“If a tree falls” — Bruce Cockburn

January 20, 2013

Bruce Cockburn (pronounced “coe-burn”), “If a Tree Falls.”  From his 1989 album, “Big Circumstance.”

Canada’s music copyright group SOCAN honored Cockburn in a program last month (all links added here):

The star-studded evening at Toronto’s Roy Thomson Hall is a chance for the Society of Composers, Authors and Music Publishers of Canada to celebrate the best the Canadian music scene has to offer.

Bruce Cockburn performing at the City Stages f...

Bruce Cockburn performing at the City Stages festival in Birmingham, Alabama, United States. Photo: Wikipedia. Some guitar afficianadoes consider Cockburn in the top ranks of guitar wizards. A story we’re working to verify holds a reporter asking Eddie van Halen how it feels to be the world’s best guitarist, to which van Halen is said to have responded: “I don’t know. Ask Bruce Cockburn.”

Cockburn, who has had a 35-year career that produced hits such as Wonderin’ Where the Lions Are and If I Had a Rocket Launcher, will be presented with the SOCAN Lifetime Achievement Award.

Musician Bruce Cockburn gets the lifetime achievement award after 35 years as a singer-songwriter. (Canadian Press)  A Canadian Music Hall of Fame member and 12-time Juno award-winner, Cockburn will be serenaded by Serena Ryder as part of the ceremony.

He’s been around for 35 years, and I don’t have any of his stuff in my library?  How did that happen?

Tip of the old scrub brush to Jim Stanley.

More:


Old and Wise? Stones older than Supreme Court

December 8, 2012

Some wag at Associated Press noticed recently that the Rolling Stones’ average age puts them older than the U.S. Supreme Court.  (Did some one notice this before AP?)  Franklin Roosevelt criticized the Court as “nine old men.”  Women have improved the Court, but age sometimes makes us wonder, still, if new ideas wouldn’t help.

Rolling Stones in 2012, 50th anniversary

Left to right, Charlie Watts, Keith Richard, Ron Wood and Mick Jagger; Bill Wyman absent from this photo; Rolling Stones, 50th Anniversary Tour 2012 – Samir Hussein photo WireImage, via Rolling Stone magazine. Other than no ties, they dress not-too flamboyantly.

Maybe we should wonder about increasing the wisdom that comes with age:

Rolling Stones:

Mick Jagger, 69

Keith Richards, 68

Charlie Watts, 71

Ronnie Wood, 65

Bill Wyman (rejoining them on tour), 76

Average age:  69.8 years (calculated from whole years only)

U.S. Supreme Court:

Antonin Scalia, 76

Anthony Kennedy, 76

Clarence Thomas, 64

Ruth Bader Ginsburg, 79

Stephen Breyer, 74

John G. Roberts, 57

Samuel A. Alito, Jr., 62

Sonia Sotomayor, 58

Elena Kagan, 52

Average age:  68.4 years

U.S. Supreme Court, Roberts Court 2010 – Back row (left to right): Sonia Sotomayor, Stephen G. Breyer, Samuel A. Alito, and Elena Kagan. Front row (left to right): Clarence Thomas, Antonin Scalia, Chief Justice John G. Roberts, Anthony Kennedy, and Ruth Bader Ginsburg – Wikimedia image. This bunch wears less colorful, but sillier costumes. Justice Ginsburg tends to favor neckwear the same way Keith Richards does; what else might they have in common?

A wise-beyond-his-teen-years camper at Camp Rising Sun of the Louis August Jonas Foundation, in the 1960s or early 1970s, observed, “You cannot be both young and brave, and old and wise.”  Certainly one would hope to achieve the happier medium of brave and wise (not necessarily in that order), but humans being who we are and experience being the master teacher that it is, we find ourselves on one end of both spectra, either wizened in age, or brave perhaps because of youth.

The Stones, celebrating their 50th year as a band in 2012, probably rock better than the Court does.  One can’t help wondering whether the wisdom of the Stones wouldn’t serve us better than that of the current court.  Ironically, those most wise at the Court tend to be the younger ones (Breyer definitely excluded).  I’d be inclined to swap out Alito and Scalia  for any two of the Stones.  Maybe Roberts for a third.

Thomas?  Well, he’s almost a contemporary, and I had lunch with him a couple of times (Senate staff).  I hate to criticize a lunch companion so.  But comparing Jagger’s record at the London School of Economics with Thomas’s record in academia, yeah, I could be persuaded.  I dealt with Breyer, too (not at lunch), and am inclined to think he could rock pretty well.

Perhaps the answer is that we need more rock and roll in the halls of justice.  Pete Seeger, Arlo Guthrie and Bruce Springsteen, among others, would probably agree.

If both groups banned the use of hair dye, would it improve anything they do?

Which bunch would you rather have dispensing final decisions on justice?  Which bunch would you prefer to see in concert?

