Happy 220th birthday, Millard Fillmore!

January 7, 2020

Millard Fillmore, bronzed, sitting at the corner of 9th and St. Joseph Streets in Rapid City, South Dakota. He still gets around. Photo by Ed Darrell. Please use.

Millard Fillmore, bronzed, sitting at the corner of 9th and St. Joseph Streets in Rapid City, South Dakota. He still gets around. Photo by Ed Darrell. Please use. Creative Commons copyright.

Millard Fillmore, our 13th President, was born on January 7, 1800.

That was 24 days after the death of our first President, George Washington.

Fillmore’s birthday isn’t such a big deal anymore, since fun organizers discontinued the bathtub races once word got out that the story of Millard Fillmore putting the first bathtub in the White House, is a hoax.

Historians from the University of Buffalo — an institution founded by Fillmore after his presidency — usually hold a graveside ceremony with speeches. In 2020 the service was scheduled for 10:00 a.m. EST, at Fillmore’s grave. No news I can find about whether it occurred. The ceremony has been cancelled for snow, ice and cold in recent years. (About as cold as the response I get from the University of Buffalo when I ask for a copy of the speech or paper to publish here.)

It’s a shame, really. Fillmore is the victim of fake news, a hoax perpetrated by H. L. Mencken 100 years ago, in 1917. Mencken claimed, falsely, that Fillmore’s sole good, memorable deed was putting that fictitious bathtub in the White House. That story crowds out the real history, and any good Fillmore should be remembered for.

Fillmore did a few notable things as president.

  • Fillmore secured a steady supply of bird guano for the United States. Funny as that may be, the guano was essential for making gun powder, which in turn helped fuel the military might of the United States for years (including through the Civil War).
  • Millard Fillmore and his first wife, Abigail, read books all the time. Deprived of the opportunity of going to school much in his youth, Fillmore became an ardent reader, read for the law, became a lawyer, got into politics and was selected Vice President for President Zachary Taylor. When Taylor died (probably of typhoid) in 1850, Fillmore succeeded to the presidency. In the White House, the Fillmores found few books to read, and so established the White House Library. Say prayers that library survives the current president.
  • Fillmore thought globally, and he could see world trade as a huge opportunity for a young nation with a strong navy and army, and a lot of resources including intellectual capacity to manufacture things. Trade in the Pacific was problematic, and a large number of problems stemmed from Japan’s closing itself off from the world. Japan had coal, which could refuel steamships. Japan instead closed its ports. An occasional U.S. sailor would be executed if he washed up on Japanese shores. Fillmore sent a small fleet of “black ships” under Commodore Matthew Perry, to tell Japan it was time to open up to trade and assume its place among nations. Perry was successful, after a second visit and a small round of cannon fire. Japan became a strong economic power in the West Pacific, and in its march to glory decided to take over resources of several other Asian nations. We might say Fillmore started the slide to World War II in the Pacific.

History should be kept to accuracy. Mencken upset the ship of accuracy with his essay, and America has not recovered, nor has Millard Fillmore’s reputation. There’s a moral there: Don’t spread hoaxes; seek the truth, and glorify it. (Mencken apologized for the hoax, but too late.)

Rapid City, South Dakota, is a booming town. Mineral wealth and oil in the state combine with a nearby Air Force Base, great housing prices and good weather to benefit the town. One of its civic watchdogs got the idea of putting statues of all U.S. presidents on downtown corners. That is how Millard Fillmore comes to be seated with a book to read, at the corner of 9th Street and St. Joseph Street, where I met him in August 2017. Altogether a fun little history enterprise for Rapid City, very well executed, and worthy of a stop there if you’re passing by.

Perhaps someday Rapid City will take to decorating the statues on the birthdays of the men (so far!) represented. I hope they won’t be frozen out like Buffalo, New York, is, if they commemorate Millard Fillmore’s birthday.

We can reflect on happier times, when even our disrespected and forgotten presidents were good people who did great things.

