It’s a movement! Hallelujah!

November 22, 2010

Holy frijole, Batman!  It’s a virus, and it’s spreading!

Ellie was listening.  She’s gotta be behind this:

Details at YouTube:

On Nov.13 2010 unsuspecting shoppers got a big surprise while enjoying their lunch. Over 100 participants in this awesome Christmas Flash Mob. This is a must see!

This flash mob was organized by http://www.AlphabetPhotography.com to wish everyone a very Merry Christmas!

Special thanks to Robert Cooper and Chorus Niagara, The Welland Seaway Mall, and Fagan Media Group.

More:


Dan Valentine – Wedding ring in the pawnshop window

November 20, 2010

I’m back and back is beautiful, to tweak a phrase. Where have I been? Taking care of business with the helping hand of a special-special life-long friend.

For now, I’ll simply say: Life is an adventure, a gift and a grand adventure, and more than just a mite irksome at times.

These many weeks, in what little spare time I’ve had, I’ve also been writing lyrics. Everyone needs a hobby. Mine is writing lyrics.

Thus, the following song regarding our times:

WEDDING RING
IN THE PAWNSHOP WINDOW
By Daniel Valentine
(c) 2010

The wedding ring
In the pawnshop window.
The price tag on a string,
Tied to the wedding ring,
Says it all, says ev’rything.
Life seldom ever goes as planned.

The wedding ring
In the pawnshop window.
To think the joy it must
Have brought once. Now it’s just
Sitting there collecting dust,
Pawned for a fast few bucks in hand.

That said, a future groom and bride,
Their savings on the meager side,
Stop to sneak a peak, beguiled and starry-eyed.

And what they see are tons and tons
Of rare old coins, guitars and guns,
One music box, two cuckoo clocks,
Plus a fly or three dead on the sill.
Then they see the ring and all is still.

The wedding ring
In the pawnshop window.
It glimmers and it gleams.
It’s ev’rything that dreams
Are made of, or so it seems,
And all for less than half a grand.

And so, like tens of times before,
The tiny bell above the door
Jingles as the lovers step inside the store.

And, oh, the sparkle in her eyes
When first she tries it on for size.
It fits just right and in the light,
When she holds her left hand out to show,
Like her heart, the diamond’s all aglow.

The wedding ring
In the pawnshop window.
The register ka-chings.
An angel gets its wings.
And a tweetie birdie sings.
All while a credit card is scanned.

The wedding ring
In the panwshop window.
A mom with bills to pay
In need without delay
Pawned the ring to save the day,
Such are the times in our fair land.


Reason enough to vote Bill White, Texas Governor: Robert Earl Keen fan

October 22, 2010

Every major newspaper in Texas endorsed Bill White for governor, over incumbent Republican Rick Perry.  For the rest of us, Robert Earl Keen’s endorsement should be reason enough, no?

 

Robert Earl Keen and a Texas highway - Keen endorsed Bill White for governor of Texas

Robert Earl Keen, in this publicity photo standing on a Texas highway, endorsed Bill White for Governor of Texas -- no doubt to keep the Texas road going on forever.

GO VOTE!

Release from Bill White’s campaign:

FOR IMMEDIATE RELEASE
Thursday, October 21, 2010

Bill White bands together with Robert Earl Keen

White, Keen ask students to vote for Bill White

DENTON — On Friday, Bill White and Robert Earl Keen, legendary Texan singer and songwriter, will roll into Denton, Nacogdoches, College Station and San Marcos for special early vote concerts. The concerts are free and open to the public on a first come basis.

To see a list of where the concerts will be, visit: http://www.billwhitefortexas.com/blog/001712.php

“College students have a huge stake in the governor’s race,” Garry Jones, Students for Bill White Director, said. “For many of us, Rick Perry is the only governor that we’ve ever known, and we don’t like what we’ve seen. College tuition rates have jumped by 93 percent under Perry’s reign, and we understand that our teachers are being forced to teach us how to take multiple choice tests and not prepare us for college or careers.”

“Texas students are lucky that we have a candidate who will put our needs first,” continued Jones. “Someone who will be more concerned with fighting for our future here in Texas than battling the federal government to raise a national profile. That candidate is Bill White!”

