I don’t have a citation for where Pete Seeger said this, but it’s wholly within his character and mission. Anyone got a cite?
A Tweet from @Area9Handbells: Pete Seeger got it right with the exception of one word – “sing.” We think he meant “ring.”
“The easiest way to avoid wrong notes is to never open your mouth and sing. What a mistake that would be.”
∇ Pete Seeger
I’ve asked for a citation, for accuracy and to keep the anti-plagiarism and accuracy mavens happy, but don’t have one yet. Nor do I know to whom goes credit for the poster and photo. Can you help?
Spread the word; friends don't allow friends to repeat history.
December 1, 1955, was not an accident of history. Rosa Parks, often described as “a seamstress,” was college educated, trained as a teacher, and trained in civil rights actions at the Highlander School in New Market, Tennessee.
On this anniversary of Mrs. Parks’s Earth-moving action of civil disobedience, I think back to a photograph taken a couple of years later, at the Highlander School.
It’s a stunning photograph, not for its photographer’s skills, nor the artistic nature of the taking. It’s a true snapshot. Five people on a farm in Tennessee, in black and white. Probably the photographer used a Kodak camera made just for snapshots.
Except, it was 1957. The farm is the Highlander School. The five people in the photo include folksinger Pete Seeger, and Rosa Parks, and the Rev. Dr. Martin Luther King, Jr.
From left, Martin Luther King, Jr., Pete Seeger, Charis Horton, one of the founders of the Highlander School, Rosa Parks, and the Rev. Ralph Abernathy. At a workshop at the Highlander School in Tennessee, circa 1957.
12,346
Who was the photographer? Perhaps Myles Horton, the director of the school (and Charis’s husband).
In a sort piece filmed at his home in Beacon, New York, for the Highlander’s 75th Anniversary in 2007, Pete described the time and the occasion.
Don’t you love the cricket singing along with Pete?
I can find no identifying information on the photo. It looks, to me, to have been taken in the 1950s, judging by Pete’s hair and no beard.
Pete Seeger at a typewriter, probably in the 1950s.
It’s an electric typewriter, I think, seeing a cord coming out of the back. Probably a Royal (I’m not great at identifying typewriters, you know). Was this taken at Pete’s home in Beacon? Perhaps.
Can you help in identifying the time and place of this photo?
“Pete Seeger and the Lion King,” at OzTypewriter – heckuva story about the original author of “Mbube,” which became “Wimoweh, which became “The Lion Sleeps Tonight,” and attempts to recover some of the royalties due the family of the composer, Solomon Linda
Somebody put a video collage of Pete together with Tish Hinojosa‘s cut off of a 1998 Pete Seeger tribute album, “Festival of Flowers,” just in the last few days.
Details:
From “Where Have All the Flowers Gone : The Songs of Pete Seeger” 1998
Tish Hinojosa – vocals
Marvin Dykhuis – gitarra de golpe (mariachi guitar)
Chip Dolan – accordion
Amy Ferris Tiven – violin
Glenn Kawamoto – bass
Paul Pearcy – drums
Tish Hinojosa’s voice constantly stuns me with its clarity; I think my first Tish album purchase is 20 years old now.
It’s a stunning photograph, not for its photgrapher’s skills, nor the artistic nature of the taking. It’s a true snapshot. Five people on a farm in Kentucky, in black and white. Probably the photographer used a Kodak camera made just for snapshots.
Except, it was 1957. The farm is the Highlander School. The five people in the photo include folksinger Pete Seeger, and Rosa Parks, and the Rev. Dr. Martin Luther King, Jr.
From left, Martin Luther King, Jr., Pete Seeger, Charis Horton, one of the founders of the Highlander School, Rosa Parks, and the Rev. Ralph Abernathy. At a workshop at the Highlander School in Kentucky, circa 1957.
12,346
Who was the photographer? Perhaps Myles Horton, the director of the school (and Charis’s husband).
In a sort piece filmed at his home in Beacon, New York, for the Highlander’s 75th Anniversary in 2007, Pete described the time and the occasion.
Don’t you love the cricket singing along with Pete?
Pete Seeger at the Beacon Sloop Club in Beacon, N.Y., in 2010. Andrew Sullivan for The New York Times
I love the Andrew Sullivan photo the New York Times used — it reminds me of the best way to hear Pete, in the out-of-doors, near the Hudson, in the summer, with a small audience who could be coerced to sing along.
Pete was an alumnus of Camp Rising Sun (of the L. A. Jonas Foundation) near Rhinebeck, New York, from the very early days. In 1974, between concerts at large venues with Arlo Guthrie, and on his way back home to Beacon, Pete stopped and spent a day with us at the camp. He was , as always, wonderfully gracious, other than outward appearances indistinguishable from the 14- and 15-year boys in excitement to be having fun, exploring nature, and then leading us all in songs.
My unfinished master’s thesis was to explore Pete’s use of different rhetorical devices to get his messages across, and make them popular. (One of my everlasting regrets.)