Millard Fillmore and Ed Darrell meet, in Rapid City, South Dakota, August 2017

Millard Fillmore and Ed Darrell meet, in Rapid City, South Dakota, August 2017; photo by Kathryn Knowles

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New Mexico flies U.S. flags January 6, 2020, for Statehood Day

January 6, 2020

President William Howard Taft signing the bill that made New Mexico a state, in 1912. (Other people in the photo, I have not yet identified). Image from OldPicture.com

President William Howard Taft signing the proclamation that made New Mexico a state, on January 6, 1912. (Other people in the photo, I have not yet identified; can you help?). Image from Library of Congress Harris and Ewing Collection, via Albuquerque Historical Society.

New Mexico became the 47th member of the Union on January 6, 1912.  New Mexicans should fly their U.S. flags today in honor of statehood, the U.S. Flag Code urges.

U.S. and New Mexico flags fly from the state education administration building in Santa Fe, 2014

U.S. and New Mexico flags fly from the state education administration building in Santa Fe, 2014. The third flag is the U.S. POW/MIA flag.

I don’t think Statehood Day is a big deal in New Mexico.  New Mexicans love art, though, and statehood and history of the land and the peoples who live there are celebrated throughout Santa Fe and New Mexico.  The New Mexico Art Museum features a lot about history.

The New Mexico State Capitol is one of the more unique in the U.S. There is no grand dome. Instead, the building is a large, circular structure, a giant kiva, honoring New Mexico’s ancient residents and ancestors.

We toured the Capitol in July 2014. It features a massive collection of art by and about New Mexico, and is worth a stop as one would intend to visit any great art museum.

"Emergence," a representation of the creation of the present Earth and people, by Michael A. Naranjo, 2000. Part of the massive collection of New Mexico Art at the State Capitol -- this one outside the building itself.

“Emergence,” a representation of the creation of the present Earth and people, by Michael A. Naranjo, 2000. Part of the massive collection of New Mexico Art at the State Capitol — this one outside the building itself.

Simple Pleasures of New Mexico, acrylic by Gary Morton, 1992

“Simple Pleasures of New Mexico,”  stunning painting in acrylic by Gary Morton, 1992

If you’re in Santa Fe, plan to spend a half of a day, at least, looking at the Capitol and its art collections.  There are more than 400 pieces on display, sculpture, paintings, mixed media, and more.  It’s a world class gallery, free for the browsing.  Much of the art packs a powerful emotional punch, too, such as the sculpture outside the building honoring the vanished native tribes of North America.

Happy statehood, New Mexico.

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USPS stamp honoring the centennial of New Mexico's statehood, in 2012. The stamp features a representation of the beauty of the state found in its desert hills and mountains. VirtualStampClub.com

USPS stamp honoring the centennial of New Mexico’s statehood, in 2012. The stamp features a representation of the beauty of the state found in its desert hills and mountains. VirtualStampClub.com

This is an encore post.
Yes, this is an encore post. Defeating ignorance takes patience and perseverance.

Fly your U.S. flags in January 2020

January 1, 2020

“Raising the first American flag, Somerville, Mass., January 1, 1776.” Harper’s Weekly painting by Clyde Osmer DeLand, 1897. From the digital collections of the New York Public Library

January is loaded with flag flying dates, when we add in statehood days, dates those states are invited to fly their U.S. flags.

In January 2020, the U.S. Flag Code urges citizens to fly flags on these dates, listed chronologically:

  • New Year’s Day, January 1, a federal holiday
  • January 2, Georgia Statehood Day
  • January 3, Alaska Statehood Day
  • January 4, Utah Statehood Day
  • January 6, New Mexico Statehood Day
  • January 9, Connecticut Statehood Day
  • Martin Luther King’s Birthday, a federal holiday on the third Monday of January; that date is January 20, in 2020; King’s actual birthday is January 15, and you may fly your flag then, too
  • Inauguration Day, January 20, the year after election years; 2020 is not an inauguration year; 2021 will be
  • January 26, Michigan Statehood Day
  • January 29, Kansas Statehood Day

You may fly your flag any other day you wish, too; flags should not be flown after sundown unless they are specially lighted, or at one of the few places designated by Congress or Presidential Proclamation for 24-hour flag flying.  According to Wikipedia’s listing, those sites include:

