New Jersey’s Capitol in Trenton, by Vagabond Voyage. Many complain it’s difficult to get a good, nice looking photo of this building due to development around it. This photo is alleged to be one of the better photos possible.
U.S. Flag Code encourages residents of each state to fly the U.S. flag on their state’s anniversary of statehood. New Jersey won consideration as the Third State, on December 18, 1787, by being the third colony to ratify the U.S. Constitution. Technically the U.S. did not come into existence until six more states ratified, but among the first 13 states, statehood dates are calculated traditionally as the day the colony ratified.
Does anyone in New Jersey celebrate it?
New Jersey’s state flag. Just try to find photos of the U.S. flag and New Jersey flag flying together.
New Jersey’s Capitol Building and surroundings in Trenton, from across the Delaware River. U.S. flag can be seen flying at the Capitol. Wikipedia image.
More:
Next Fly Your Flag dates: December 28 in Iowa, for Iowa statehood; December 29 in Texas, for Texas statehood.
Save
Spread the word; friends don't allow friends to repeat history.
Spent a day with my aging father-in-law last week. Conversation is difficult, but memories always flow. We watched the movie version of “Guys and Dolls,” with Sinatra and Brando, and Stubby Kaye’s get-up-and-sing version of “Sit Down! You’re Rockin’ the Boat.”
He was happy to see the thing again, though in the first few minutes he said he didn’t think he’d ever seen the film. My fondness for the piece, and for Damon Runyon’s stories, goes back (too many) decades to a production of the play by the Utah Valley Opera Society. They hired our high school drama director, David Larson, to direct. On a lark I auditioned, telling them I couldn’t really sing or dance, and ended up with a lot of lines in a couple of supporting roles, and singing and dancing both in the chorus.
When my father-in-law joined in the movie chorus of “Fugue for Tinhorns,” I knew we had a good couple of hours. We laughed, watched, reminisced, and sang along.
Damon Runyon could tell stories, true stories about real people. Sometimes the names were changed to protect the innocent, or the guilty; sometimes the real names were more entertaining than the fictional names Runyon invented.
Some time ago I stumbled across the story of Runyon’s son, Damon Runyon, Jr., using an early airplane to spread the playwright’s ashes. It’s a story Runyon would have appreciated. It’s appropriate for the day after the anniversary of the Wrights’ first flight; December 18 is the anniversary of the event.
First flight of the Wright Flyer I, December 17, 1903, Orville piloting, Wilbur running at wingtip. Photo from Wikipedia
On December 18, Damon Runyon, Jr., got Eddie Rickenbacker to fly over Broadway to scatter the ashes of his father, Damon Runyon.
First Lieutenant E. V. [Eddie] Rickenbacker, 94th Aero Squadron, American ace, standing up in his Spad plane. Near Rembercourt, France. Photo from Wikipedia. This photo dates near World War I; Rickenbacker remained a hero for a couple of decades. In 1946, he flew a DC-3 over New York City, and illegally scattered the ashes of raconteur Damon Runyon over his beloved Broadwary.
Not exactly the next day. 43 years and one day apart. The Wrights first flew in 1903; Runyon died in 1946.
On this day in 1946 Damon Runyon’s ashes were scattered over Broadway by his son, in a plane flown by Eddie Rickenbacker. Runyon was born in Manhattan, Kansas; he arrived at the bigger apple at the age of thirty, to be a sportswriter and to try out at Mindy’s and the Stork Club and any betting window available his crap-shoot worldview: “All of life is six to five against.” Broadway became his special beat, and in story collections like Guys and Dolls he developed the colorful characters — Harry the Horse, the Lemon Drop Kid, Last Card Louie — and the gangster patois that would swept America throughout the thirties and forties.
A lot of history packed in there. Runyon’s early reportorial career included a lot of that history — he wrote the lead story for United Press on the inauguration of Franklin Roosevelt, for one example. Runyon found a uniquely American vein of literary ore on Broadway in New York City, and in the ne’er-do-wells, swells, tarts and reformers who flocked to the City that Never Sleeps to seek fame, or fortune, or swindle that fortune from someone else.
As a reporter and essayist, he smoked a lot. Throat cancer robbed him, first of his voice, then his life at 56.
Yes, of course, “Guys and Dolls.” Frank Loesser created it, but not of whole cloth, but from the stories of Damon Runyon; it is a masterpiece, perhaps in several realms. In homage to Runyon, Adam Gopnik wrote:
Just as Chandler fans must be grateful for Bogart, Runyon fans have to be perpetually happy that the pure idea of Runyon, almost independent of his actual writings, produced the best of all New York musicals: Frank Loesser’s “Guys and Dolls,” which made its début in 1950 and is just now reopening on Broadway in a lavish and energetic new production. But then “Guys and Dolls” is so good that it can triumph over amateur players and high-school longueurs and could probably be a hit put on by a company of trained dolphins in checked suits with a chorus of girl penguins.
Your author here, Dear Reader, was once one of those trained dolphins. It was magnificent.
“Silver Bells,” from “The Lemon Drop Kid,” with William Frawley, Virginia Maxwell and Bob Hope (1951 version):
Beethoven takes an unplanned swim in his rush to the concert hall in Google’s Doodle honoring the composer’s 245th year, 2015. Image from Google, via Washington Post.
Maybe we should say “happy baptism.” The infant Ludwig von Beethoven was baptized on December 17, 1770; he was born the previous day, perhaps (some historians disagree). In 2016, Beethoven is 246. No longer alive, of course.
But the point is, Google honored Beethoven with an interactive Google Doodle in 2015, one of the best they’ve ever done. The Doodle features the composer finishing scores and heading to the concert hall — with a series of mishaps along the way that scatter his musical scores and leaves them torn up, speared and generally out of order.
Then you, Dear Reader, get a chance to re-arrange the score in order. When you do that, it plays. Finally Beethoven gets to the concert hall.
It’s a great learning device, really. Can Google do this for history? Can we figure out a way to create these for use in our classrooms?
Now that you’ve finished the quizzes, relax for 42 minutes with Beethoven’s Symphony No. 6, The Pastorale, performed by the Bremen symphonie, directed by Paavo Jarvi.
Or, until that account is unsuspended by the forces supporting Donald Trump: Follow @FillmoreWhite, the account of the Millard Fillmore White House Library
We've been soaking in the Bathtub for several months, long enough that some of the links we've used have gone to the Great Internet in the Sky.
If you find a dead link, please leave a comment to that post, and tell us what link has expired.
Thanks!
Retired teacher of law, economics, history, AP government, psychology and science. Former speechwriter, press guy and legislative aide in U.S. Senate. Former Department of Education. Former airline real estate, telecom towers, Big 6 (that old!) consultant. Lab and field research in air pollution control.
My blog, Millard Fillmore's Bathtub, is a continuing experiment to test how to use blogs to improve and speed up learning processes for students, perhaps by making some of the courses actually interesting. It is a blog for teachers, to see if we can use blogs. It is for people interested in social studies and social studies education, to see if we can learn to get it right. It's a blog for science fans, to promote good science and good science policy. It's a blog for people interested in good government and how to achieve it.
BS in Mass Communication, University of Utah
Graduate study in Rhetoric and Speech Communication, University of Arizona
JD from the National Law Center, George Washington University