Joe Biden, Mensch

June 25, 2020

Joe Biden’s campaign is sharing personal stories about Biden — this one was shared originally in September 2019. It’s a way to get to know him, and to show his character (or lack of it).

This one, you should read. It’s the Joe Biden I met first in 1974, and the Biden I know him to be. But I hadn’t heard this story before.

I Know Joe Biden: Rabbi Michael Beals

The story I’m about to share with you about Joe Biden is special — in fact, I’m fairly certain I’m the only living person left who actually witnessed it firsthand.

It was about 16 years ago, and I was a young rabbi, brand-new to Delaware, on my way to lead a shiva minyan — a worship service following a death of a Jewish person. I was from California. Back then, I didn’t know Claymont, Delaware from Scranton, Pennsylvania.

Rabbi Michael Beals and Vice President Joe Biden

A quick bit of background: When someone passes away in the Jewish faith, we observe seven days of mourning, called shiva. We gather a group of ten Jewish adults together — a minyan — to say the Mourners’ Kaddish. It usually happens in a person’s home — somewhere intimate.

In this case, the deceased individual — her name was Mrs. Greenhouse, of blessed memory — had not been a person of means. She had lived in rent-controlled senior housing in a tall high-rise building off of Namaans Road. Her apartment had been too small to fit everyone into, so we conducted our worship service in the building’s communal laundry room, in the basement of the high-rise.

We assembled the ten elders together, and it was in this most humble of places that I began to lead the kaddish. Toward the end of the service, a door at the back of the laundry room opened, and who walks in but Senator Joe Biden, his head lowered, all by himself.

I nearly dropped my prayer book in shock.

Senator Biden stood quietly in the back of the room for the duration of the service.

At the close of the kaddish, I walked over to him and asked the same question that must have been on everyone else’s mind: “Senator Biden — what are you doing here?”

And he said to me: “Listen, back in 1972, when I first ran for Senate, Mrs. Greenhouse gave $18 to my first campaign. Because that’s what she could afford. And every six years, when I’d run for reelection, she’d give another $18. She did it her whole life. I’m here to show my respect and gratitude.”

Now, the number 18 is significant in the Jewish faith — its numbers spell out the Hebrew word chai, as in “to life, to life, l’chayim!” But it’s also a humble amount. Joe Biden knew that. And he respected that.

There were no news outlets at our service that day — no Jewish reporters or important dignitaries. Just a few elderly mourners in a basement laundry room.

Joe Biden didn’t come to that service for political gain. He came to that service because he has character. He came to that service because he’s a mensch.

And if we need anything right now when it comes to the leadership of our country — we need a mensch.

I know this is such a simple, small story. But I tell it to as many people as will listen to me.

Because I think that, in their heart of hearts, when people are trying to think about the decision they’ll make next year — this is the kind of story that matters.

Joe Biden is a mensch. We need a mensch.

Thanks for reading.

– Rabbi Michael Beals of Delaware

This article was first published by the Biden campaign on Medium, I think. This is the earliest version I’ve found. It’s been excerpted on Twitter, for example by Stanley Krute, and probably on other platforms, too.

I know of no similar story about Donald Trump. Do you?


Election day encore: VOTE, then enjoy the art

November 6, 2018

I hope you’ve voted already. If not, go vote.

Then come back and contemplate U.S. art about voting, and what it tells us about us.

Interesting contrasts, at least.

I love the “County Election” painting of George Caleb Bingham, showing an election in 1852, the year incumbent President Millard Fillmore could not get even the nomination of his party. I love the tension of Norman Rockwell’s painting of the 1944 election in Cedar Rapids, Iowa, with tensions we see only in retrospect. (That post also shows real tensions in a family, in the election of 1948, in another Rockwell painting).

What else does the world of art show about elections in America? What do you think?

Illustration from Harper's Weekly, showing election persuasion at the polls. Library of Congress collection

Illustration from Harper’s Weekly, November 7, 1857, showing election persuasion at the polls – politicians trying to buy votes. Library of Congress collection

If bribery didn’t work, there was always plain old fisticuffs.

Fighting at the polls. Illustration from Harper's Weekly, November 7, 1857. Library of Congress collections

Fighting at the polls. Illustration from Harper’s Weekly, November 7, 1857. Library of Congress collections

Here’s an unusual ritual, portrayed about the 1892 contest between William Henry Harrison and Grover Cleveland. Did this really happen? Did the loser pull the winner on a cart through the city?