  • Fort McHenry, Baltimore, Maryland (Presidential Proclamation No. 2795, July 2, 1948).
  • Flag House Square, Albemarle and Pratt Streets, Baltimore, Maryland (Public Law 83-319, approved March 26, 1954).
  • Marine Corps War Memorial (Iwo Jima Memorial), Arlington, Virginia (Presidential Proclamation No. 3418, June 12, 1961).
  • Lexington Battle Green, Lexington, Massachusetts (Public Law 89-335, approved November 8, 1965).
  • White House, Washington, D.C. (Presidential Proclamation No. 4000, September 4, 1970).
  • Washington Monument, Washington, D.C. (Presidential Proclamation No. 4064, July 6, 1971, effective July 4, 1971).
  • Any port of entry to the United States which is continuously open (Presidential Proclamation No. 413 1, May 5, 1972).
  • Grounds of the National Memorial Arch in Valley Forge State Park, Valley Forge, Pennsylvania (Public Law 94-53, approved July 4, 1975).
Flag House in 1936, 844 East Pratt & Albemarle Streets (Baltimore, Independent City, Maryland) (cropped). Image courtesy of the federal HABS—Historic American Buildings Survey of Maryland.

Flag House in 1936, where Mary Pickersgill sewed the garrison-sized, 15-star flag that flew over Fort McHenry at the Battle of Baltimore in 1814; one of the sites where the U.S. flag may be flown 24 hours. The house is at 844 East Pratt & Albemarle Streets (Baltimore, Independent City, Maryland). Cropped image courtesy of the federal HABS—Historic American Buildings Survey of Maryland.

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Children unfurl a large flag at a Denver Nuggets/Indiana Pacers NBA basketball game in Denver, January 2016. Colorado Public Radio image.
This is an encore post.
Yes, this is an encore post. Defeating ignorance takes patience and perseverance.

Travel and culture: Chimney Rock National Monument, Colorado

December 28, 2019

Chimney Rock National Monument, Colorado, and Moon. NPS image.

Chimney Rock National Monument, Colorado, and Moon. NPS image.

It’s off the tourist-beaten path, it’s relatively new to the National Parks system, and it’s not highly developed.

All of which means you can have a fantastic, unhurried adventure among ruins of ancient Americans, without the crowds.

We found it almost accidentally, driving by on our way to Abiquiue, New Mexico. Film from CRIA (Chimney Rock Interpretive Association?) recently dropped into my in-box.

I tried to get the definitive photo of a rufous hummingbird male who was trying to keep a dozen other hummers of three different species away from a battery of hummingbird feeders, but he was too fast.

Chimney Rock is a good example of the vast number of ruins from Puebloan Indian tribes and tribes even more ancient, found across the desert Southwest, mostly unprotected, uncatalogued, and unknown to any but local people who hunt pots, mostly illegally. As a nation, we should fund better preservation and more study of these human habitations.

Another short video:

Note there is at least one other formation in southern Colorado called Chimney Rock, and another formation in North Carolina that is probably more famous.

A view of the kiva and other ruins atop the small mesa formation of Chimney Rock N.P. USDA photo.

A view of the kiva and other ruins atop the small mesa formation of Chimney Rock N.P. USDA photo via OutThere Colorado.

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Rare, Alternative and New Christmas music 2019: Pogues, “Fairytale of New York”

December 25, 2019

Cover for a version of The Pogues,

Cover for a version of The Pogues, “Fairytale of New York. Wikipedia image

If you think Joni Mitchell’s “River” represents a turn to blue for Christmas songs, what does “Fairytale of New York” show?

I must admit, this is one I was not familiar with — I’d heard it before, but not paid much attention. Surprised to learn it was written and rewritten 1985 to 1987, with a first recording by the Pogues in 1987. Judging by its popularity in the UK, it’s a song we all should be familiar with.

