Twain aboard ship – 1896 photo, 1897 etching

December 1, 2012

One of my favorite images of Mark Twain I found several years ago.  It’s a photograph of Twain, with a genuine smile of some contentment, seated in a deck chair on a ship, feet on the rail, gazing out to sea.

Correspondent J. A. Higginbotham tracked down the origin of the photograph through the Gutenberg Project, and found a nice etching from the photograph at twainquotes.com, with sleuthing by Barbara Schmidt, the curator of that site.

Here’s the photo, from the Gutenberg Project’s version of the 1898 American Publishing Company edition of Following the Equator:

Mark Twain, aboard ship, 1896; photo by Walter G. Chase of Boston

Mark Twain, aboard ship in 1896. Photo by Walter G. Chase, of Boston. This photo provided the frontispiece for the 1898 American Publishing Company edition of Following the Equator.

Who was Walter Chase?  So far as I have found, he was a Boston-based photographer.

Samuel L. Clemens, the man behind Mark Twain, undertook a world-wide speaking tour, to restore his fortune after bankruptcy, and to take his mind off the death of his daughter Susy, in August 1896.  At the same time, there was demand for newspaper columns and books on travel.  The resulting book, Following the Equator in the U.S., ended the series of travelogues Twain wrote.  Columns and the book covered his and his family’s adventures in 1896 and 1897; this photo must have originated in late 1896, in the early part of the tour.  We know from Chapter 1 that the land part of the trip, by train, “westward out of New York,” took 40 days.  Twain wrote that it took seven days to get to Hawaii.  We might be safe in saying the photograph shows him gazing at the Pacific.

Without knowing more, we might be tantalized by the prospect that Chase accompanied Twain on much of this tour, and took other photographs.  Twain wrote about games played among the travelers aboard ship, with notes indicating a key player was someone named “Chase.”  We have a photo of Twain posing for a sculptor in Vienna, from this trip. Somewhere, there may be a trunk of photographs . . .

According to Barbara Schmidt’s sleuthing, William Henry Warren Bicknell created the etching from the photograph, for the 1899 uniform edition of Following the Equator.  Bicknell was one of several illustrators used, including Boy Scout founder Daniel Beard.

Mark Twain in the Pacific, etching by W. H. W. Bicknell, from 1896 photograph by Walter G. Chase,

W. H. W. Bicknell’s etching from the 1896 Walter G. Chase photograph of Mark Twain, aboard a ship in the Pacific Ocean.

Schmidt uses a colored version of the etching on her website’s own frontispiece.  No doubt she describes it in more detail, but I have not found that description.

A color version of an etching of Mark Twain, based on Chase's 1896 photograph.  Image via twainquotes.com, Barbara Schmidt's site.

A color version of an etching of Mark Twain, based on Chase’s 1896 photograph. Image via twainquotes.com, Barbara Schmidt’s site.

A fitting way to end a day of commemorating Mark Twain’s birthday, to discover the origins of one of my favorite images of the man.

New question:  With the exception of the color image, each version includes Twain’s autograph, “Be good & you will be lonesome,” with his signature.  Was this an autograph done solely for the book, or was it an autograph to the publisher, editor, or photographer?

Tip of the old scrub brush to correspondent J. A. Higginbotham.

More:

Mark Twain

Mark Twain (Photo credit: Wikipedia) – Another, earlier image of Twain, origins to sleuth down!


Americans love George Washington’s nose

November 19, 2012

Looked at a lot of statues and busts in the past year.  One of the things that intrigues me is the way people interact with sculpture, particularly the ways and places people touch sculpture.

At Mount Vernon, Americans have a fondness for George Washington’s nose:

06-23-2012 TAH Mt Vernon 094 George's nose, Avard Fairbanks bust, photo copyright by Ed Darrell

Avard Fairbanks‘ very large bust of George Washington invites touching by visitors at the Mount Vernon Visitors Center; people touch his nose.  Photo by Ed Darrell; use allowed with attribution, some rights reserved.

Other copies of the bust exist around the country, by Utah sculptor Avard Fairbanks.  If I’m correct on the provenance, this one was placed at Salt Lake International Airport for the nation’s bicentennial, then was obtained by George Washington University (one of my alma maters, by the way), and was loaned by GWU to the Ladies of Mount Vernon. (No wonder the thing looked so familiar to me . . . it’s been following me around for years.  I wonder when it gets to Texas, or upstate New York.)

A bust of George Washington on the campus of G...

Bust of George Washington on the campus of George Washington University — same one? (Photo credit: Wikipedia)

Displayed at the main entrance to the visitors center at Mt. Vernon, the bust is at a level that people can touch it, and they do.

It’s fun to watch people who stop to look at the bust.  Almost inevitably they look a bit awed by it.  Then, if they take a minute, they look it up and down, and put out their hand to touch George’s nose.