“Lost Bet,” by John Klir, Library of Congress. Pearson’s education materials say this was common in the 19th century.

Louis Dalrymple noted a twist on the tradition four years later.

Puck Magazine, November 11, 1896.

Puck Magazine, November 11, 1896. “Print shows a bloated businessman holding an American flag labeled ‘Victory,’ riding in a wheelbarrow being pushed by another man; in the background, a young boy is telling a stranger that his Dad had a bet with the other man regarding the outcome of the presidential election. The stranger is uncertain who lost the bet.” Drawing by Louis Dalrymple for Puck. Library of Congress collections

Not sure how long that tradition of the loser pushing or pulling the winner hung on, but by 1904 election night was an occasion to walk about, socialize, and watch fireworks, if this print from the William Randolph Hearst organization is accurate. Teddy Roosevelt won the presidency on his own that year.

“Election night illumination at the Flatiron Building [New York City].” New York Sunday American & Journal, a Hearst newspaper. Library of Congress collections

“Politics in the Oyster House,” 1848 by Richard Caton Woodville. Image found at Wikiwand

George Caleb Bingham's

George Caleb Bingham’s “Stump Speaking,” 1853-54. Image from Wikiwand

Not all election work involves a crowd.

George Caleb Bingham,

George Caleb Bingham, “Canvassing the Vote”

George Caleb Bingham,

George Caleb Bingham, “The Verdict of the People,” 1854-55. Wikiwand image

This looks more like the campaign party of a victorious candidate in the late 20th and early 21st centuries, though I’m not really sure this tradition survived much past the 2000 election.

John Sloan,

John Sloan, “Election Night,” 1907, an image from a New York drinking establishment. Collection of the Memorial Art Gallery of the University of Rochester.

Janie Price’s Evolution of American Painting said:

Here is the scene of Election Night written in Sloan’s Journal:

“Took a walk in the afternoon and saw boys in droves, foraging for fuel for their election fires this evening. . . . after dinner . . . out again and saw the noisy trumpet blowers, confetti throwers and the “ticklers” in use—a small feather duster on a stick which is pushed in the face of each girl by the men, and in the face of men by the girls. A good humorous crowd, so dense in places that it is impossible to control one’s movement.” (John French Sloan)

Women voted for the first time nationwide in 1920, after the ratification of the 19th Amendment. J. F. Kernan’s painting for The Country Gentleman magazine in 1922 shows some of the tensions that remained after the national amendment.

J. F. Kernan in Country Gentleman magazine, November 4, 1922

J. F. Kernan in Country Gentleman magazine, November 4, 1922. Wikimedia image

Rockwall made great use of his time and photographs in Cedar Rapids. In addition to the painting there, he used the setting for his famous “Undecided,” which became the cover of the Saturday Evening Post. 1944 was the last time prior to 2016 that both major candidates came from New York.

“Undecided,” Norman Rockwell, 1944. Copyright Curtis Publications

One might wonder if Rockwell considered himself undecided, when one sees this “son” of the painting, from 1960, featuring Rockwell in the same voting booth.

“Norman Rockwell at the Voting Booth” painted in 1960, based on his 1944 studies in Cedar Rapids, it seems to me. Image from The Easel

“Norman Rockwell at the Voting Booth” painted in 1960, based on his 1944 studies in Cedar Rapids, it seems to me. Image from The Easel

One last Rockwell to close out, one of my favorites, showing the happy candidate Casey, after having gotten the news that the voters were not so happy with him.

Norman Rockwall,

Norman Rockwall, “Elect Casey,” or “Before and After,” November 1958 for the Saturday Evening Post.

Legendary election jokester Dick Tuck once ran for the state legislature in California, on the slogan, “The job needs Tuck, and Tuck needs the job.” He lost, and he said what I can imagine the fictional Casey saying, “The people have spoken. The bastards!”

What are your favorite election day images? What are your memories of elections past?

This is an encore post.

Yes, this is an encore post. Defeating ignorance takes patience and perseverance.


Vote! What really matters to you? Then vote!

November 2, 2018

Your vote counts. Every vote counts, but your vote counts for you.

Vote!

Advertising from the Independence USA PAC

 


What can we learn from election-day art?

November 8, 2016

Interesting contrasts, at least.

