sheet for "Battle Hymn of the Republic," by Julia Ward Howe, Library of Congress via New York Times

Most of my students claim not to know the song, “John Brown’s Body,” and an astonishing number of the students say they don’t know “The Battle Hymn of the Republic.”  It’s a chance to bore them — or instruct them, if the planets and stars align — using a bit of music (a teacher should be able to find a copy of the Mormon Tabernacle Choir’s version of the “The Battle Hymn” with little difficulty; it appears in the hymnals of most Protestant sects, so you can get a copy of the lyrics; you’ll have to do a search to find a good copy of  “John Brown’s Body,” though; I’ve not found one I like to use in class).

It might be a short lesson, an adjunct to a lesson, or a project for a student with some choir training.

Gilpin wrote:

Even if Howe’s song spoke to a different understanding of the war, her efforts to transform “John Brown’s Body” into a national patriotic text meant that, much like Brown’s afterlife, people would end up using and abusing “Battle Hymn” as they saw fit. What Howe observed in that Union camp outside of Washington in 1861 was just the beginning of a war of clashing agendas and endlessly obscured meanings. To be sure, those north and south of the Mason-Dixon Line knew that the developing war was being fought over slavery – its brutal realities, its political volatility and especially its uncertain future – but even in its opening months, commentary about the war was already cloaked in the bland language of preserving the Union or defending states’ rights. Assessing the war itself, Howe later wrote that “its cruel fangs fastened upon the very heart of Boston and took from us our best and bravest.”

For Howe and generations of Americans, the cruelty of war demanded a providential overseer. Despite her urge to celebrate noble-hearted men like Brown, “Battle Hymn” helped to take responsibility for the Civil War out of the brutal and clumsy hands of ordinary mortals. To be sure, Brown his death would help to make his nation holy and especially to make all men free, but his radical extremism was frightening to most Americans. Soon enough, the Civil War would be transformed by songs like Howe’s into a conflict of necessity and destiny – a providential trial by fire. That narrative, of a harrowing but essential national adolescence, would eventually be at the expense of those Brown had died for, and whose fate the war was being fought to settle.

More links and a couple of original documents can be found at the NYT site — I would encourage all U.S. history teachers to subscribe to the paper’s coverage of the sesquicentennial of the war.


Documentary film worth seeing: “The Other ‘F’ Word” at the Texas Theatre

November 20, 2011

Here’s the trailer:

Kathryn and I caught it last night at the renovated, historic Texas Theatre on Jefferson Avenue in Oak Cliff (formerly an independent town, now a sprawling neighborhood of Dallas).  The audience enthusiasm didn’t overpower the movie — the audience was much smaller than the film deserves.

It’s showing again this afternoon and Wednesday night at the Texas.

Advantages of seeing this at the Texas:

  1. Parking is easy and free after 4:00 p.m. on Jefferson Avenue.
  2. The bar has Mothership beer on tap (and a variety of other good libations).
  3. Popcorn is cheaper than at most megaplexes, plus it doesn’t taste as if made from petroleum by-product (which is not to say it is healthy, but that it may be less unhealthy).
  4. History point 1:  This is a near-Art Deco theatre built originally by Howard Hughes.
  5. History point 2:  This is the theatre in which Lee Harvey Oswald was captured in his flight from the scene of the assassination of President John F. Kennedy.
  6. It’s a great film.
  7. It’s a great theatre to view great films in.

Punk never made a great impression on me.  But at length, years later, I think I understand part of the angst and noise of the punkers, thanks to this film.  The description at the YouTube trailer:

THE OTHER F WORD
directed by Andrea Blaugrund Nevins
produced by Cristan Reilly and Andrea Blaugrund Nevins

IN THEATERS NOVEMBER 2ND, 2011
http://www.theotherfwordmovie.com/

This revealing and touching film asks what happens when a generation’s ultimate anti-authoritarians — punk rockers — become society’s ultimate authorities — dads. With a large chorus of punk rock’s leading men – Blink-182’s Mark Hoppus, Red Hot Chili Peppers’ Flea, Rise Against’s Tim McIlrath – THE OTHER F WORD follows Jim Lindberg, a 20-year veteran of the skate punk band Pennywise, on his hysterical and moving journey from belting his band’s anthem “F–k Authority,” to embracing his ultimately authoritarian role in mid-life: fatherhood.

Other dads featured in the film include skater Tony Hawk, Art Alexakis (Everclear), Mark Mothersbaugh (Devo), Tony Adolescent (The Adolescents), Fat Mike (NOFX), Lars Frederiksen (Rancid), and many others.

These are Tea Partiers with a cause and a brain, and a sense of social responsibility.  Lindberg said, near the end of the movie:

That’s what I want to hold on to, is that feeling that we can make a change out there.  Maybe the way we change the world is by raising better kids.

Readers of this blog may note the great irony in one of the chief profiles of the film being of Ron Reyes, a member of early West Coast punk band Black Flag, who quit the band in the middle of a set to protest the violence that afflicted the Los Angeles punk scene, and moved to Vancouver, British Columbia, to raise his kids well.

Heck, it’s probably a great film to see even if you can’t see it at the Texas.

(You know, I’ve got some shots of our tour of the Texas Theatre in August . . . hmm . . . where are those pictures?  Other computer?)


Pete Seeger: STILL standing taller than his critics

September 6, 2011

(This is almost completely an encore post — one that should get more circulation.  From four years ago, in 2007.  I have not updated years or ages — sharpen your math skills, and do it as you go.)

Some people can’t let go of the past, and like the greedy chimpanzee who grasps the rice in the jar, and then is trapped when he cannot pull out his fist nor will he give up his prize to save his freedom, they trap themselves out of a good life.

  • Cover to Pete Seeger album

    Cover of 1996 album of songs, "Pete." Seeger, born May 3, 1919, is 88 years old now.

Like this fellow, whose father’s dislike of an old political position of Pete Seeger kept them both from a good concert. He appears to agree with his father, though, thinking that somehow Seeger is responsible for the evils of Stalinism, and complaining that Seeger was tardy in making note of the fact that Stalin was evil. And Instapundit’s Glenn Reynolds agrees, profanely, and inaccurately, as I’ll explain below the fold. But heed this warning: I’m explaining at length.

Get a life, people! Pete Seeger did.

Read the rest of this entry »


OK Go! and Muppets!

August 28, 2011

Together!  OK Go and the Muppets:

Oh, if only this meant the Muppet Show was coming back.


Bathtub reading for a broiling July

July 18, 2011

Make that a cold bath.  It hit 107° F here Friday.  15th consecutive 100°-plus day?  17th?  200th?

Birds refuse to bathe in the bird bath — they’re saving it to drink.  The sprinkler system misfired yesterday — had to kill the power to fix a kitchen light and the clock on the sprinkler got a few hours off — and we were alerted by dozens of bluejays broadcasting the news.  “Water!” they screamed.  Dallas isn’t supposed to be home to robins, but there were three of them dancing on the wet sidewalk with the jays, plus assorted other birds — house finches, mourning doves, white-winged doves, cardinals, and that little scamp, the Bewick’s wren.  The woodpeckers declined to land on the ground.  No room for grackles.

While soaking, and cooling, what do we read?  In total chaos, or at least, in no particular order:

New Year's 1909, cartoon by John T. McCutcheon of Chicago

Cartoon by Chicago cartoonist John T. McCutcheon, 1909

You can only read until your fingers get all wrinkly.  There’s still stuff on the reading stack!

Another soak, for another time.