Robert Earl Keen is one of Texas A&M’s most famous graduates. Last weekend, the Bryan-College Station Eagle, endorsed Bill White. The editorial board wrote:

“[W]hy any loyal Aggie would vote for Rick Perry is beyond us . . .  Ten years of Rick Perry as governor are more than enough. It is time for a change and Bill White is that change. He is a strong fiscal conservative who proved as mayor of Houston that it is possible to do more with less. We’ve had the less. Now it is time for the more.”

Early voting started Oct. 18 and continues through Friday, Oct. 29. To find a polling location near you, visit http://www.billwhitefortexas.com/ev/

###


Sam O’Hare’s brilliant film, The Sand Pit

October 18, 2010

You can learn a lot just by observing.

Sam O’Hare’s observations, captured with his Nikon D-300, can teach you a lot.

Or, you can sit back an enjoy the images.  Spectacular stuff.

A day in the life of New York City, in miniature.

Winner: Prix Ars Electronica Award of Distinction 2010

Original Music: composed by Human (humanworldwide.com), co-written by Rosi Golan and Alex Wong.

Geography bell ringer?

Tip of the old scrub brush to Kenny in Beijing.


Texas State Fair: U.S. Marine Drum and Bugle Corps

October 11, 2010

Fan makes a video of the U.S. Marine Drum and Bugle Corps at Texas State Fair, 10-8-10 - photo by Ed Darrell

A fan makes a video of the U.S. Marine Drum and Bugle Corps at Texas State Fair, 10-8-10 - photo by Ed Darrell

Friday evenings at the Marine Barracks near the Navy Yard in Washington, D.C., the U.S. Marine Corps Drum and Bugle Corps performs publicly.  It’s a free concert.  It’s a delightful way to spend a spring or fall afternoon-into-evening.  An easy walk from our old apartment on East Capitol Street S.E., and now, offering a dozen venues for a good dinner on the return.

Except, September 24 through October 10 we had them here in Dallas, at the State Fair of Texas.

Statue at front of Texas Women's Museum looks over USMC Drum & Bugle Corps performance at Texas State Fair - photo by Ed Darrell, use permitted with attribution

Statue at front of Texas Women's Museum looks over USMC Drum & Bugle Corps performance at Texas State Fair - photo by Ed Darrell

 

Kathryn and I took advantage of Dallas ISD’s State Fair Day to carry out a dozen errands including blood chemistry checks and a run to Kenny’s school, the University of Texas at Dallas, to finish some paperwork for his visa in China.  We arrived at the State Fair in mid-afternoon, in time to catch the USMC Drum and Bugle Corps’ entire performance in a venue quite different from their usual spit-and-polish home.

Under the aegis of Big Tex, they performed on the parade ground off to the side of the Texas Women’s Museum.  The grandstands were larger than D.C.’s, but covering only three sides and leaving the backdrop open for tourists wandering by to spoil, or add interest to, the photos of other fair goers.

A woman pauses, a man strolls, becoming part of the changing backdrop of the stage for the USMC Drum and Bugle Corps at the Texas State Fair - photo by Ed Darrell

A woman pauses, a man strolls, becoming part of the changing backdrop of the stage for the USMC Drum and Bugle Corps at the Texas State Fair - photo by Ed Darrell

 

The group’s performance sparkled with brilliant performances in the drum and bugle corps style — we’ve been spoiled by the Duncanville High School Marching Band’s constant level of near-perfection, but were not disappointed in the crisp musicality delivered by the Marines.  These were performances to make other musicians smile and clap with joy at the sound, but delivered without a smile or hint of satisfaction in Marine unsmiling style.  Such incongruence.

Solos featured young Marines from Texas, no doubt including several who had marched in competition against Duncanville for their Texas high schools.  Performances included a Sousa march, and several new compositions from the director honoring, among others, the Navy Medical Corpsmen.  In a tribute to Texas, the group played Elmer Bernstein’s “Theme from the Sons of Katie Elder,” a John Wayne movie shot in Clearwater, Texas, more than a generation ago.  There were percussion numbers, a calypso, a cover of Gloria Estefan.

The set performance closed out with Lee Greenwood’s “I’m Proud to Be An American.”  This is one of my least favorite tunes to suffer through since most performances turn quickly to maudlin.  Not so here.  Confined to crisp drums and tight brass, the song avoided sappiness, even when the entire Corps put down their instruments for an a capella rendition of the vocal, sung quietly enough the crowd had to strain to be quiet to hear.  This lent a gravity to the lyric that is completely missing from a country band’s high-volume blast.