I love the “County Election” painting of George Caleb Bingham, showing an election in 1852, the year incumbent President Millard Fillmore could not get even the nomination of his party. I love the tension of Norman Rockwell’s painting of the 1944 election in Cedar Rapids, Iowa, with tensions we see only in retrospect. (That post also shows real tensions in a family, in the election of 1948, in another Rockwell painting).

What else does the world of art show about elections in America? What do you think?

Illustration from Harper's Weekly, showing election persuasion at the polls. Library of Congress collection

Illustration from Harper’s Weekly, November 7, 1857, showing election persuasion at the polls – politicians trying to buy votes. Library of Congress collection

If bribery didn’t work, there was always plain old fisticuffs.

Fighting at the polls. Illustration from Harper's Weekly, November 7, 1857. Library of Congress collections

Fighting at the polls. Illustration from Harper’s Weekly, November 7, 1857. Library of Congress collections

Here’s an unusual ritual, portrayed about the 1892 contest between William Henry Harrison and Grover Cleveland. Did this really happen? Did the loser pull the winner on a cart through the city?

“Lost Bet,” by John Klir, Library of Congress. Pearson’s education materials say this was common in the 19th century.

Louis Dalrymple noted a twist on the tradition four years later.

Puck Magazine, November 11, 1896.

Puck Magazine, November 11, 1896. “Print shows a bloated businessman holding an American flag labeled ‘Victory,’ riding in a wheelbarrow being pushed by another man; in the background, a young boy is telling a stranger that his Dad had a bet with the other man regarding the outcome of the presidential election. The stranger is uncertain who lost the bet.” Drawing by Louis Dalrymple for Puck. Library of Congress collections

Not sure how long that tradition of the loser pushing or pulling the winner hung on, but by 1904 election night was an occasion to walk about, socialize, and watch fireworks, if this print from the William Randolph Hearst organization is accurate. Teddy Roosevelt won the presidency on his own that year.

“Election night illumination at the Flatiron Building [New York City].” New York Sunday American & Journal, a Hearst newspaper. Library of Congress collections

“Politics in the Oyster House,” 1848 by Richard Caton Woodville. Image found at Wikiwand

George Caleb Bingham's

George Caleb Bingham’s “Stump Speaking,” 1853-54. Image from Wikiwand

Not all election work involves a crowd.

George Caleb Bingham,

George Caleb Bingham, “Canvassing the Vote”

George Caleb Bingham,

George Caleb Bingham, “The Verdict of the People,” 1854-55. Wikiwand image

This looks more like the campaign party of a victorious candidate in the late 20th and early 21st centuries, though I’m not really sure this tradition survived much past the 2000 election.

John Sloan,

John Sloan, “Election Night,” 1907, an image from a New York drinking establishment. Collection of the Memorial Art Gallery of the University of Rochester.

Janie Price’s Evolution of American Painting said:

Here is the scene of Election Night written in Sloan’s Journal:

“Took a walk in the afternoon and saw boys in droves, foraging for fuel for their election fires this evening. . . . after dinner . . . out again and saw the noisy trumpet blowers, confetti throwers and the “ticklers” in use—a small feather duster on a stick which is pushed in the face of each girl by the men, and in the face of men by the girls. A good humorous crowd, so dense in places that it is impossible to control one’s movement.” (John French Sloan)

Women voted for the first time nationwide in 1920, after the ratification of the 19th Amendment. J. F. Kernan’s painting for The Country Gentleman magazine in 1922 shows some of the tensions that remained after the national amendment.

J. F. Kernan in Country Gentleman magazine, November 4, 1922

J. F. Kernan in Country Gentleman magazine, November 4, 1922. Wikimedia image

Rockwall made great use of his time and photographs in Cedar Rapids. In addition to the painting there, he used the setting for his famous “Undecided,” which became the cover of the Saturday Evening Post. 1944 was the last time prior to 2016 that both major candidates came from New York.

“Undecided,” Norman Rockwell, 1944. Copyright Curtis Publications

One might wonder if Rockwell considered himself undecided, when one sees this “son” of the painting, from 1960, featuring Rockwell in the same voting booth.

“Norman Rockwell at the Voting Booth” painted in 1960, based on his 1944 studies in Cedar Rapids, it seems to me. Image from The Easel

“Norman Rockwell at the Voting Booth” painted in 1960, based on his 1944 studies in Cedar Rapids, it seems to me. Image from The Easel

One last Rockwell to close out, one of my favorites, showing the happy candidate Casey, after having gotten the news that the voters were not so happy with him.