But despite his down-home-everybody-welcome demeanor, Seeger drove great movements, and pushed the arcs of history in wonderful directions throughout his life.
Having learned from the Lomaxes at the Library of Congress, Pete recorded history in songs, preserving old tunes, making foreign tunes popular, and re-arranging verses here and there. Pete revealed, discovered, or pushed the music of a family domestic (“500 Miles”), Cuban revolutionary poets (“Guantanamera”), his engineer sister (“Going to be an Engineer”), and hymn books.
Pete taught a song to seminar attendees at the Highlands School in Kentucky, people who went on to do great things with that song. The song was “We Shall Overcome,” and photos show that those Pete taught to sing included both Rosa Parks and Martin Luther King, Jr.
Blacklisted after refusing to give in to the civil liberties assault by the U.S. House Committee on Un-American Activities (HUAC), Pete created a series of records to teach how to play a guitar, a banjo, and a twelve-string. One of the kids who learned some twelve-string licks included a guy who went on to play strings for the folk group, the Chad Mitchell Trio, and their new tenor, a guy named John Denver. Roger McGuinn electrified that twelve-string, and leading the Byrds, turned some of Pete’s songs into rock and roll hits — like “Turn, Turn, Turn.”
I asked Pete about getting him to Salt Lake City for a concert in the 1970s — he demurred, saying he needed to spend some time locally. He told a story about showing up at a PTA meeting in Beacon to talk on some issue, and some local guy told Pete that Beacon didn’t need outsiders telling them what to do. This hurt Pete, since he’d been living in Beacon at that time for more than 30 years, in the house he built by hand. Pete told me that he realized a world reputation doesn’t count for much if you can’t use it to make things better in your home town.The “local project?” He said he wanted to get an old sloop, and sail the Hudson River signing to get people to clean it up. At the time, the Hudson was very much a sewer from Albany to New York City. A short time later the Sloop Clearwater was refitted, and Pete started music festivals up and down the river. The Hudson, Pete’s local river, runs much cleaner today for his work.
I saw Pete and Arlo in concert at Wolf Trap, the performance park near Washington, D.C., a couple of times; and some other venues — but nothing ever beat that open air concert at Rising Sun.
Bruce Springsteen did us all a favor with his album of Seeger tunes; I chafed at Ronald Reagan’s choices of performers at his inaugurals, and at many other choices over the years. I often thought Pete Seeger’s music, and voice, would be a better choice. Springsteen’s pre-inauguration concert in 2008, from the Lincoln Memorial, had my full attention. The only thing more perfect, I told Kathryn, would be Pete singing his own tunes from those steps (I heard him tell the stories of King’s and Marian Anderson’s performances there more than once). Within a few minutes, Springsteen pulled Pete out onstage, and at the age of 90 he led the crowd singing Woody’s “This Land is Your Land.” A perfect capstone, I thought.
If you would, pull out your collection of Pete Seeger music today, and give it a spin. It will raise your spirits, I guarantee.
What wonderful gifts Pete left us!
So long, Pete, one of the best American citizens we’ll ever know.
From Pete Seeger’s 90th Birthday Concert (Clearwater Concert), Madison Square Garden, 5/3/09. Featuring Billy Bragg, Mike & Ruthy Merenda, Dar Williams, New York City Labor Chorus.
The Seeger Family, 1921 Pete Seeger, the now-93 year-old folk singer, is sitting on his father’s lap. Pete’s father was musicologist Charles Louis Seeger, Jr.; his mother was the violinist Constance de Clyver Edson. The other two children are probably Pete’s older brothers Charles, III, and John. This photo probably was taken while Charles and Constance toured the American south to teach music, after his having to leave UCLA because of his pacifist stance during World War I.
Judy Collins and Pete Seeger, photo by the preservationist David Rocco, at the Clearwater Festival in Hudson, New York, June 15, 2013. (We think that’s Pete’s wife, Toshi, on the far right edge of the photo.)
Or, until that account is unsuspended by the forces supporting Donald Trump: Follow @FillmoreWhite, the account of the Millard Fillmore White House Library
We've been soaking in the Bathtub for several months, long enough that some of the links we've used have gone to the Great Internet in the Sky.
If you find a dead link, please leave a comment to that post, and tell us what link has expired.
Thanks!
Retired teacher of law, economics, history, AP government, psychology and science. Former speechwriter, press guy and legislative aide in U.S. Senate. Former Department of Education. Former airline real estate, telecom towers, Big 6 (that old!) consultant. Lab and field research in air pollution control.
My blog, Millard Fillmore's Bathtub, is a continuing experiment to test how to use blogs to improve and speed up learning processes for students, perhaps by making some of the courses actually interesting. It is a blog for teachers, to see if we can use blogs. It is for people interested in social studies and social studies education, to see if we can learn to get it right. It's a blog for science fans, to promote good science and good science policy. It's a blog for people interested in good government and how to achieve it.
BS in Mass Communication, University of Utah
Graduate study in Rhetoric and Speech Communication, University of Arizona
JD from the National Law Center, George Washington University
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