Almost as if they consider George Washington a good luck charm, and a touch of his nose might rub some luck off onto them.  It’s rubbing the nose shiny, an interesting way Americans pay tribute to our first president.

More:

06-23-2012 TAH Mt Vernon 093 Avard Fairbanks bust, George Washington - photo by Ed Darrell, use with attribution encouraged

The bust is quite imposing; people who pause to study it, however, overcome their reticence, and reach out to touch the First President.


Utah’s Mount Timpanogos, no PhotoShop needed

November 16, 2012

Here’s a good demonstration of why you don’t need PhotoShop, but a decent camera and a steady hand instead.

Utah's Mt. Timpanogos in snow, by Craig Clyde, 2012

Utah’s Mt. Timpanogos in snow, by Craig Clyde, 2012 (rights probably reserved).  Click for larger version.

Craig Clyde took this photo of Utah Valley‘s Mt. Timpanogos, probably from Saratoga Springs, on the west side of Utah Lake, after one of the first snows of 2012.  (This area had a few farm fields when I grew up there.)  It’s a great photo for several reasons.

It’s a formerly unusual view, there being so few people on the west side of the lake until recent development.  It pictures all of Timpanogos, with American Fork Canyon on the left, Mahogany Mountain, Big Baldy, and Provo Canyon on the right.  It’s an afternoon shot, you can tell from the angle of the sun (the mountain runs on a north-south axis), and the darkness on the lower mountains may be caused by the Sun’s setting behind the mountain range on the west side of  the lake.  Timpanogos in white, in the afternoon sunshine, is one of the greatest images of a mountain you’ll ever see.

Tip of the old scrub brush to Craig Clyde.  Mr. Clyde and I attended high school together — haven’t seen him in more than 30 years; not sure, but I don’t think he’s the same Craig Clyde in the movie business.

More:


Flash mob Carmina Burana

November 13, 2012

Oh, the standards on flash mobs just keep getting pushed higher and higher.

Beethoven‘s “Ode to Joy” chorus?  Easy Sunday-afternoon-in-the-plaza piece.

Carl Orff‘s Carmina Burana? Sure, it scores on the cool side; but a performance is really a little more demanding than Beethoven’s most whistlable tune, isn’t it?

Is this in Vienna?  In a train station?  It features the Volksoper Vienna.  And once again, we get the wonderfully comical entrance of the actual tympani, without which Carmina would be impossible, no?

Details, in German:

SolistInnen, Chor, Orchester der Volksoper Wien boten im April Fahrgästen und Passanten eine besondere Performance. Die KünstlerInnen lösten sich aus der Menschenmenge – eine “Passantin” begann, weitere “PassantInnen” – sowie als ÖBB-MitarbeiterInnen verkleidete KünstlerInnen – setzten nach und nach ein.: 558,438

http://www.volksoper.at
http://www.ppmzweinull.com/ppmzweinull2.html

What’s next?  Will someone do a Carmina while actually roasting a swan, and offer slices of the poor bird?

Okay, here’s one I’d like to see:  Aaron Copeland’s Rodeo, complete with Agnes Demille choreography.  Is there time for someone to get it put together for the Fort Worth Fat Stock Show and Rodeo?  The Houston Stock Show?  Wouldn’t it look grand in Grand Central Station?

More:


Sometimes beauty is in the timing . . . Capitol Reef National Park

November 8, 2012

Long-time Scout friend Hal Rosen said he caught some good photos here, too — but none at this precise moment:

Temple of the Sun, Capitol Reef NP, photo by Mike Saemisch, October 29, 2012

Temple of the Sun, Capitol Reef NP, photo by Mike Saemisch, October 29, 2012

First you must get to Capitol Reef National Park, in Utah — one of Utah’s unfairly large number of five National Parks.  Then you take your “high-clearance vehicle” (not necessarily 4-wheel drive) out on the dirt roads in Cathedral Valley, and you hope for a crystal blue sky like this one.  Then you happen to get there just as the sun is right at the peak of the formation . . .

You had to be there.  Mike Saemisch was there just over a week ago, on October 29, 2012, and fortunately caught this photograph with the Sun as part of a sparkling spire on a sandstone formation known as the Temple of the Sun.

Digital photography changes the way one tours these places.  Fortunately.  Take the kids, and make sure they find it on a map so they can use your trip as fodder for their 9th grade geography class.

More:

  • A different angle, at a different time, by Scott Jarvie:  “A 3.5hr timelapse taken late on a cloudy night at the Temple of the Moon with the Temple of the Sun in the background. March 17, 2012.”

Wish we were there: Sequoia and Kings Canyon National Parks

November 6, 2012

You got the Tweet?

Miter Basin, Sequoia and Kings Canyon National Parks, California; photo by Kristin Glover, NPS (public domain)

Miter Basin, Sequoia and Kings Canyon National Parks, California; photo by Kristin Glover, NPS (public domain)

Photo from NPS employee Kristin Glover, at Miter Basin.

