Tony Horowitz on Ray Charles and chess

September 21, 2010

Trumpeter Tony Horowitz, one of those portrayed playing chess with Ray Charles, wrote in to compliment Charles on his chess acumen, and acumen at life in general.  Take a look again at Ray Charles and Tony Horowitz playing Chess Games of the Rich and Famous.


Labor Day history

September 6, 2010

A bit more on Labor Day and history, from this site and others:

More from Millard Fillmore’s Bathtub:

More from other sites:

Song music cover, "Look for the union label," 1900s

Union Label poster from the AF of L, early 1900s. Robert F. Wagner Labor Archives, New York University. Copyright Labor Arts Inc. (here under Fair Use for education)


Last Space Shuttle mission: Help NASA pick the wake-up tunes

August 21, 2010

How about, “The Party’s Over” for the very last Shuttle wake-up call?

Press release from NASA, August 20, 2010:

RELEASE : 10-193

NASA Asks Public for Final Shuttle Missions’ Wakeup Songs

HOUSTON — If you like music, the space program and are a little nostalgic, NASA has the perfect opportunity for you. For the first time, the public can help choose songs to wake up the astronauts during the last two scheduled space shuttle missions.

Traditionally, the songs played to wake up the astronauts are selected by friends and family of the crews. For the last two scheduled missions, NASA is inviting the public to visit the “Wakeup Song Contest” website to select songs from a list of the top 40 previous wakeup calls or to submit original tunes for consideration. To vote or submit a song, visit:

https://songcontest.nasa.gov

The two songs with the most votes from the top 40 list will be played as crew wakeup calls on the final scheduled flight of space shuttle Discovery. Discovery’s STS-133 mission is targeted to launch on Nov. 1.

“We’re looking forward to hearing which songs the public wants played for us,” STS-133 Commander Steve Lindsey said. “It’s going to be a difficult choice, because there have been so many great songs played over the years.”

Original songs must have a space theme and be submitted to NASA by 4 p.m. CST on Jan. 10, 2011. The songs will be reviewed by agency officials and the top finalists put to a public vote. The top two songs will be used to wake space shuttle Endeavour’s STS-134 crew.
Endeavour’s mission is the last scheduled space shuttle flight. It is targeted to launch on Feb. 26, 2011.

“Space shuttle crews really enjoy the morning wake-up music,” STS-134 Commander Mark Kelly said. “While we don’t have the best quality speaker in the space shuttle, it will be interesting to hear what the public comes up with. We are looking forward to it.”

The song contest campaign follows NASA’s ongoing “Face in Space” project. It invites the public to send electronic images of their faces into orbit aboard one of the final remaining space shuttle missions. To submit your image, visit:

http://faceinspace.nasa.gov

For more information about the Space Shuttle Program and the STS-133 and STS-134 missions to the International Space Station, visit:

http://www.nasa.gov/shuttle

For more information about the space station, visit:

http://www.nasa.gov/station

– end –


Academy Award winner: “Logorama”

August 16, 2010

Delightfully creative.  Surely there is at least a bell ringer in here, just in identifying the different logos.  For economics and sociology classes, this is a study in branding, done in very interesting fashion.

Can you use it in class, even at 16 minutes?  The language may be too edgy for freshman and sophomores, yes?

A short description from the Vimeo post, by Marc Altshuler, who owns the company who created and recorded the music for the film:

This is a short film that was directed by the French animation collective H5, François Alaux, Hervé de Crécy + Ludovic Houplain. It was presented at the Cannes Film Festival 2009. It opened the 2010 Sundance Film Festival and won a 2010 academy award under the category of animated short.

In this film there are two pieces of licensed music, in the beginning and in the end. All the other music and sound design are original. The opening track (Dean Martin “Good Morning Life”) and closing track (The Ink Spots “I don’t want to send the world on fire”) songs are licensed pre-existing tracks. All original music and sound design is by, human (www.humanworldwide.com)

Brilliant little work even if you can’t use it in class.


Dan Valentine – My Sister/My Brother, part 1

August 11, 2010

By Dan Valentine

MY SISTER / MY BROTHER – Part 1

One magical, fairy-tale of an evening, back in 1998, my baby sister Valerie—she is eight-years younger than myself—was knighted by Her Majesty Queen Beatrix of the Netherlands.

And I was there!

She is one of the few ballerinas and/or Americans ever to be so honored.

Funny, just a few short years before in Manhattan, after my sister had performed onstage with the great Russian dancer Rudolf Nureyev—yes, that one!—my mom had doused out a cigarette in the Queen’s half-empty cocktail.  At a reception for members of the Dutch community in town (Walter Cronkite was there), my mom, looking around for an ashtray and not finding one nearby, spotted a half-filled drink and plopped her cig in it.  A moment later, the Queen came back, after a brief newspaper interview, to finish her toddy, only to find a, well, you-know-what in it.

But back to little sister’s knighthood.

Earlier that morning, I had attended a ballet class with my sister.  Ballerinas and their male counterparts take class every day of the week to brush up on their technique and such.  They stretch, move to the Barre, and do sequences in the center of the floor for an hour or so.  This is followed by grueling hours of rehearsals for upcoming and/or present performances.  So, anyway, I was standing by the wayside watching a Russian ballerina from the Bolshoi twirl around and around and around.  We made eye contact and she fainted, dead away.  In my dreams, I caught her in my arms.  In reality, she slumped to the floor.  I like to think it was caused by my George Clooney good looks, but it was probably caused by exhaustion.

That day, for a short time, I was the talk of the company.

Her lifemate, Roeland Kerbosch, an award-winning Dutch film director, had informed me a short time beforehand what was to take place that evening.  I remember smoking—of course! as they say in the Netherlands—by the stage door of the Muziektheater in Amsterdam when my sister showed to suit up.  She told me that she was worried about that night’s performance.  Can’t remember why.  All I was thinking was:  Val, this is going to be one of, if not thee greatest night of your life.

Utah-born ballerina Valerie Valentine, Dutch National Ballet

Valerie Valentine, Dutch National Ballet

Later that evening, Valerie—I call her Val, sometimes Vali—was dancing onstage when suddenly everyone but herself stopped in their tracks.  The conductor put down his baton.  The music stopped.  The performance came to a halt.  My sister, in the middle of a pas de deux or whatever, looked around perplexed.  What the heck is going on?

After a moment, the Mayor of Amsterdam walked on stage and bestowed upon her the Order of the Dutch Lion—the highest honor a non-military person can receive in the Netherlands—in recognition for her 25 years of “significant contribution to the art of dance.”

He read from a scroll:  “Admired for her energy and dedication to her work, Valerie Valentine’s beautiful sense of line, strong technique and expressive, magical stage presence have inspired not only choreographers, but photographers and filmmakers as well . . .”

Needless to say, there was a party afterward.  Cocktails, hors d’œuvres, a band, dancing, etc.  I was very happy for my sister, ecstatically so.  But I left the celebration shortly after it began.

I can’t remember feeling sadder.

Sitting at an outside cafe, just a few a blocks away, was my artist brother Jimmy, uninvited (and rightly so; he was literally crazy as hell), doing his best to drink himself to death, an endeavor he would shortly accomplish.

He died four years later, age 48, in Torremolinos, Malaga, Spain . . . on Valentine’s Day.

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Something to toot your horn about: Scouts save Bugling merit badge

August 10, 2010

Boy Scouts of America reviews merit badge offerings from time to time, adding new badges, modifying requirements, retiring badges that are unpopular or outdated.

Recently Bugling was dropped as a separate badge, and made an adjunct of the Music merit badge.  Bugling was a great tradition in Scouts — a music-oriented badge that required only that one be able to memorize and blow recognizable versions of several bugle calls.