USMC Drum & Bugle Corps at Texas State Fair - Ed Darrell photo

In a drum and bugle corps, all the horns must function as bugles do -- valves are allowable, so trumpets appear in the group. But there are no slide trombones, no French horns. They are replaced instead by euphonium and mellophone. The groups use tubas with mouthpiece extensions to make them work like bugles, no Sousaphones. Note the tuba players hefting the horns on their shoulders. USMC Drum & Bugle Corps at Texas State Fair, October 8, 2010

 

In the midst of people who didn’t want to pay attention, watched over by the bare-breasted art-deco titaness guarding the Texas Women’s Museum, and in the heat of a Texas October, the USMC Drum and Bugle Corps played as tightly and honorably as they do at more sober and somber venues.  It was great.

I was surprised when the group marched off after an hour’s concert, to the “Marine Corps Hymn.”  They marched a half-mile to one of the fair’s midways, and performed another mini-concert.  Still no visible sweat in the heat.

USMC Drum and Bugle Corps drum major's baton rests while the Corps performs - photo by Ed Darrell

USMC Drum and Bugle Corps drum major's baton rests while the Corps performs - photo by Ed Darrell

 


Music stopped the deadly sniper

October 2, 2010

Fascinating story well told by the man who lived it:  After D-Day, an Allied unit was pinned down by a sniper.  Unable to move, and on an inspired whim, one of the American soldiers, Jack Leroy Tueller,  took out his trumpet, and played “Lili Marlene.”

Jack Tuler holding his trumpet, at 90 (maniacworld)

Jack Tueller holding his trumpet, at 90 (image from maniacworld/ Wearethemusic.com)

In the morning he was introduced to a German soldier, a sniper who had surrendered, unable to keep fighting after some mysterious trumpeter played the song that made him think of his home, his mother, his girlfriend, and love.

Two minutes of amazing history, vividly told and played, suitable for classroom use.

Go view “Taming a Nazi sniper with a trumpet,” at ManiacWorld.


[Is this the lost video from above? I think so.]

Videos say that Jack Tueller is 90 years old.  I’m guessing the video is about a year old — does anyone know any more about Col. Jack Tuler, his story, or where he livesCould this be the late Jack Tuler of Chicago? Hey, anyone:  Where is Jack Tueller today?  Who has his life details?  (Tueller lives today in Bountiful, Utah, with his wife, Marjorie.  He still plays the trumpet.)

Tip of the old scrub brush to Kenny, in China, and to Common American Journal, who had a YouTube copy.  Special tip of the old scrub brush to J. A. Higginbotham, who tracked down the Deseret News stories.

(Our YouTube host misspelled the name of the song, I think.)

_____________

Update, October 3, 2010: Reader J. A. Higginbotham tracked down two stories in the Deseret News, in Salt Lake City, about Col. Tueller.  I’ve corrected the spellings above, and edited otherwise to point to the details.  A new post is probably warranted.  Go to the Deseret News site and read their fine work, especially the long story by Doug Robinson.

Update March 2019: Both video links above seem to have died; here’s a video from StudiesWeekly.com, put up on YouTube in 2015.

Sad to hear, Jack Tueller died in 2016, at age 95.


Tony Horowitz on Ray Charles and chess

September 21, 2010

Trumpeter Tony Horowitz, one of those portrayed playing chess with Ray Charles, wrote in to compliment Charles on his chess acumen, and acumen at life in general.  Take a look again at Ray Charles and Tony Horowitz playing Chess Games of the Rich and Famous.


Labor Day history

September 6, 2010

A bit more on Labor Day and history, from this site and others:

More from Millard Fillmore’s Bathtub:

More from other sites:

Song music cover, "Look for the union label," 1900s

Union Label poster from the AF of L, early 1900s. Robert F. Wagner Labor Archives, New York University. Copyright Labor Arts Inc. (here under Fair Use for education)


Last Space Shuttle mission: Help NASA pick the wake-up tunes

August 21, 2010

How about, “The Party’s Over” for the very last Shuttle wake-up call?