Fairytale of New York” is a song written by Jem Finer and Shane MacGowan and first released as a single on 23 November 1987[1] by their band The Pogues, featuring singer-songwriter Kirsty MacColl on vocals. The song was written as a duet, with the Pogues’ singer MacGowan taking the role of the male character and MacColl the female character. It is an Irish folk-style ballad, and featured on The Pogues’ 1988 album If I Should Fall from Grace with God.

Originally begun in 1985, the song had a troubled two year development history, undergoing rewrites and aborted attempts at recording, and losing its original female vocalist along the way, before finally being completed in summer 1987. Although the single never reached the coveted UK Christmas number one, being kept at number two on its original release in 1987 by the Pet Shop Boyscover version of “Always on My Mind“, it has proved enduringly popular with both music critics and the public: to date the song has reached the UK Top 20 on fourteen separate occasions since its original release in 1987, including every year since 2005, and was certified platinum in the UK in 2013.[2] The song has sold 1.18 million copies in the UK as of November 2015.[3] In the UK it is the most-played Christmas song of the 21st century.[4] “Fairytale of New York” has been cited as the best Christmas song of all time in various television, radio and magazine related polls in the UK and Ireland.[5]

Is it a downer of a song? Voices in the lyric do not appear happy, but rather angry with each other for imagined slights that put each of them where they did not wish to be, when they met years ago.

But still the bells ring out on Christmas Day. (Remember that, if I get around to posting the Chieftans’ recording I have in mind for this series.)

I found the song in 2017 on Twitter, improbably, in something called the World Cup of Christmas Songs, sponsored by UK radio guy Richard Osman (@RichardOsman). It’s not a serious competition, and it excluded most Christmas music we all know, which tips the scales a bit, it seems to me. But here it is, and the vox populi rings out.

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Merry Christmas, 2019! Fly your flag on Christmas Day

December 24, 2019

“A Gift to a Nation” by painter of western scenes Tom Browning; Santa Claus puts together a flag for a family to fly on Christmas.

Christmas Day, December 25, is one of the holidays designated in the U.S. Flag Code for U.S. residents to fly the flag.

No, you don’t take the flag down for mere inclement weather; fly it through rain and snow. Remember to dry your flag before putting it away.

More:

  • Next dates to fly the flag: December 28, for Iowa statehood; December 29, for Texas statehood; New Years Day
  • Look around for other Christmas and Santa Claus posts

Ron Cogswell captured a flag displayed at Reagan National Airport in Washington, D.C., in December 2015; Creative Commons license

Ron Cogswell captured a flag displayed at Reagan National Airport in Washington, D.C., in December 2015; Creative Commons license

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Christmas 2019 questions: Who invented Santa Claus? Who really wrote the “Night Before Christmas?”

December 24, 2019

An encore post and Millard Fillmore’s Bathtub tradition from 2007, with modifications.

“Today in History from the Associated Press notes, for December 23:

In 1823, the poem “Account of a Visit from St. Nicholas” was published anonymously in the Troy (N.Y.) Sentinel; the verse, more popularly known as “‘Twas the Night Before Christmas,” was later attributed to Clement C. Moore.

Regardless who wrote the poem first published 196 years ago, how did the poem influence America’s view of St. Nicholas, or Santa Claus?  And how much of the Santa Claus story really was invented in America?

Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”

The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.

Isn’t that part of the fun of history?

Santa Claus delivers to Union soldiers, "Santa Claus in Camp" - Thomas Nast, Harper's Weekly, Jan 3, 1863

In Janaury 1863, Thomas Nast portrayed Santa Claus as he delivered gifts to Union troops a few days earlier in Washington, D.C., wearing a blue, star-spangled coat.

Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.

Nast is probably ensconced in a cartoonists’ hall of fame. Perhaps he should be in a business or sales hall of fame, too.  [See also Bill Casselman’s page, “The Man Who Designed Santa Claus.]

Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.

Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).

The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?

Moore was not known for being a poet. The popular story is that he wrote it on the spur of the moment:

Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.

Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.

Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)

Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.

A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.

Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.

Santa Claus Hides in Your Phonograph
By Arthur A. Penn, Performed by Harry E. Humphrey.
Edison, 1922.
Coupling date: 6/20/1922. Cutout date: 10/31/1929.
Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies

Listen to this recording (RealAudio Format)

Listen to this recording (wav Format, 8,471 Kb)

But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):

Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.

Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.

More on Henry Livingston and his authorship of the Christmas poem here.

Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from the Ohio State University Billy Ireland Cartoon Library and Museum, via Bill Cassellman's site

Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from Wikimedia.

Our views of Santa Claus owe a great deal also to Coca-Cola advertising campaigns. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:

In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.

1936 Coca-Cola Santa cardboard store display

1936 Coca-Cola Santa cardboard store display

 

1942 original oil painting - 'They Remembered Me'

1942 original oil painting – ‘They Remembered Me’

Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.

For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.

Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).

For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?

Coca-Cola’s film, “The Legend of Coca-Cola and Santa Claus”:

________________________
Below:
From the University of Toronto Library’s Representative Poetry Online

Major Henry Livingston, Jr. (1748-1828)

Account of a Visit from St. Nicholas

1 ‘Twas the night before Christmas, when all thro’ the house,

2 Not a creature was stirring, not even a mouse;

3 The stockings were hung by the chimney with care,

4 In hopes that St. Nicholas soon would be there;

5 The children were nestled all snug in their beds,

6 While visions of sugar plums danc’d in their heads,

7 And Mama in her ‘kerchief, and I in my cap,

8 Had just settled our brains for a long winter’s nap –

9 When out on the lawn there arose such a clatter,

10 I sprang from the bed to see what was the matter.

11 Away to the window I flew like a flash,

12 Tore open the shutters, and threw up the sash.

13 The moon on the breast of the new fallen snow,

14 Gave the lustre of mid-day to objects below;

15 When, what to my wondering eyes should appear,

16 But a miniature sleigh, and eight tiny rein-deer,

17 With a little old driver, so lively and quick,

18 I knew in a moment it must be St. Nick.

19 More rapid than eagles his coursers they came,

20 And he whistled, and shouted, and call’d them by name:

21 “Now! Dasher, now! Dancer, now! Prancer, and Vixen,

22 “On! Comet, on! Cupid, on! Dunder and Blixem;

23 “To the top of the porch! to the top of the wall!

24 “Now dash away! dash away! dash away all!”

25 As dry leaves before the wild hurricane fly,

26 When they meet with an obstacle, mount to the sky;

27 So up to the house-top the coursers they flew,

28 With the sleigh full of Toys — and St. Nicholas too:

29 And then in a twinkling, I heard on the roof

30 The prancing and pawing of each little hoof.

31 As I drew in my head, and was turning around,

32 Down the chimney St. Nicholas came with a bound:

33 He was dress’d all in fur, from his head to his foot,

34 And his clothes were all tarnish’d with ashes and soot;

35 A bundle of toys was flung on his back,

36 And he look’d like a peddler just opening his pack:

37 His eyes — how they twinkled! his dimples how merry,

38 His cheeks were like roses, his nose like a cherry;

39 His droll little mouth was drawn up like a bow.

40 And the beard of his chin was as white as the snow;

41 The stump of a pipe he held tight in his teeth,

42 And the smoke it encircled his head like a wreath.

43 He had a broad face, and a little round belly

44 That shook when he laugh’d, like a bowl full of jelly:

45 He was chubby and plump, a right jolly old elf,

46 And I laugh’d when I saw him in spite of myself;

47 A wink of his eye and a twist of his head

48 Soon gave me to know I had nothing to dread.

49 He spoke not a word, but went straight to his work,

50 And fill’d all the stockings; then turn’d with a jerk,

51 And laying his finger aside of his nose

52 And giving a nod, up the chimney he rose.

53 He sprung to his sleigh, to his team gave a whistle,

54 And away they all flew, like the down of a thistle:

55 But I heard him exclaim, ere he drove out of sight –

56 Happy Christmas to all, and to all a good night.

Online text copyright © 2005, Ian Lancashire for the Department of English, University of Toronto. Published by the Web Development Group, Information Technology Services, University of Toronto Libraries. Be sure to visit this site for more information on this poem, on Maj. Livingston, and on poetry in general.

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