Norman Rockwall,

Norman Rockwall, “Elect Casey,” or “Before and After,” November 1958 for the Saturday Evening Post.

Legendary election jokester Dick Tuck once ran for the state legislature in California, on the slogan, “The job needs Tuck, and Tuck needs the job.” He lost, and he said what I can imagine the fictional Casey saying, “The people have spoken. The bastards!”

What are your favorite election day images? What are your memories of elections past?


2016: Election day art of Norman Rockwell, and unpredictability of elections

November 8, 2016

Especially in 2016, I think of this great, undersung painting by Normal Rockwell, “Election Day (1944)”:

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Remember when people used to dress up to go to the polls?

In 1944 President Franklin Roosevelt ran for an unprecedented fourth term.  Most Americans did not know it, but he was deathly ill at the time.  He dropped Vice President Henry Wallace from his ticket — some argue it was a mutual disaffection at that time — and selected the relatively unknown young Missouri U.S. Sen. Harry S Truman for the vice president’s slot.

In November 1944, D-Day was known to be a successful invasion, and most Americans hoped for a relatively speedy end to World War II in both Europe and the Pacific.  Within the next ten months, the nation would endure the last, futile, desperate and deadly gasp of the Third Reich in the Battle of the Bulge, the liberation of Berlin in April 1945, and end of the war in the European Theatre on May 8; the Battle of Leyte Gulf, the Philippines Campaign, and the bloody, crippling battles of Iwo Jima and Okinawa in the Pacific Theatre, and then the first use of atomic weapons in war, at Hiroshima and Nagasaki (and we hope, the last use).

Voters in Cedar Rapids could not have known that.  They did not know that, regardless their vote for FDR or his Republican challenger, New York Gov. Thomas Dewey, Harry S Truman would be president within six months, nor that the entire world would change in August 1945.

This painting captures a time of spectacular moment, great naivity, and it pictures the way history got made.

For a 2007 exhibition, the Cedar Rapids Museum of Art offered this history:

Norman Rockwell: Fact & Fiction

September 12, 2009 – January 3, 2010

In 2007, the citizens of Cedar Rapids rallied together to purchase a series of watercolors destined for the auction block in New York. These five watercolors, by acclaimed 20th century American artist Norman Rockwell, depicted scenes associated with an election day and were created specifically for the November 4, 1944 issue of the Saturday Evening Post. To complete the Post commission, Rockwell traveled to a quintessential Midwestern town, Cedar Rapids, to study local citizens as models for his series of images.

In the 65 years since his visit, numerous anecdotes and stories have arisen about the artist’s time in Cedar Rapids and the creation of this work. This exhibition uses these five, newly conserved and restored watercolors and a related oil painting from the Norman Rockwell Museum, along with numerous photographs taken by local photographer Wes Panek for Rockwell, to investigate the many facts and fictions associated with Rockwell’s visit and this set of watercolors.

Norman Rockwell: Fact & Fiction has been made possible in part by Rockwell Collins, Candace Wong, and local “Friends of Norman Rockwell.” General exhibition and educational support has been provided by The Momentum Fund of the Greater Cedar Rapids Community Foundation.

Friends of Norman Rockwell: Wilma E. Shadle, Howard and Mary Ann Kucera, Jean Imoehl, Ben and Katie Blackstock, Marilyn Sippy, Chuck and Mary Ann Peters, Phyllis Barber, Ann Pickford, Anthony and Jo Satariano, Barbara A. Bloomhall, Virginia C. Rystrom, Jeff and Glenda Dixon, Robert F. & Janis L. Kazimour Charitable Lead Annuity Trust, Fred and Mary Horn, Mrs. Edna Lingo, John and Diana Robeson, Jewel M. Plumb, Carolyn Pigott Rosberg, Mr. and Mrs. Robert J. Buchacek, Dan and Anne Pelc, Mary Brunkhorst, and John and Diana Robeson.

I am amused and intrigued that this scene also closely resembles the scene when I voted in Cheverly, Maryland, in 1984 — down to the dog in the picture.  Oh, and most of the women didn’t wear dresses, none wore hats, and I was the only guy in the room with a tie.

Roosevelt won the 1944 election in an electoral college landslide, 432 to 99, but Dewey won Iowa, and we might assume Dewey won Cedar Rapids, too.

And that Truman guy?  Rockwell came back to the topic of elections four years later, when Truman was running for election to the office he’d filled for nearly four years, with another classic, American election portrayal.