Press release from NASA, August 20, 2010:

RELEASE : 10-193

NASA Asks Public for Final Shuttle Missions’ Wakeup Songs

HOUSTON — If you like music, the space program and are a little nostalgic, NASA has the perfect opportunity for you. For the first time, the public can help choose songs to wake up the astronauts during the last two scheduled space shuttle missions.

Traditionally, the songs played to wake up the astronauts are selected by friends and family of the crews. For the last two scheduled missions, NASA is inviting the public to visit the “Wakeup Song Contest” website to select songs from a list of the top 40 previous wakeup calls or to submit original tunes for consideration. To vote or submit a song, visit:

https://songcontest.nasa.gov

The two songs with the most votes from the top 40 list will be played as crew wakeup calls on the final scheduled flight of space shuttle Discovery. Discovery’s STS-133 mission is targeted to launch on Nov. 1.

“We’re looking forward to hearing which songs the public wants played for us,” STS-133 Commander Steve Lindsey said. “It’s going to be a difficult choice, because there have been so many great songs played over the years.”

Original songs must have a space theme and be submitted to NASA by 4 p.m. CST on Jan. 10, 2011. The songs will be reviewed by agency officials and the top finalists put to a public vote. The top two songs will be used to wake space shuttle Endeavour’s STS-134 crew.
Endeavour’s mission is the last scheduled space shuttle flight. It is targeted to launch on Feb. 26, 2011.

“Space shuttle crews really enjoy the morning wake-up music,” STS-134 Commander Mark Kelly said. “While we don’t have the best quality speaker in the space shuttle, it will be interesting to hear what the public comes up with. We are looking forward to it.”

The song contest campaign follows NASA’s ongoing “Face in Space” project. It invites the public to send electronic images of their faces into orbit aboard one of the final remaining space shuttle missions. To submit your image, visit:

http://faceinspace.nasa.gov

For more information about the Space Shuttle Program and the STS-133 and STS-134 missions to the International Space Station, visit:

http://www.nasa.gov/shuttle

For more information about the space station, visit:

http://www.nasa.gov/station

– end –


Academy Award winner: “Logorama”

August 16, 2010

Delightfully creative.  Surely there is at least a bell ringer in here, just in identifying the different logos.  For economics and sociology classes, this is a study in branding, done in very interesting fashion.

Can you use it in class, even at 16 minutes?  The language may be too edgy for freshman and sophomores, yes?

A short description from the Vimeo post, by Marc Altshuler, who owns the company who created and recorded the music for the film:

This is a short film that was directed by the French animation collective H5, François Alaux, Hervé de Crécy + Ludovic Houplain. It was presented at the Cannes Film Festival 2009. It opened the 2010 Sundance Film Festival and won a 2010 academy award under the category of animated short.

In this film there are two pieces of licensed music, in the beginning and in the end. All the other music and sound design are original. The opening track (Dean Martin “Good Morning Life”) and closing track (The Ink Spots “I don’t want to send the world on fire”) songs are licensed pre-existing tracks. All original music and sound design is by, human (www.humanworldwide.com)

Brilliant little work even if you can’t use it in class.


Dan Valentine – My Sister/My Brother, part 1

August 11, 2010

By Dan Valentine

MY SISTER / MY BROTHER – Part 1

One magical, fairy-tale of an evening, back in 1998, my baby sister Valerie—she is eight-years younger than myself—was knighted by Her Majesty Queen Beatrix of the Netherlands.

And I was there!

She is one of the few ballerinas and/or Americans ever to be so honored.

Funny, just a few short years before in Manhattan, after my sister had performed onstage with the great Russian dancer Rudolf Nureyev—yes, that one!—my mom had doused out a cigarette in the Queen’s half-empty cocktail.  At a reception for members of the Dutch community in town (Walter Cronkite was there), my mom, looking around for an ashtray and not finding one nearby, spotted a half-filled drink and plopped her cig in it.  A moment later, the Queen came back, after a brief newspaper interview, to finish her toddy, only to find a, well, you-know-what in it.

But back to little sister’s knighthood.

Earlier that morning, I had attended a ballet class with my sister.  Ballerinas and their male counterparts take class every day of the week to brush up on their technique and such.  They stretch, move to the Barre, and do sequences in the center of the floor for an hour or so.  This is followed by grueling hours of rehearsals for upcoming and/or present performances.  So, anyway, I was standing by the wayside watching a Russian ballerina from the Bolshoi twirl around and around and around.  We made eye contact and she fainted, dead away.  In my dreams, I caught her in my arms.  In reality, she slumped to the floor.  I like to think it was caused by my George Clooney good looks, but it was probably caused by exhaustion.