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Flash mob in the BYU library

December 2, 2012

When flash mobs go Mormon, and invade sacred spaces like libraries, in Provo, Utah . . . well, that’s pushing the boundaries a bit, and telling the aging of the ritual, too.

How many times have you sung in the atrium of a library and thought it would be a great place for a choir?

Notes from the BYU Singers at YouTube (I added links, except for the first YouTube link):

http://youtu.be/LkE_vk86fq0?t=1h7m10s is the link to hear the BYU Singers perform it in concert!

The BYU Singers appear out of the crowd to sing O Sapientia in the BYU Library. For a brief minute, the library stood still! The audience was captivated, and asked for more. We told them that it sounds better live and invited them to our concert!

And, in comments:

Thank you so much for listening to the BYU Singers! Some viewers asked for a recording of us singing “O Sapientia” by Bob Chilcott without the background noise of the library. We’ve put a link into this video’s description, as well as in an annotation during the first 10 seconds of the video. The link goes directly to us singing “O Sapientia” during a broadcast of our concert on Saturday, November 17, 2012 in the DeJong Concert Hall at BYU. Thank you again for listening!

When I attended college at Utah’s senior (and superior) educational institution (back when Dinosaur Jim Jensen was hunting them live in Central Utah), J. Willard Marriott gave $1 million to the University of Utah to finish the library, and a couple of years later gave $1 million to BYU to finish the basketball center.  We noted that Marriott was a good judge of where the priorities lay at each institution.  Since then, BYU built a new library which is, I hear, quite glorious as a study location.  Except, of course, it’s located on the campus of BYU.  If you’re studying late nights there, let’s just say you’d better have had a good night’s sleep the previous week, because caffeine is going to be hard to come by.

I think the Franklin Stewart Harris Fine Arts Center, home of the DeJong Concert Hall, is the only college building in this nation named after a relative of mine.  In the center of an academic institution that often troubled me deeply, it was the site of many a pleasant day in extension classes (here’s to you, Max Golightly), student performances, and debate headquarters.  I’ve taken solace in the building’s being dedicated to arts and performance, which transcends all the other problems I have with the school.

Those kids sing pretty well, don’t you think?

Did you also notice?  No one shushed them.  I mean, it sounded pretty noisy for a library — but it’s still a library!

Tip of the old scrub brush to Evelyn Earl Jeffries.

More:


Flash mob Carmina Burana

November 13, 2012

Oh, the standards on flash mobs just keep getting pushed higher and higher.

Beethoven‘s “Ode to Joy” chorus?  Easy Sunday-afternoon-in-the-plaza piece.

Carl Orff‘s Carmina Burana? Sure, it scores on the cool side; but a performance is really a little more demanding than Beethoven’s most whistlable tune, isn’t it?

Is this in Vienna?  In a train station?  It features the Volksoper Vienna.  And once again, we get the wonderfully comical entrance of the actual tympani, without which Carmina would be impossible, no?

Details, in German:

SolistInnen, Chor, Orchester der Volksoper Wien boten im April Fahrgästen und Passanten eine besondere Performance. Die KünstlerInnen lösten sich aus der Menschenmenge – eine “Passantin” begann, weitere “PassantInnen” – sowie als ÖBB-MitarbeiterInnen verkleidete KünstlerInnen – setzten nach und nach ein.: 558,438

http://www.volksoper.at
http://www.ppmzweinull.com/ppmzweinull2.html

What’s next?  Will someone do a Carmina while actually roasting a swan, and offer slices of the poor bird?

Okay, here’s one I’d like to see:  Aaron Copeland’s Rodeo, complete with Agnes Demille choreography.  Is there time for someone to get it put together for the Fort Worth Fat Stock Show and Rodeo?  The Houston Stock Show?  Wouldn’t it look grand in Grand Central Station?

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Together we can sing a joyful song, maybe even some Beethoven . . .

November 1, 2012

I do love me some well done flash mob.

This one may have been better coordinated than some the video is actually an advertisement for a bank.

Try to watch it and not smile.  Just try not to smile.

It’s the “European National Anthem,” that section from Beethoven’s Ninth Symphony commonly known as “Ode to Joy,” in an arrangement that accommodates any nearby wandering minstrel’s joining in — not to mention a choir of at least a hundred.

I found it at the blog for Krista Tippet’s radio program, “On Being,” in a writeup by Trent Gillis:

Let’s make no mistake here; this is a commercial for Banco Sabadell. And, yes, it’s a majestic, highly orchestrated flashmob organized by one of Spain’s largest banking groups. But, when I get an evening email from our founder and host confessing to shedding “happy tears” when watching it, I figure I better check it out.

Flashmob organizado por Banco Sabadell

Flashmob organizado por Banco Sabadell

And, if you read the comments on YouTube, you’ll see much more of the same sentiment being expressed.

On May 19th [2012] at six in the evening, what appeared to be a single, tuxedoed street performer playing a bass for people strolling around Plaça de Sant Roc in Sabadell, Spain (just north of Barcelona) turned into a mass ensemble performing a movement of Beethoven’s Ninth Symphony — including more than 100 musicians and singers from the Orchestra Simfònica del Vallès, Amics de l’Òpera de Sabadell, Coral Belles Arts, and Cor Lieder Camera.

The production is lovely and highly produced, but it’s the fascination and pure joy of the passersby that makes the moment quite magical. Non?

This is a metaphor for community life.  Communities work best when many people contribute, when people can do what they do well, for the community, as part of the community.  Here is a plaza where people gather — it’s not unusual for musicians to set  up and play, probably for their own amusement as well as for money.  Busking is big stuff in England, and in New York City — and in Greece, though it’s outlawed in many places there.  People will violate laws to make money, and to participate in the community.

It might be pleasant enough if one tall guy, in a tuxedo or jeans — or naked for all that it matters — plays a tune on a bass.  It’s a grand tune, one that most people recognize immediately, and one that has memories stuck to it like feathers on a wood duck.  Beethoven is familiar, and pleasant, and singable.

Add a cello, it’s fun.  Add more strings, the performance becomes grand.  Add the horns, and percussion — loved the guy wheeling his typani out to the plaza  — it’s a delight.  Add a hundred voices in six parts, it’s glorious.

Professionals in the community?  Sure, why not.  In this case, I imagine, they were paid by Banco Sabadell.  Even fun things in communities require some professionals, from time to time.  The cops control traffic before and after the football games, the firemen stand by on the Fourth of July.

Communities build across time, as well as families.  Beethoven wrote that symphony in 1824; Schiller wrote the poem in the lyric in 1785, before George Washington conspired with James Madison and Alexander Hamilton to make the United States of America, edited by Schiller in 1803, the same year Napoleon sold off Louisiana to Thomas Jefferson’s presidency.  There are no solo acts, especially in music, where even the opera diva in solo recital has an agent to hire the hall and sell the tickets, an accompanist on piano, and the music of geniuses from other places, and even other times.

In times of crisis, we get reminders that our finest tool for meeting crises is to look out for each other.

This flash mob video reminded me of that.


Woody Guthrie’s “Sinking of the Reuben James”

October 31, 2012

Woody’s recording of the song, with some good photos of the DD 245 U.S.S. Reuben James, the German U-boat that sank her, and two later ships that carried the same name:

From the YouTube description:

Woody Guthrie‘s song written shortly after the sinking of the USS Reuben James DD-245; Slideshow of DD 245, DE 153, FFG 57 and U 552 with a few other notable photos included.

More:

English: PACIFIC OCEAN (July 8, 2010) The Oliv...

English: PACIFIC OCEAN (July 8, 2010) The Oliver Hazard Perry-class guided-missile frigate USS Reuben James (FFG 57) conducts training exercises supporting Rim of the Pacific (RIMPAC) 2010 exercises. RIMPAC is a biennial, multinational exercise designed to strengthen regional partnerships and improve interoperability. (U.S. Navy photo by Mass Communication Specialist 2nd Class Jeremy M. Starr/Released) (Photo credit: Wikipedia)


Gilbert and Near, Woody’s “Pastures of Plenty”

October 20, 2012

Woody Guthrie wrote of freedom . . . when was this written? 1930-something?  [1941, it turns out.]

Ronnie Gilbert and Holly Near combine on one of my favorite arrangements of the song.

[That one disappeared? Try this one; click through if you have to:]

[Maybe this one will work:]

This film must be at least ten years old, maybe more.  The song is more than 60 years old [71 years — from 1941].

It’s still a powerful indictment of corporate greed, heartless and oppressive immigration policies, and it’s a case for a strong labor movement.

Be sure you vote in the November 6 elections.  Sing this song on the way to the polls.

More:


MacArthur grants announced; 23 lucky people to follow, or not

October 2, 2012

I got the press release three minutes early, actually — not that I could have gotten anything published in that time.  At the promised time, in other words.

MacArthur grant announcement time!  It’s one of those things I take some delight in, to see who are the unsung (usually) from whom much will be expected.  With 23 grantees this year, it’s about as much fun as the Rhodes Scholar announcements.  Rhodes Scholars at least know they are in contention, having had to apply and go through rigorous interviews.  MacArthur fellows don’t know they’ve been nominated.

So, of course, the stories about the grantees often start with the surprise announcement.  The Foundation’s press release starts there, too.  I wonder how many news stories will replicate the press release in that?

23 MacArthur Fellows Announced
One call out of the blue – $500,000 – No strings attached

The MacArthur Foundation today named 23 new MacArthur Fellows for 2012. Working across a broad spectrum of endeavors, the Fellows include a pediatric neurosurgeon, a marine ecologist, a journalist, a photographer, an optical physicist and astronomer, a stringed-instrument bow maker, a geochemist, a fiction writer, and an arts entrepreneur. All were selected for their creativity, originality, and potential to make important contributions in the future.