Perhaps ironically, Bugling also drew the spotlight as the last merit badge earned by several of those super Scouts who earned every possible merit badge.  For some reason, learning to blow the horn was just the last or toughest thing they could master.

Good news:  Bugling has been reinstated.

Bugling reinstated as separate merit badge

Bugling Have your guys start practicing “Taps,” because Bugling is here to stay.

In early June, we reported that the Bugling merit badge was to be discontinued and its requirements merged into Music merit badge.

That’s no longer the case. Responding to concerns from hundreds of Scouters, the BSA’s Youth Development team has decided to reinstate Bugling as a separate merit badge.

Oddly enough, this means that Bugling will never have officially been part of Music merit badge, because the changes were never reflected in a Boy Scout Requirements book.

Bugling and Music will continue to share a merit badge pamphlet. Requirements and information for both of the badges will be contained within that single booklet.

More:

To the Colors, from USSSP Bugling Merit Badge page

"To the Colors," one of the bugle calls required for the Bugling merit badge. Image from U.S. Scouting Service Project


A song for our times: Arlo and Pete sing Woody

July 20, 2010

In the late 1960s and the 1970s, conservatives made big displays of singing this song.  The Mormon Tabernacle Choir recorded one very popular version of it; it showed up often.  In those occasional complaints about the difficulty of singing “The Star-Spangled Banner,” this song’s suitability for national anthem status was always raised.

Today?  I haven’t heard it at a Republican gathering in long, long time.  I’m not saying that it’s completely disappeared from the conservative song book — among other things, I don’t attend Republican conventions as often as I once did, but I don’t think I’d hear it if I did.  I am saying that people finally started listening to the song, and it’s been largely dropped from conservative sing alongs for political reasons.

And that tells us a lot.

It would be good to hear this song a lot more; it would be good if more people sang it.

Arlo Guthrie and Pete Seeger leading the congregation in singing Woody Guthrie’s “The Land Is Your Land,” from a 1993 concert at Wolf Trap Farm Park in Virginia (one of my favorite venues for any music):

(Arlo’s got a new release this year, featuring this tune.)

More:


Happy birthday, Peter Schickele

July 17, 2010

Peter Schickele is 75 today.

Peter Schickele, a.k.a. P. D. Q. Bach

Peter Schickele, born July 17, 1935

May he live to be a happy, robust, still-composing, still performing 135, at least.

Some people know him as a great disk jockey.  Some people know him as the singer of cabaret tunes.  Some people know and love him as a composer of music for symphony orchestra, or to accompany Where the Wild Things Are.

Peter Shickele, left, and P. D. Q. Bach, together, in happier times.

Peter Shickele, left, and P. D. Q. Bach, together, in earlier and, some say, happier times.

Then there are those happy masses who know him for his historical work, recovering the works of Johann Sebastian Bach’s final and most wayward child, P. D. Q. Bach.

Tip of the old bathtub-hardened conductor’s baton to Eric Koenig.


Can’t dance to it, but can you learn with it?

July 14, 2010

It’s an awkward scene.  John Goodman has a lousy role (and I’m not fond of the direction for him or Melanie Griffith here).  I’ve never seen the movie, “Born Yesterday,” and I don’t know the context.

But ten important amendments to the Constitution, to the tune of “The Twelve Days of Christmas,” a potentially useful mnemonic device for your U.S. history, and government students; it’s mostly accurate:

There is some skipping around —  the song covers the First, Second, Fourth, Fifth, and Sixth Amendments, then skips to the Thirteenth, Fifteenth, Sixteenth, Eighteenth, and Nineteenth Amendments.  The First Amendment’s five freedoms are covered completely, other amendments not so much.