That day, for a short time, I was the talk of the company.

Her lifemate, Roeland Kerbosch, an award-winning Dutch film director, had informed me a short time beforehand what was to take place that evening.  I remember smoking—of course! as they say in the Netherlands—by the stage door of the Muziektheater in Amsterdam when my sister showed to suit up.  She told me that she was worried about that night’s performance.  Can’t remember why.  All I was thinking was:  Val, this is going to be one of, if not thee greatest night of your life.

Utah-born ballerina Valerie Valentine, Dutch National Ballet

Valerie Valentine, Dutch National Ballet

Later that evening, Valerie—I call her Val, sometimes Vali—was dancing onstage when suddenly everyone but herself stopped in their tracks.  The conductor put down his baton.  The music stopped.  The performance came to a halt.  My sister, in the middle of a pas de deux or whatever, looked around perplexed.  What the heck is going on?

After a moment, the Mayor of Amsterdam walked on stage and bestowed upon her the Order of the Dutch Lion—the highest honor a non-military person can receive in the Netherlands—in recognition for her 25 years of “significant contribution to the art of dance.”

He read from a scroll:  “Admired for her energy and dedication to her work, Valerie Valentine’s beautiful sense of line, strong technique and expressive, magical stage presence have inspired not only choreographers, but photographers and filmmakers as well . . .”

Needless to say, there was a party afterward.  Cocktails, hors d’œuvres, a band, dancing, etc.  I was very happy for my sister, ecstatically so.  But I left the celebration shortly after it began.

I can’t remember feeling sadder.

Sitting at an outside cafe, just a few a blocks away, was my artist brother Jimmy, uninvited (and rightly so; he was literally crazy as hell), doing his best to drink himself to death, an endeavor he would shortly accomplish.

He died four years later, age 48, in Torremolinos, Malaga, Spain . . . on Valentine’s Day.

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Something to toot your horn about: Scouts save Bugling merit badge

August 10, 2010

Boy Scouts of America reviews merit badge offerings from time to time, adding new badges, modifying requirements, retiring badges that are unpopular or outdated.

Recently Bugling was dropped as a separate badge, and made an adjunct of the Music merit badge.  Bugling was a great tradition in Scouts — a music-oriented badge that required only that one be able to memorize and blow recognizable versions of several bugle calls.

Perhaps ironically, Bugling also drew the spotlight as the last merit badge earned by several of those super Scouts who earned every possible merit badge.  For some reason, learning to blow the horn was just the last or toughest thing they could master.

Good news:  Bugling has been reinstated.

Bugling reinstated as separate merit badge

Bugling Have your guys start practicing “Taps,” because Bugling is here to stay.

In early June, we reported that the Bugling merit badge was to be discontinued and its requirements merged into Music merit badge.

That’s no longer the case. Responding to concerns from hundreds of Scouters, the BSA’s Youth Development team has decided to reinstate Bugling as a separate merit badge.

Oddly enough, this means that Bugling will never have officially been part of Music merit badge, because the changes were never reflected in a Boy Scout Requirements book.

Bugling and Music will continue to share a merit badge pamphlet. Requirements and information for both of the badges will be contained within that single booklet.

More:

To the Colors, from USSSP Bugling Merit Badge page

"To the Colors," one of the bugle calls required for the Bugling merit badge. Image from U.S. Scouting Service Project


A song for our times: Arlo and Pete sing Woody

July 20, 2010

In the late 1960s and the 1970s, conservatives made big displays of singing this song.  The Mormon Tabernacle Choir recorded one very popular version of it; it showed up often.  In those occasional complaints about the difficulty of singing “The Star-Spangled Banner,” this song’s suitability for national anthem status was always raised.

Today?  I haven’t heard it at a Republican gathering in long, long time.  I’m not saying that it’s completely disappeared from the conservative song book — among other things, I don’t attend Republican conventions as often as I once did, but I don’t think I’d hear it if I did.  I am saying that people finally started listening to the song, and it’s been largely dropped from conservative sing alongs for political reasons.