“Election Day,” by Norman Rockwell, 1948

More:

 

Yes, this is an encore post.

Yes, this is mostly an encore post.


Global Warming is on the ballot; Bill Nye urges voting wisely

November 2, 2016

Bill Nye told Business Insider voters in 2016 can make a huge change, just voting for a president who will work on climate change.

Bill Nye told Business Insider voters in 2016 can make a huge change, just voting for a president who will work on climate change.

No secret that Bill Nye wants governments to act to slow and stop global warming.

Nothing if not hopeful, Nye explained to Mother Jones earlier that electing a president dedicated to making change could push Congress off the dime:

Electing a climate-friendly president is key, Nye says, because it could inject new life into Congress’ long-stagnant climate debate. “There are…many very reasonable people in Congress who are playing the hand they are dealt with these gerrymandered congressional districts,” he adds. “They have to please an extraordinary minority.” With the right leadership and timing, he says, the politicians just might take action.

A candidate rational about science and climate change is likely to be rational on other issues, too.

More:

Save

Save


Barack Obama: “Every vote matters.” Especially yours

October 21, 2016

You may have seen this one before. It probably came with a note you may want to have tissues handy. Good advice.

Better advice: Vote!

At I Agree to See, Andrew Cullen wrote:

The ad, “Progress is on the Ballot” is a two-minute mini-documentary of the Obama years. We hear the president sum up his administration nicely: “We know the progress we’ve made despite the forces of opposition,” he says in the ad – a not-so subtle dig to Republicans in Congress. “Despite the forces of discrimination, despite the politics of backlash. That doesn’t stop with my presidency. We’re just getting started.”

The ad ends with a shot of Clinton and Obama walking on stage together.
At the last White House Correspondents dinner, President Obama was introduced to Anna Kendrick’s song “You’re Going to Miss Me When I’m Gone.”

That seems about right.

president barack obama hillary clinton we miss obama progress is on the ballot barack obama

President Barack Obama in the Oval Office of the White House.


Michelle Obama lays it on the line in New Hampshire – listen

October 13, 2016

First Lady Michelle Obama. DCCC image

First Lady Michelle Obama. DCCC image

President Barack Obama maybe told us. We need to listen to first Lady Michelle Obama.

Some wag said back at the convention, think about it this way: How would you like to be Barack Obama, and realize you’re not even the best orator in your own home?

Listen to what Michelle Obama said about the election, today, October 13, in Manchester, New Hampshire. Here I start just over five minutes in, at the serious stuff that goes for about 9:30 minutes:

Mrs. Obama had some good things to say about the future for girls, and women, in the first five minutes, too, you may want to see. Full 24-minute speech here:

More:

 

Save

Save


Texans! Last day to register to vote in March primary elections, February 1

February 1, 2016

Texas Democrats send me e-mail, trying to make democracy in America stronger, and work better, especially in Texas:

Ed,

Today is the absolute LAST DAY to register to vote for the March 1 Presidential Primary.

If you or someone you know wants to vote for Bernie Sanders, Hillary Clinton, or Martin O’Malley in the Democratic Primary but they aren’t registered to vote yet, today is the last day to get registered.

Fill out your voter registration application online — then print it, sign it, and make sure to get it in the mail before the post office closes.

http://act.txdemocrats.org/RegisterToVote

If you are already registered to vote, forward this email to any friends and family members that you think haven’t registered to vote. 

Let’s do this,

Crystal Perkins
Executive Director, Texas Democratic Party

Paid for by the Texas Democratic Party (www.txdemocrats.org)
and not authorized by any candidate or candidate’s committee.

I do not know why Texas Republicans did not send me a similar e-mail. I’m on their lists, too.

Excluding run-off elections where no candidate received 50%+1 in the primary, here is Texas’s election calendar for 2016, from the Texas Secretary of State:

Last Day to Register to Vote Monday, February 1, 2016
First Day of Early Voting Tuesday, February 16, 2016*
*First business day after Presidents’ Day
Last Day to Apply for Ballot by Mail
(Received, not Postmarked)
Friday, February 19, 2016
(NEW LAW: 11th day before election day; Application for Ballot By Mail (ABBM) and Federal Postcard Application (FPCA))
Last Day of Early Voting Friday, February 26, 2016
Last day to Receive Ballot by Mail Tuesday, March 1, 2016 (election day) at 7:00 p.m. (unless overseas deadline applies)

Voter Lookup (yes, even this late)

November 4, 2014

You suddenly got the urge to vote, you know you’re registered . . . but you don’t know where to vote?