The actor in the scene, playing the senator who sings the Fifteenth Amendment, is former Tennessee U.S. Sen. Fred Thompson.  Thompson staffed the Watergate Committee chaired by Sen. Sam Ervin of North Carolina, earlier — wouldn’t it be interesting to hear his views on this scene, and song, and what other tricks he may have encountered in the Senate, from Sen. Ervin, or the late Sen. Robert C. Byrd?

It’s not Schoolhouse Rock, but it’s really very good.  Everything covered in the song is in Texas TEKS, but some things skipped, like the Fourteenth Amendment, are also required.  Can you use it in your classes?

And by the way, does anyone know a rap for the Bill of Rights?

Tip of the old scrub brush to the Facebook status of the Bill of Rights Institute.


Chess games of the rich and famous: Bob Dylan, by Daniel Kramer

July 3, 2010

Bob Dylan at the chessboard, Woodstock, New York, 1964 - photo copyright Daniel Kramer

Bob Dylan at the chessboard, Woodstock, New York, 1964 – low resolution version of the original photo, copyright by Daniel Kramer – Barbara Archer Galleries

A good decade before I got to Woodstock.

Daniel Kramer began photographing Bob Dylan early in Dylan’s career, making many of the best shots available.

This 1964 photo of Dylan playing chess in Woodstock, New York, featured in an exhibition of Kramer’s photographs put on by Barbara Archer Galleries in 2005.

From the exhibit’s biography of Kramer:

Daniel Kramer is a New York-based photographer and film director who is long recognized for his portraits and picture stories in national and international magazines and books. Shortly after opening his first studio in New York City, Daniel Kramer saw Bob Dylan perform The Lonesome Death of Hattie Carroll on television in 1964. Even after the show ended, Kramer couldn’t shake the image of Dylan from his mind. “I was completely taken by what this man had done and how he had done it. His performance was perfect. With simple, basic tools – his voice, a guitar, and a harmonica, he drove his message deep into my mind. I was aware that I was seeing a very important talent.”

In August 1964, after months of phone calls and letters to Dylan’s manager, Albert Grossman, Kramer was given the opportunity to arrange a portrait sitting in Woodstock, New York with the twenty-three-year old performer who was by then in the process of becoming an international star. The two men quickly developed a warm and trusting professional relationship that allowed for many extraordinary photographic sessions. “Photography has brought me into contact with many notable people, including Presidents of the United States, and I have happily had the opportunity to meet and talk with prominent people in all walks of life,” comments Kramer. “Although many of these encounters were memorable, my association with Dylan has a special meaning.”

Many of these photographs were first published in Kramer’s 1967 book bob dylan, the first major work about the performer-songwriter (reprinted as Bob Dylan: A Portrait of the Artist’s Early Years, 2001). They were also used on the album covers for Highway 61 Revisited (1965), Biograph (1985) and Bringing It All Back Home (1965), which was nominated for a Grammy and selected by Rolling Stone as one of the “100 Greatest Album Covers of All Time.” A number of rare and previously unpublished pictures by Kramer also appear in the 52-page booklet and packaging that accompanies Bob Dylan’s two-CD set, Live 1964: Concert at Philharmonic Hall – The Bootleg Series, Volume 6 (2004) and on the cover of a three-CD boxed set BOB DYLAN the collection (2004).

Daniel Kramer’s photographs have also been exhibited or collected by such museums as the Whitney Museum of American Art, The International Center of Photography in New York, The Smithsonian’s National Portrait Gallery in Washington, D.C., The Experience Music Project in Seattle, The Rock and Roll Hall of Fame and Museum in Cleveland, and in numerous national and international galleries.

An interesting three-way marriage of the young Bob Dylan, a great photographer in Daniel Kramer, and one of the world’s oldest and most respected games of skill, chess. Go see all the photos.

More: 


Rachmaninoff on Mercury: A double ring crater

June 24, 2010

Rachmaninoff Crater on Mercury, NASA photo

Rachmaninoff Crater on Mercury, NASA photo

Rachmaninoff crater on Mercury - NASA photo

Click on the thumbnail image for a much larger version of the photo

News from NASA about a cool picture and feature on Mercury:

Rachmaninoff on Mercury

The International Astronomical Union (IAU) recently approved the name Rachmaninoff for an intriguing double-ring basin on Mercury. This basin, first imaged in its entirety during MESSENGER’s third Mercury flyby, was quickly identified as a feature of high scientific interest, because of its fresh appearance, its distinctively colored interior plains, and the extensional troughs on its floor. The basin’s name honors the Russian composer, pianist and conductor, Sergei Rachmaninoff (1873-1943).

IAU names craters on Mercury after “deceased artists, musicians, painters and authors who have made outstanding or fundamental contributions to their field and have been recognized as art historically significant figures for more than 50 years.” The process of proposing a new crater name includes gathering fundamental information about the crater, such as the crater’s central latitude, central longitude, and diameter. Justification is provided as to why the crater is of sufficient scientific importance to be named, and details are provided about the name choice, including sources that support the worthy contributions made by that individual. Ten newly named craters join 42 others named since MESSENGER’s first Mercury flybyin January 2008.

Image Credit: NASA/Johns Hopkins University Applied Physics Laboratory/Carnegie Institution of Washington

Tip of the old scrub brush to Eric Koenig.


Dan Valentine: Memorial Day, Part II

June 1, 2010

Memorial Day. Pt. 2.

[See Part I, here]

By Dan Valentine

The greatest anti-war/peace song ever written is “What a Wonderful World.” Just one man’s opinion.

Wikipedia: Clear Channel included it on its list of songs that might be inappropriate for airplay in the period after the September 11 attack.

The Louis Armstrong version was used ironically in “Dr. Strangelove” over a montage of bombings.

Satchmo’s version was again used ironically in “Good Morning, Vietnam.”

It was used again by Michael Moore’s film “Bowling for Columbine,” “where it accompanies scenes of violence about U.S. intervention in international affairs.”

It has been used many times since. It’ll be used many times more. The song says it all.

Tho’ many don’t get the gist.

AND SATCHMO SINGS
(c) 2010 Daniel Valentine

VERSE
Stand awhile on hallowed ground
Where heroes sleep and look around.
Here and there a flag adorns a grave,
And there are fresh-cut flowers for the brave.

Walk along the rows and rows
And read what’s there inscribed on those
Graves on which the flowers lie across.
The stones have little room to note the loss.

REFRAIN
Here rests a boy, eighteen-years young.
Forever lost: songs never sung.
His dream was to be a songwriter-singer.
He died when a trigger was squeezed by a finger,
All his hopes dashed while one wisp of rising smoke curled.

Here seated are a dad and mom,
Their son killed by a roadside bomb.
Their dream for their boy was a long and good life,
A career that he loved, lots of kids, a good wife.
Choking back tears, they’re handed a flag smartly furled.

And Taps is played,
Wreaths and flowers are laid,
And down the road by the White House lawn,
A staffer jogs with his headphones on,
AND SATCHMO SINGS,
“What a wonderful world …”

Here rests a woman, thirty-four.
She had a child and dreamed of more.
She grew up in Raleigh, North Carolina.
Her father was killed in far-flung Indochina.
Both of them died while overhead chopper blades twirled.

Here rests one more among the dead,
El Paso, Texas, born and bred.
His dream was to help the children, those dying.
He died kicking down a door, tracer rounds flying–
Boom!–when a bomb exploded and shrapnel was hurled.

And Taps is played,
One or two speeches made,
And driving by in an SUV,
A pundit hums to a worn CD,
AND SATCHMO SINGS,
“What a wonderful world …”

Here comes another clean-cut kid,
A flag draped on his coffin lid.
His dream was to be a major-league catcher.
He died crying out for his mom on a stretcher,
Coughing up blood while all around desert sand swirled.