And that tells us a lot.

It would be good to hear this song a lot more; it would be good if more people sang it.

Arlo Guthrie and Pete Seeger leading the congregation in singing Woody Guthrie’s “The Land Is Your Land,” from a 1993 concert at Wolf Trap Farm Park in Virginia (one of my favorite venues for any music):

(Arlo’s got a new release this year, featuring this tune.)

More:


Happy birthday, Peter Schickele

July 17, 2010

Peter Schickele is 75 today.

Peter Schickele, a.k.a. P. D. Q. Bach

Peter Schickele, born July 17, 1935

May he live to be a happy, robust, still-composing, still performing 135, at least.

Some people know him as a great disk jockey.  Some people know him as the singer of cabaret tunes.  Some people know and love him as a composer of music for symphony orchestra, or to accompany Where the Wild Things Are.

Peter Shickele, left, and P. D. Q. Bach, together, in happier times.

Peter Shickele, left, and P. D. Q. Bach, together, in earlier and, some say, happier times.

Then there are those happy masses who know him for his historical work, recovering the works of Johann Sebastian Bach’s final and most wayward child, P. D. Q. Bach.

Tip of the old bathtub-hardened conductor’s baton to Eric Koenig.


Chess games of the rich and famous: Bob Dylan, by Daniel Kramer

July 3, 2010

Bob Dylan at the chessboard, Woodstock, New York, 1964 - photo copyright Daniel Kramer

Bob Dylan at the chessboard, Woodstock, New York, 1964 – low resolution version of the original photo, copyright by Daniel Kramer – Barbara Archer Galleries

A good decade before I got to Woodstock.

Daniel Kramer began photographing Bob Dylan early in Dylan’s career, making many of the best shots available.

This 1964 photo of Dylan playing chess in Woodstock, New York, featured in an exhibition of Kramer’s photographs put on by Barbara Archer Galleries in 2005.

From the exhibit’s biography of Kramer:

Daniel Kramer is a New York-based photographer and film director who is long recognized for his portraits and picture stories in national and international magazines and books. Shortly after opening his first studio in New York City, Daniel Kramer saw Bob Dylan perform The Lonesome Death of Hattie Carroll on television in 1964. Even after the show ended, Kramer couldn’t shake the image of Dylan from his mind. “I was completely taken by what this man had done and how he had done it. His performance was perfect. With simple, basic tools – his voice, a guitar, and a harmonica, he drove his message deep into my mind. I was aware that I was seeing a very important talent.”

In August 1964, after months of phone calls and letters to Dylan’s manager, Albert Grossman, Kramer was given the opportunity to arrange a portrait sitting in Woodstock, New York with the twenty-three-year old performer who was by then in the process of becoming an international star. The two men quickly developed a warm and trusting professional relationship that allowed for many extraordinary photographic sessions. “Photography has brought me into contact with many notable people, including Presidents of the United States, and I have happily had the opportunity to meet and talk with prominent people in all walks of life,” comments Kramer. “Although many of these encounters were memorable, my association with Dylan has a special meaning.”

Many of these photographs were first published in Kramer’s 1967 book bob dylan, the first major work about the performer-songwriter (reprinted as Bob Dylan: A Portrait of the Artist’s Early Years, 2001). They were also used on the album covers for Highway 61 Revisited (1965), Biograph (1985) and Bringing It All Back Home (1965), which was nominated for a Grammy and selected by Rolling Stone as one of the “100 Greatest Album Covers of All Time.” A number of rare and previously unpublished pictures by Kramer also appear in the 52-page booklet and packaging that accompanies Bob Dylan’s two-CD set, Live 1964: Concert at Philharmonic Hall – The Bootleg Series, Volume 6 (2004) and on the cover of a three-CD boxed set BOB DYLAN the collection (2004).

Daniel Kramer’s photographs have also been exhibited or collected by such museums as the Whitney Museum of American Art, The International Center of Photography in New York, The Smithsonian’s National Portrait Gallery in Washington, D.C., The Experience Music Project in Seattle, The Rock and Roll Hall of Fame and Museum in Cleveland, and in numerous national and international galleries.

An interesting three-way marriage of the young Bob Dylan, a great photographer in Daniel Kramer, and one of the world’s oldest and most respected games of skill, chess. Go see all the photos.

More: