I hope you’ve voted already. If not, go vote.
Then come back and contemplate U.S. art about voting, and what it tells us about us.
Interesting contrasts, at least.
I love the “County Election” painting of George Caleb Bingham, showing an election in 1852, the year incumbent President Millard Fillmore could not get even the nomination of his party. I love the tension of Norman Rockwell’s painting of the 1944 election in Cedar Rapids, Iowa, with tensions we see only in retrospect. (That post also shows real tensions in a family, in the election of 1948, in another Rockwell painting).
What else does the world of art show about elections in America? What do you think?
If bribery didn’t work, there was always plain old fisticuffs.
Here’s an unusual ritual, portrayed about the 1892 contest between William Henry Harrison and Grover Cleveland. Did this really happen? Did the loser pull the winner on a cart through the city?
Louis Dalrymple noted a twist on the tradition four years later.
Not sure how long that tradition of the loser pushing or pulling the winner hung on, but by 1904 election night was an occasion to walk about, socialize, and watch fireworks, if this print from the William Randolph Hearst organization is accurate. Teddy Roosevelt won the presidency on his own that year.
Not all election work involves a crowd.
This looks more like the campaign party of a victorious candidate in the late 20th and early 21st centuries, though I’m not really sure this tradition survived much past the 2000 election.
Janie Price’s Evolution of American Painting said:
Here is the scene of Election Night written in Sloan’s Journal:
“Took a walk in the afternoon and saw boys in droves, foraging for fuel for their election fires this evening. . . . after dinner . . . out again and saw the noisy trumpet blowers, confetti throwers and the “ticklers” in use—a small feather duster on a stick which is pushed in the face of each girl by the men, and in the face of men by the girls. A good humorous crowd, so dense in places that it is impossible to control one’s movement.” (John French Sloan)
Women voted for the first time nationwide in 1920, after the ratification of the 19th Amendment. J. F. Kernan’s painting for The Country Gentleman magazine in 1922 shows some of the tensions that remained after the national amendment.
Rockwall made great use of his time and photographs in Cedar Rapids. In addition to the painting there, he used the setting for his famous “Undecided,” which became the cover of the Saturday Evening Post. 1944 was the last time prior to 2016 that both major candidates came from New York.
One might wonder if Rockwell considered himself undecided, when one sees this “son” of the painting, from 1960, featuring Rockwell in the same voting booth.
One last Rockwell to close out, one of my favorites, showing the happy candidate Casey, after having gotten the news that the voters were not so happy with him.
Legendary election jokester Dick Tuck once ran for the state legislature in California, on the slogan, “The job needs Tuck, and Tuck needs the job.” He lost, and he said what I can imagine the fictional Casey saying, “The people have spoken. The bastards!”
What are your favorite election day images? What are your memories of elections past?
Perfect for election day! I especially liked Bingham’s work. Let’s hope we don’t have any fisticuffs at the polls – have seen none reported so far. Husband and I just got back from voting. Last week I saw my 90 year-old plus WWII veteran neighbor get into his car with the help of a walker, his wife and a caregiver. The wife called out happily to me, “We’re going to vote!” Cheers!