And Taps is played,
Last respects duly paid,
And fat-cat oil execs, checkbooks drawn,
Turn up the sound when their song comes on,
AND SATCHMO SINGS,
“What a wonderful world …”


Dan Valentine: Memorial Day, Part I

May 31, 2010

By Dan Valentine

Memorial Day.

War is about death. Plain and simple. It’s been said before. In the past. Many times. It will be said again. In the future. Many times.

After 9/11 I wrote a lot of anti-war songs. There wasn’t a market for them then. There isn’t much of a market for them now.

THREE FRIENDS
(c) 2010 Daniel Valentine

THREE FRIENDS on an airplane,
Passing over streets and squares in their hometown …
THREE FRIENDS on an airplane,
Two looking what’s below them just before touching down …

One says, “Look, there’s the shopping mall.”
One points out the new town hall.
One says not a word at all.

Three fam’lies together,
Bonded by a war and intertwining lives …
Three fam’lies together,
Hearts in a near-crazed frenzy till their dear one arrives …

One thanks God for a son’s safe trip.
One’s with child with babe on hip.
One fights tears and bites a lip.

On the jet’s PA
A flight attendant says,
“Please return your tray …
Put all electronic devices away.
We’ll be landing soon.
Hope you have a nice day.”

THREE FRIENDS now deplaning,
Two of whom are cheered, embraced, and kissed heartfelt.
THREE FRIENDS now deplaning,
One in a flag-draped coffin on a conveyor belt …

One’s come home on a two-week leave.
One has got a pinned-up sleeve.
One was killed on Christmas Eve.

THREE FRIENDS on an airplane …

LONELY ROOM
(c) 2010 Daniel Valentine

There’s a LONELY ROOM on the second floor
Where a mother cries when she shuts the door,
Where she dries her eyes and then weeps some more,
Hurting, her heart broke in two.

There’s an empty bed where the mother read
To a little boy, where his prayers were said,
Where she tucked him in and then kissed his head,
Lovingly like mothers do.

There’s a closet where gremlins used to hide.
By a window, there is a tree outside
With a bright yellow ribbon around it tied
With a perfect bow, tho’ the boy he died.

And three Marines,
Standing tall–
One a chaplain–
Grand and all,
Brought the tragic news.

In the LONELY ROOM is an empty chair
Where the boy would chat on his cell and share
Secrets with his girl and at times just stare,
Dreaming of all he would do.

There are bedside books and a glove and ball;
Fam’ly photos, framed; posters on the wall:
One of George and Ringo and John and Paul
And one of Spider Man 2.

All is in its place, all is like it was
When he left to do what a soldier does.
Only now it is lonely and sad because
Wednesday last his mom heard the doorbell buzz.

And three Marines,
Taut and tall–
One a chaplain–
Caught her fall
When she heard the news.

[Memorial Day, Part II, here]

Graves at DFW National Cemetery, photo by Ed Darrell - IMGP4180

Graves at DFW National Cemetery, May 30, 2010 - photo by Ed Darrell (you may use with attribution)


Typewriter of the moment: Jerry Lewis’s pantomime typewriter (with Leroy Anderson)

May 22, 2010

Ms. Fox’s class had a great time with this video — easy to see why, no?

From “Who’s Minding the Store,” a 1963 Paramount release.

I would have sworn I had a post on Leroy Anderson, but it’s not there to link to; you can check him out on PBS, though.  Another good topic to explore, an oversight to amend.

Jerry Lewis’s pantomime typewriter, always with the Leroy Anderson tune behind it, was one of his most famous comedic routines.  It was very popular in Europe, in both Germany and France.  It’s easy to translate.

Tip of the old scrub brush to Ms. Fox.


Finch meets guitar

March 17, 2010

Totally safe for work (in that way), but you may want to turn down your sound, unless you work with a lot of Hendrix fans.

Hey, I’ve used weird things for picks, too.

Tip of the old scrub brush to Happy Jihad’s House of Pancakes.