The recipients learned, through a phone call out of the blue from the Foundation, that they will each receive $500,000 in no-strings-attached support over the next five years. MacArthur Fellowships come without stipulations or reporting requirements and offer Fellows unprecedented freedom and opportunity to reflect, create, and explore. The unusual level of independence afforded to Fellows underscores the spirit of freedom intrinsic to creative endeavors. The work of MacArthur Fellows knows neither boundaries nor the constraints of age, place, and endeavor.

“These extraordinary individuals demonstrate the power of creativity,” said MacArthur President Robert Gallucci. “The MacArthur Fellowship is not only a recognition of their impressive past accomplishments but also, more importantly, an investment in their potential for the future. We believe in their creative instincts and hope the freedom the Fellowship provides will enable them to pursue unfettered their insights and ideas for the benefit of the world.”

Meet the 2012 MacArthur Fellows ››

An eclectic group.  Already Larry Ferlazzo posted that one of the awardees is the young economist who bashes teachers, Raj Chetty — there is no requirement that awardees be universally loved, but someone who courts controversy rarely makes the list.  (An exception might be Eugenie Scott , the genius behind the National Center for Science Education, whose winning a MacArthur grant forever tainted such awards to creationists, to the delight of fans of science.)

Go noodle around at the MacArthur Foundation site — each awardee has a bio, a couple of very nice photos, and a video on their work.  Good stuff.

Here they are, in alphabetical order, straight from the MacArthur Foundation.  Hot links go to more information at the Foundation’s site.

Meet the 2012 MacArthur Fellows

Profile portrait of Natalia Almada

Natalia Almada

Altamura Films

Mexico City, Mexico

Age: 37

Documentary Filmmaker capturing complex and nuanced views of Mexican history, politics, and culture in insightful and poetic works that affirm the potency of documentary film as both an art form and a tool for social change.

More 

Profile portrait of Uta Barth

Uta Barth

Los Angeles, CA

Age: 54

Conceptual Photographer exploring the nature of vision and the difference between how we see reality and how a camera records it in evocative, abstract compositions that focus attention on the act of looking and the process of perception.

More 

Profile portrait of Claire Chase

Claire Chase

International Contemporary Ensemble

Brooklyn, NY

Age: 34

Arts Entrepreneur forging a new model for the commissioning, recording, and live performance of classical music and opening new avenues of artistic expression for the twenty-first-century musician.

More 

Profile portrait of Raj Chetty

Raj Chetty

Harvard University

Cambridge, MA

Age: 33

Public Economist elucidating key policy issues of our time in theoretical and empirical studies that refine our understanding of the impact of public finance on economic activity.

More 

Profile portrait of Maria Chudnovsky

Maria Chudnovsky

Columbia University

New York, NY

Age: 35

Mathematician investigating the fundamental principles of graph theory and laying the conceptual foundations for deepening connections between graph theory and other major branches of mathematics, such as linear programming and geometry.

More 

Profile portrait of Eric Coleman

Eric Coleman

University of Colorado School of Medicine

Denver, CO

Age: 47

Geriatrician addressing system-wide deficiencies in patient transitions from hospitals to homes and other sites of care and improving the health outcomes of millions of older adults suffering from chronic illness.

More 

Profile portrait of Junot Díaz

Junot Díaz

Massachusetts Institute of Technology

Cambridge, MA

Age: 43

Fiction Writer using raw, vernacular dialogue and spare, unsentimental prose to draw readers into the various and distinct worlds that immigrants must straddle.

More 

Profile portrait of David Finkel

David Finkel

Washington Post

Washington, DC

Age: 56

Journalist pushing beyond the constraints and conventions of traditional news writing to craft sustained narratives that heighten the reality of military service and sacrifice in the public consciousness.

More 

Profile portrait of Olivier Guyon

Olivier Guyon

University of Arizona

Tucson, AZ

Age: 36

Optical Physicist and Astronomer designing telescopes and other astronomical instrumentation that play a critical role in the search for Earth-like planets outside our solar system.

More 

Profile portrait of Elissa Hallem

Elissa Hallem

University of California, Los Angeles

Los Angeles, CA

Age: 34

Neurobiologist exploring the physiology and behavioral consequences of odor detection and chemoreception in invertebrates and identifying interventions that may eventually reduce the scourge of parasitic infections in humans.

More 

Profile portrait of An-My Lê

An-My Lê

Bard College

Annandale-on-Hudson, NY

Age: 52

Photographer approaching the subjects of war and landscape from new perspectives to create images that blur the boundaries between fact and fiction and are rich with layers of meaning.

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Profile portrait of Sarkis Mazmanian

Sarkis Mazmanian

California Institute of Technology

Pasadena, CA

Age: 39

Medical Microbiologist illuminating the complex interplay between microbes and the host immune system and the role certain bacteria may play in the development, or mitigation, of a broad range of human diseases.

More 

Profile portrait of Dinaw Mengestu

Dinaw Mengestu

Washington, DC

Age: 34

Writere nriching understanding of the little-explored world of the African diaspora in America in tales distilled from the experience of immigrants whose memories are seared by escape from violence in their homelands.

More 

Profile portrait of Maurice Lim Miller

Maurice Lim Miller

Family Independence Initiative

Oakland, CA

Age: 66

Social Services Innovator designing programs of mutual support and self-sufficiency that break the cycle of economic dependency for low-income families and build more resilient communities from the ground up.

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Profile portrait of Dylan C. Penningroth

Dylan C. Penningroth

Northwestern University

Evanston, IL

Age: 41

Historianunearthing evidence from widely scattered archives to shed light on shifting concepts of property ownership and kinship among African American slaves and their descendents following emancipation.

More 
Profile portrait of Terry Plank

Terry Plank

Columbia University

New York, NY

Age: 48

Geochemistprobing the usually invisible but remarkably powerful thermal and chemical forces deep below the Earth’s crust that drive the motion of tectonic plate collisions.

More 

Profile portrait of Laura Poitras

Laura Poitras

Praxis Films

New York, NY

Age: 48

Documentary Filmmaker revealing the consequences of military conflict abroad in illuminating documentaries that portray the lives and intimate experiences of families and communities largely inaccessible to the American media.

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Profile portrait of Nancy Rabalais

Nancy Rabalais

Louisiana Universities Marine Consortium

Chauvin, LA

Age: 62

Marine Ecologist documenting the environmental and economic consequences of hypoxic zones in the Gulf of Mexico and informing strategies for restoring the degraded waters of the Gulf and the Mississippi River basin.

More 

Profile portrait of Benoît Rolland

Benoît Rolland

Benoît Rolland Studio

Boston, MA

Age: 58

Stringed-Instrument Bow Maker experimenting with new designs and materials to create violin, viola, and cello bows that rival the quality of prized nineteenth-century bows and meet the artistic demands of today’s musicians.

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Profile portrait of Daniel Spielman

Daniel Spielman

Yale University

New Haven, CT

Age: 42

Computer Scientist connecting theoretical and applied computing to resolve issues in code optimization theory with implications for how we measure, predict, and regulate our environment and behavior.

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Profile portrait of Melody Swartz

Melody Swartz

École Polytechnique Fédérale de Lausanne

Lausanne, Switzerland

Age: 43

Bioengineer enhancing understanding of the dynamic processes of tissue vascularization and immune responses to tumor invasion using a large toolbox of concepts and methods from biophysics, cell culture, molecular genetics, engineering, and immunology.

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Profile portrait of Chris Thile

Chris Thile

New York, NY

Age: 31

Mandolinist and Composer creating a new musical aesthetic and a distinctly American canon for the mandolin through a lyrical fusion of traditional bluegrass orchestrations with a range of styles and genres.

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Profile portrait of Benjamin Warf

Benjamin Warf

Children’s Hospital Boston

Boston, MA

Age: 54

Pediatric Neurosurgeon revolutionizing treatment of hydrocephalus and other intra-cranial diseases in very young children and advancing standards of and access to health care in both the developed and poorest regions of the world.

More 

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August 14, 1951: Leo Fender’s Telecaster guitar patent issued

August 16, 2012

August 14 carries a lot of weight in history, doesn’t it?  Just learned of this August 14, 1951 event:

Patent drawins for Clarence L. Fender's new guitar , later named "Telecaster"

Most guitar aficionados recognize this icon of rock and roll — the Fender Telecaster. In these drawings on the August 14, 1951, patent grant, it was just a “guitar.”

Leo Fender‘s first name was Clarence?  Who knew?

Take a look at page 2 of the patent:  Gretsch?  What other names do you recognize?

One of my ex-brothers-in-law was Fender’s tax guy, but years later.  I was never successful in dropping the hint that Fender’s tax attorney’s brother-in-law might be real grateful if, you know, a sample or a second might find its way to the tax attorney’s office, and then to the brother-in-law’s home and amplifier . . .

Tip of the old scrub brush to Premier Guitar’s Facebook page.

More, Related Material:

"Road worn" Fender Telecaster - photo by Fender

“Road worn” Fender Telecaster – photo by Fender


Willie Nelson Blvd.

August 12, 2012

 

Willie Nelson Blvd, Austin, Texas - IMGP2228 photo by Ed Darrell (please attribute)

Waiting for the bats in Austin, and I looked up to find I was on Willie Nelson Boulevard!

A star on the sidewalk in Hollywood is nice, I suppose.  But how many recording or film artists get streets named after them in the capital city of their home state?

And, can you list that as a good reference on your sentencing report on a possession charge?

Details, from the Austin American-Statesman:

2nd Street renamed for Willie Nelson

By Sarah Coppola | Thursday, May 27, 2010, 10:55 AM

Part of Second Street will now bear the honorary name Willie Nelson Boulevard.

The City Council approved the change this morning as a tribute to the singer, who has lived in the Austin area nearly 40 years and sold more than 50 million records.

The city will install Willie Nelson Boulevard signs this summer at every block along Second Street from Trinity Street to San Antonio Street. The formal name, mailing addresses and street signs for Second Street will stay the same, but residents and businesses along the street will be able to receive mail using the Willie Nelson Boulevard address, said Mayor Lee Leffingwell, who proposed the idea.

A nonprofit group, Capital Area Statues, is raising money to put a full-size statue of Nelson on Second Street, in front of the new Austin City Limits studio. That nonprofit commissioned the sculpture and unveiled a smaller version of it earlier this month.

More Willie Nelson


Peter Schickele – 77 on July 17, 2012

July 17, 2012

 

Peter Schickele is 77 today yesterday.

Peter Schickele, a.k.a. P. D. Q. Bach

Peter Schickele, born July 17, 1935

May he live to be a happy, robust, still-composing, still performing 137, at least.

Some people know him as a great disk jockey. Some people know him as the singer of cabaret tunes. Some people know and love him as a composer of music for symphony orchestra, or to accompany Where the Wild Things Are.

Peter Shickele, left, and P. D. Q. Bach, together, in happier times.

Then there are those happy masses who know him for his historical work, recovering the works of Johann Sebastian Bach’s final and most wayward child, P. D. Q. Bach.

Tip of the old bathtub-hardened conductor’s baton to Eric Koenig.

This is mostly an encore post.  It was scheduled to run on time, not sure why it didn’t — problems of being on the road, you know.

 


Woody Guthrie’s 100th birthday

July 14, 2012

Woody Guthrie singing, Smithsonian Folkways image

Woody Guthrie singing, Smithsonian Folkways image – The sticker on Woody’s guitar reads, “This Machine Kills Fascists.”  Woody regarded music as a great tool of democracy and freedom.

July 14, 2012, marks the 100th anniversary of the birth of Woody Guthrie, folksinger, union organizer, chronicler of American values, troubles and change.

We’re already more than halfway through Woody’s centennial year — and what celebration took place at Millard Fillmore’s Bathtub?  History slips by so fast.

Much celebration remains.  Get out your calendar and figure out which events you can join in.

Poster for the 2012 Woody Guthrie Folk Festival in Okemah, Oklahoma

Poster for the 2012 Woody Guthrie Folk Festival in Okemah, Oklahoma

Wonderfully, a website celebrates Woody’s 100th:

Perhaps fittingly, Millard Fillmore’s Bathtub hits the road again, today — off through Oklahoma.

In the interim, get out there, get the history, and join in the chorus!

More, Other Sources:

Page from booklet of Woody Guthrie sheet music...

Page from booklet of Woody Guthrie sheet music and lyrics (Photo credit: Wikipedia)


Facebook-fiends-and-Twitterists? “I’ve got them on the list.”

May 26, 2012

Believe it or not, this post is about education leadership, or its lack.

It is said that Gerald Ford once said of Richard Nixon’s “enemies list,”

“Anybody who can’t keep his enemies in his head has too many enemies.”

Richard Nixon, had he acknowledged the sentiment, probably could have devised a way to pare his list not exactly in keeping with Gerald Ford’s good-guy intentions.  More than one way to pare a list, if you know what I mean.

My mind wandered off to enemies lists when I discovered this week that one of our former administrators had actually kept lists of teachers — and probably other support people — and threatened more than one with “placement on the list.”

What school of school leadership taught that?  The Monty Python School of How KnNot to Do It?

English: 1919 D'Oyly Carte Opera Company publi...

1919 D’Oyly Carte Opera Company publicity poster for The Mikado, featuring the character of the Lord High Executioner. Illustration by J. Hassal.

The only appropriate response when learning of such a list is to ask, “Who appointed you Lord High Executioner?”

Do you disagree?  Lists of enemies do not denote the great leader.  They denote someone who either saw “The Mikado” and missed all the jokes, or didn’t bother to see the thing at all.  Who can follow someone who doesn’t know the jokes from “Mikado,” and consequently, falling victim to the trap warned of by Santayana’s Ghost, falls right into the trap?

It’s silly.  It’s lampooned well enough in Gilbert and Sullivan‘s masterpiece of bureaucracy farce that any leader, even a Modern Major General, would know better than to do it.

Notice I did NOT say, “know better than to let it be known that the list existed.”  I said “know better than to do it.

What’s that?   You are unfamiliar with the song of which I speak?  Here, watch Opera Australia show how it’s done (at least, how it’s done Down Under where there are, unbelievable as it may be, climate denialists and people who are obnoxious about Facebook and Twitter):

DVD Available Now: http://bit.ly/HCzeWc

Mitchell Butel of Avenue Q fame sings “I’ve Got a Little List” from Gilbert and Sullivan’s The Mikado. This excerpt is from the cinema/DVD recording of Opera Australia’s 2011 production at the Arts Centre, Melbourne.

Lyrics:
As someday it may happen that a victim must be found,
I’ve got a little list. I’ve got a little list
Of society offenders who might well be underground
And who never would be missed, who never would be missed.

There’s the idiot denouncing with enthusiastic tone
All football teams but his and every suburb but his own.
The man who sits beside you on the plane and wants to talk,
Whose jabbering inspires you to jab him with your fork.
Your aunty with the moustache who insists on being kissed.
They’d none of them be missed, they’d none of them be missed.

(He’s got them on the list! He’s got them on the list!
And they’d none of them be missed! They’d none of them be missed!)

Those whinging letter writers and those pundits in the press.
That opinion columnist, that bore would not be missed.
That trendy thing in opera if the plot seems like a mess,
That nice surtitlist!
(Surtitles: ‘This song is not on my list. Normal transmission will resume shortly’)
The politician prancing round in speedos tightly packed,
He thought it cool but really it just showed us what he lacked.
And Canberra’s leading red-head who’s afraid of stickybeaks,
Who’d like to keep her fumbles and mistakes off Wikileaks.
Australian Idol singers who pathetically persiiiiiiiiiist.
They’d none of them be missed. They’d none of them be missed.

(He’s got them on the list! He’s got them on the list!
And they’d none of them be missed! They’d none of them be missed!)

And the purists who insist piano music stops at Brahms,
I’ll put them on the list, and make them sit through Liszt.
On Saturday night the mob at Flinder’s Street all singing psalms,
I wish they would desist, and their happy claps resist.
That music theatre sequel that they promised would be good,
“Love never dies” they say, but I confess I wish it would.
That Frenchman and the other one who judge My Kitchen Rules,
Who give new definition to the label ‘Kitchen Tools’.
That morning television host who’s funny as a cyst,
Gold Logies he has kissed, but it’s time to kiss my fist.

(He’s got them on the list! He’s got them on the list!
And they’d none of them be missed! They’d none of them be missed!)

Then the merchant banker wankers and the bonuses they flout,
And the subprimortgagist, I’ve got him on the list!
The governments like lapdogs rushing in to bail them out,
To their mills it’s simply grist, so I’ve got them on the list.
Retirees who migrate to the country to make wine,
And Britney Spears for accidentally showing her ‘vagine’.
Those climate change deniers who don’t like the carbon tax,
Who haven’t read the science and don’t really know the facts.
The women on the tram who at Spring Carnaval got pi– really drunk!
Narelle! Where are my shoes?!
They’d none of them be missed. They’d none of them be missed.

(You may put them on the list. You may put them on the list.
And they’d none of them be missed! They’d none of them be missed!)

There’s the ticket holder next to you who cannot work their phone,
And cannot get the gist. I’ve got her on the list!
Who leaves it on or switches to that dreadful silent drone… Vrrrrrr Vrrrrr Vrrrrr
Facebook fiends and Twitterists are also on the list.
And people who inflict on us full cycles of the Ring,
I’d rather ride a valkyrie than hear Brunhilde sing.
And all commercial managements who want to cast a star,
They couldn’t get one this time, they got me, so there you are.
Or worst of all the actor who’s an extra lyricist,
I don’t think he’d be missed, so I’ve got him on the list.

(You may put them on the list! You may put them on the list!
And they’d none of them be missed! They’d none of them be missed!)

Your shock at Gilbert and Sullivan’s sounding so astonishingly contemporary comes through even the internet.  How could they know?

I’m not sure what the original script said, having never done that particular operetta.  Somewhere, the practice  arose to have someone spice up the lyric to this tune, to the times, to the city in which the operetta is performed, and to thezeitgeist of the audience.  Fans of G&S wait to see what and whom the “supplemental lyricist,” or “extra lyricist” poked at.

Even composers of silly operetta tunes understand that what is said, and what is done, needs to be molded to the local circumstances — and that in no case should a bureaucrat keep a list of enemies.

Compare Opera Australia’s version with that of the venerable G&S troupe, D’Oyly Carte Opera Company, about 20 years earlier, 1990 or 1992, on BBC2, in London:

Of course, you may think by my lampooning of list makers that I, myself, should be on some list.  Aye, there’s the rub.

Take a look and listen to Eric Idle’s version of the song from th 1987 English National Opera production, with which Opera Australia may wish to take some exception.

In the English speaking world, wherever the works of Gilbert and Sullivan exist in book, on the stage, in oratorio, on record, tape, CD, DVD or Blu-Ray, people know leaders become comic fops instead when they make “a little list” of the names of the people they wish to be rid of.

Educated people know that.  Education people should know that, too.

More (not necessarily endorsed by Millard Fillmore’s Bathtub):

 

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Time lapse photos: NYC, before 1975

May 22, 2012

Why does time-lapse photography fascinate me so?  It reveals changes over time we too often miss, or don’t stop to appreciate.

Here’s an excerpt from a 1975 film, set to music recently released.  Watch closely, you’ll see the shadows of the World Trade Center passing over New York City.

Described at Youtube:

A music video for the gorgeous track “Exercise #3 (Building) by CFCF (Mike Silver). Song is from his upcoming EP titled “Exercises,” which arrives on April 24th via Paper Bag Records.

Footage is from the 1975 short film “Organism,” by Hilary Harris.

For more on CFCF:

http://paperbagrecords.com/artists/cfcf
http://soundcloud.com/cfcf
https://www.facebook.com/pages/CFCF/196418801490

edited by https://www.facebook.com/daviddeanburkhart

More:

Tip of the old scrub brush to Slacktivist.


Vote Irish for the presidency in 2012: O’Bama it is!

March 17, 2012

I’d forgotten about the birthers’ greatest nightmare — Obama’s got Irish blood in him!

Democratic Underground features a series of photos of President Obama with an Irish cousin at one of my favorite old haunts in Washington, the Dubliner.

President Barack Obama drinks a Guinness with his ancestral cousin from Moneygall Ireland Henry Healy, center, and the owner of the pub in Moneygall Ireland, Ollie Hayes, right, at The Dubliner Restaurant and Pub and Restaurant on St. Patrick's Day, Saturday, March 17, 2012, in Washington (Official White House Photo by Pete Souza)

President Barack Obama drinks a Guinness with his ancestral cousin from Moneygall Ireland Henry Healy, center, and the owner of the pub in Moneygall Ireland, Ollie Hayes, right, at The Dubliner Restaurant and Pub and Restaurant on St. Patrick’s Day, Saturday, March 17, 2012, in Washington (Official White House Photo by Pete Souza)

Many great memories of the Dubliner.

In 1974, when I interned at the Senate, it was just a small bar on the first floor of the Commodore Hotel.  Rocky Johnson of Sen. Mike Gravel‘s office, one of my roommates, introduced me to Guinness.  The Dubliner was the most reliable source in D.C. at the time.  The bartender was a guy named Paddy.  It was never crowded — and they had good fish and chips with a fine, imported malt vinegar. I wasn’t exactly a regular, but I made several visits.

Ironically, for my summer job that year with the Louis August Jonas Foundation, we had a trip to D.C. planned with about 16 “boys from abroad” and the designated hotel was the Commodore — it was cheap and met our needs, being close to the Capitol.  I was asked to chaperone, and happily went.   So Freddy Jonas, the great benefactor of the foundation and Camp Rising Sun, and I could sneak down to the Dubliner for a nightcap.  Michael Greene, the foundation’s executive director, warned me that Freddy would always ask if you wanted a second drink, but Freddy would not take one himself — and so, of course, neither should staffers.

One night while Freddy and I were capping off the evening we ran into a friend from my interning, Avis Ortner, a former rodeo barrel rider who had starred in a Kodak commercial series, and who worked in a Washington law firm.  She and Freddy struck it off very nicely.  I was surprised at how much Freddy knew about horses, and the questions he had about rodeo riding.  At some point in the evening he asked me if I were going to have a second drink, and of course I declined.  “Well, you only live once.  Avis and I are having a second one, and you should join us.”  People who knew Freddy well still don’t believe me when I tell them the story.  But it’s true.  It’s the magic of the Dubliner.  [Is Avis still cleaning up at bridge in D.C.? [Yes!]]

I was back in D.C. in 1975, again with the Jonas Foundation bunch, and again at the Commodore.  The Dubliner had a successful year, and had taken over the small cafe/dining room next door to bar.

In 1976 I visited again, and after a very successful year the Dubliner kicked out the gift shop of the hotel and opened a second bar there.  It was crowded on weekends.

In 1979 I moved to D.C.  Within a couple of years the Dubliner bought out the Commodore.  You couldn’t get a seat at the bar most nights.  St. Patrick’s Day 1980 the line wrapped around the block, and though the place never had a great stage, the live act was the Clancy Brothers with Tommy Makem, if I recall correctly.

Reconstruction and massive redecorating made the hotel into a great stop.  Eventually the bar company sold the hotel, but kept the location.  After Kathryn and I got married, we’d walk over to the Dubliner for lunch at least a couple of times a month, and the fish and chips at the Dubliner got better.  I may have done in half the cod from the Grand Banks all by myself.

We’ve been in Texas now since 1987.  I miss the Dubliner.  Obama’s lucky he could get in, on St. Patrick’s Day.  I hope he appreciates his luck.

(Kenny’s in Baltimore tonight — more irony.  Girl Talk on Federal Hill (I think it’s an outdoor concert performance).  Better than waiting in line at the Dubliner.  Go when the crowds aren’t there, and you can savor the place.)