Here to help; put in your address below, you can find your polling place.

Two things:  First, I don’t see your information, and no one in WordPress keeps it.  So your address is safe with you.

Second, holler if it doesn’t work, or you find any other problems!

Thank you for voting!

Ben Sargent cartoon from the Austin, Texas American-Statesman.

Ben Sargent cartoon from the Austin, Texas American-Statesman. “Your vote is your voice.”


Election day art of Norman Rockwell, and the unpredictability of elections

November 4, 2014

Can’t let election day go by without at least noting this great, undersung painting by Normal Rockwell, “Election Day (1944)”:

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Remember when people used to dress up to go to the polls?

In 1944 President Franklin Roosevelt ran for an unprecedented fourth term.  Most Americans did not know it, but he was deathly ill at the time.  He dropped Vice President Henry Wallace from his ticket — some argue it was a mutual disaffection at that time — and selected the relatively unknown young Missouri U.S. Sen. Harry S Truman for the vice president’s slot.

In November 1944, D-Day was known to be a successful invasion, and most Americans hoped for a relatively speedy end to World War II in both Europe and the Pacific.  Within the next ten months, the nation would endure the last, futile, desperate and deadly gasp of the Third Reich in the Battle of the Bulge, the liberation of Berlin in April 1945, and end of the war in the European Theatre on May 8; the Battle of Leyte Gulf, the Philippines Campaign, and the bloody, crippling battles of Iwo Jima and Okinawa in the Pacific Theatre, and then the first use of atomic weapons in war, at Hiroshima and Nagasaki (and we hope, the last use).

Voters in Cedar Rapids could not have known that.  They did not know that, regardless their vote for FDR or his Republican challenger, New York Gov. Thomas Dewey, Harry S Truman would be president within six months, nor that the entire world would change in August 1945.

This painting captures a time of spectacular moment, great naivity, and it pictures the way history got made.

For a 2007 exhibition, the Cedar Rapids Museum of Art offered this history:

Norman Rockwell: Fact & Fiction

September 12, 2009 – January 3, 2010

In 2007, the citizens of Cedar Rapids rallied together to purchase a series of watercolors destined for the auction block in New York. These five watercolors, by acclaimed 20th century American artist Norman Rockwell, depicted scenes associated with an election day and were created specifically for the November 4, 1944 issue of the Saturday Evening Post. To complete the Post commission, Rockwell traveled to a quintessential Midwestern town, Cedar Rapids, to study local citizens as models for his series of images.

In the 65 years since his visit, numerous anecdotes and stories have arisen about the artist’s time in Cedar Rapids and the creation of this work. This exhibition uses these five, newly conserved and restored watercolors and a related oil painting from the Norman Rockwell Museum, along with numerous photographs taken by local photographer Wes Panek for Rockwell, to investigate the many facts and fictions associated with Rockwell’s visit and this set of watercolors.

Norman Rockwell: Fact & Fiction has been made possible in part by Rockwell Collins, Candace Wong, and local “Friends of Norman Rockwell.” General exhibition and educational support has been provided by The Momentum Fund of the Greater Cedar Rapids Community Foundation.

Friends of Norman Rockwell: Wilma E. Shadle, Howard and Mary Ann Kucera, Jean Imoehl, Ben and Katie Blackstock, Marilyn Sippy, Chuck and Mary Ann Peters, Phyllis Barber, Ann Pickford, Anthony and Jo Satariano, Barbara A. Bloomhall, Virginia C. Rystrom, Jeff and Glenda Dixon, Robert F. & Janis L. Kazimour Charitable Lead Annuity Trust, Fred and Mary Horn, Mrs. Edna Lingo, John and Diana Robeson, Jewel M. Plumb, Carolyn Pigott Rosberg, Mr. and Mrs. Robert J. Buchacek, Dan and Anne Pelc, Mary Brunkhorst, and John and Diana Robeson.

I am amused and intrigued that this scene also closely resembles the scene when I voted in Cheverly, Maryland, in 1984 — down to the dog in the picture.  Oh, and most of the women didn’t wear dresses, none wore hats, and I was the only guy in the room with a tie.

Roosevelt won the 1944 election in an electoral college landslide, 432 to 99, but Dewey won Iowa, and we might assume Dewey won Cedar Rapids, too.

And that Truman guy?  Rockwell came back to the topic of elections four years later, when Truman was running for election to the office he’d filled for nearly four years, with another classic, American election portrayal.

“Election Day,” by Norman Rockwell, 1948

More:

 

Yes, this is an encore post.

Yes, this is mostly an encore post.


Early voting opens in Texas: Polling place shenanigans?

October 20, 2014

If you are confronted with voting irregularities at your polling station in Texas, call 1-844-TXVOTES (1-844-898-6837)

If you are confronted with voting irregularities at your polling station in Texas, call 1-844-TXVOTES (1-844-898-6837)

A friendly reminder from BattleGround Texas:  If you experience voting irregularities at your polling station in Texas, call 1-844-TXVOTES (1-844-898-6837).

Vote early!


Every polling station should have this sign

September 18, 2014

Polling station, in unnamed location in Scotland, for the referendum on Scotland independence.  From @standrewsradio

Polling station, in unnamed location in Scotland (?) posted on Twitter during the referendum on Scotland independence, but around since at least April 2014. From @standrewsradio

“Please do not sit on the fence.”

It would work in Texas elections this year, too.  97% of eligible Scot voters registered to vote; as I write this, it looks like about 90% of those people voted in the election.

Ain’t democracy grand?

“Vote: It’s what citizens do.”

Update:  Seems to be at the Plaistow Youth Center, in England.

From BBC:

BBC caption:  After four weeks of campaigning the polls are closed, we now await the result of the general election. Quentin Gadd spotted these signs at a polling station, he says,

BBC caption: After four weeks of campaigning the polls are closed, we now await the result of the general election. Quentin Gadd spotted these signs at a polling station, he says, “Is this proof positive that the organisers of the Plaistow Youth Centre are taking a stand against those who choose to abstain?”

The photo may be from 2010, from this site, which identifies the photo location further, with a different photo:  “Sign at the polling station in Plaistow, West Sussex, on Local Council Polling Day.”


This guy is really lit! So are his bagpipes!

September 18, 2014

From the voting festivities in Scotland today, a very graphic demonstration of why one should never, never, never drink and play bagpipes.

From Twitter, Wall Street Journal's account:  Photos: Scotland votes in independence referendum | http://on.wsj.com/1ubZMTH

From Twitter, Wall Street Journal’s account: Photos: Scotland votes in independence referendum | http://on.wsj.com/1ubZMTH

In every other way, this vote should be closely watched.  Two nations pushed together by force of arms hundreds of years ago, discussing whether and how to split up.  No guns.  No tanks.  Lots of discussion, lots of fun, lots of ballots.  97% of eligible voters registered to vote, and indications are at least 90% of them turned out.

Can you imagine what would happen in U.S. elections if 90% of registered voters showed up at the polls, instead of 40%, or 30%?  Can you imagine if 97% of U.S. eligible voters bothered to register, instead of the less-than-50% we have now?

You bagpipes would flame, too.


Photo of the moment: India brilliantly demonstrating the error of Mao Zedong

May 12, 2014

You remember the quote, don’t you?

Every Communist must grasp the truth; “Political power grows out of the barrel of a gun.”

Mao Zedong, “Problems of War and Strategy” (November 6, 1938), Selected Works, Vol. II, p. 224.

Here is the 21st century response from India:

A man shows off his finger, marked with ink, to show he's voted in India's elections, 2014.   WSJ image

A man shows off his finger, marked with ink, to show he’s voted in India’s elections, 2014. WSJ Tweet: India’s weeks-long federal elections come to a close. Photos from the polling place: http://trib.al/SekkQd2 (EPA)

In a democratic regime, political power grows from the finger that rings the doorbell or dials the phone to invite a neighbor to vote, and to that same finger marking the ballot in the voting place.  In the 21st century, democratic revolutions are slower, cause less bloodshed, but are more deeply rooted in the will of the people, and last longer in the deep reforms they bring to a nation.

The finger is mightier than the gun.

Mao is dead.  Even his nation turns towards capitalism, and eventually, to personal political freedom.

O, Tempora! O, Mores!

To which I would add (hoping I get the grammar correct!):  Novae viae veteres malis eius conterendos.  Spes et patientia superare tyrannidis.  (New ways crush the old bad habits. Hope and determination overcome tyranny.)

Afterthought:   When Malcolm X preached “The Ballot or the Bullet,” he advocated the ballot. He knew.


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