We should go see for ourselves, no?

If you go today, vote before you go.  This is one of the areas to be opened to energy exploration — oil and gas drilling or other mining — under Mitt Romney’s “energy plan” and the GOP National Platform.

More:


Jefferson Memorial from above

October 27, 2012

Must be rare to get such a reflection of the sky in a calm Tidal Basin pool; from the Department of Interior‘s Instagram:

Jefferson Memorial from the air, Department of Interior photo

From Interior’s Instagram: Last night we posted an aerial photo of the #Washington #Monument, which everyone seems to really enjoy. So we are keeping it going today with a #photo of the #Jefferson #Memorial. #NationalMall #DC

One commenter noted the photo almost makes it appear that the Jefferson Memorial is floating in the clouds.

There are more than 300 units in the National Parks System.  In the past two days we’ve had two spectacular photos from almost the same place, two memorials about a half-mile apart.  How many thousands of great photos are possible from all of these properties?  NPS’s job, caring for all of that stuff, is monumental.

 


Friday Photo: Washington Monument from the top down

October 26, 2012

U.S. Department of Interior, on Instagram:

http://distilleryimage8.instagram.com/7ca1151c1eea11e2957722000a1f9a39_7.jpg

Interior’s Instagram caption: It’s not every day you see the #Washington #Monument from this angle. #dc #mall #bestofteday

For me, additional security in Washington, D.C., has stolen much of the fun, joy and awe of the Washington Monument — compounded by the damage from the 2011 Virginia earthquake.

Before September 2011, the Washington Monument was open until midnight in summer months.  Tourists head off for dinner and hotels at before 6:00 p.m. — the tourist lines disappear, and especially after 10:00 p.m. on most nights, one could, or one and the three or four visiting friends you had could, without waiting catch the elevator to the top for an absolutely matchless view of Washington D.C. at night.

Spy on the White House; spot the tourists dangling feet in the Reflecting Pool at the Lincoln Memorial; see the light in the Capitol Dome indicating Congress in session, and gloat that you were in recreational mode instead.  See a couple kissing on the steps of the Jefferson Memorial, thinking no one would see them.  Watch the arc of U.S. Airways airplanes coming down the Potomac River corridor, panicking anyone in the USA Today building who happened to look out and look down on an aircraft passing by, and almost hear the screams from the non-frequent DCA fliers as the plane banked sharply at low level to line up with the runway at National Airport (it will never be Reagan to true aviation buffs, who still miss the controllers who gave us confidence in that thrill ride).

For the Fourth of July, the National Park Service (NPS) used to conduct a lottery to select a tiny handful of professional photographers to shoot the fireworks, one of the best displays on Earth.  The fireworks shoot from near the Lincoln Memorial.  Does NPS do that any more?

Then walk down the stairway, past the hundreds of carved memorial stones, gifts of Americans who wished to honor George Washington by contributing some large, expensive rock to the interior of the obelisk rising Pharaoh-style out of the swamp near the Tidal Basin.  Notice the color line shift that marked the Know-Nothing Party control of the group building the monument — the original American Tea Party austerity group, who stopped construction for 20 years just to prove they could impose austerity on those ‘spendthrifts’ who wished to build a monument to a man, even without any public money, and even though they controlled the commission only from 1855 to 1858 (the Civil War intervened).

The Washington Monument, all 555 feet, 5 1/8 inches of it, is closed now.  When I visited last, in June, damage from the earthquake was still being assessed, and to protect the monument and the public, no access to the interior was allowed.  Around the base, the 50 U.S. flags still fly 24 hours each day; but the paths to the monument now have blockades to stop any unauthorized truck, perhaps laden with explosives, and the public benches sat empty where we used to meet small-town Americans awed by the thing, and foreign tourists in awe of America.

The caption from Interior begs more explanation.  Why don’t we see this view?  The Washington Mall — that expanse of grass and, now, museums between the U.S. Capitol on the east end and the Potomac-side Lincoln Memorial on the west — graces pilots’ air charts as a civilian no-fly zone.  After too many small-plane pilots gave the FAA fits, and somebody parked one on the lawn of the White House, FAA banned all flights over the mall, except by police or other official aircraft.  Pragmatically it’s the D.C. cops and Marine One helicopters who might be able to capture this view.

How did Interior get the shot?  The Instagram doesn’t explain. Perhaps it was part of the work to repair and restore the monument from the earthquake.

This picture highlights some interesting things. You can see wear and discoloration of the stone, from weather.  Discoloration is not consistent; you can see how the windows at the top alter the even flow of water.  Acid rain causes the stone to turn gray, then black; the monument is light only from a couple of scrubbings (though, contrary to climate denialist and GOP claims, Clean Air Act control of acid rain reduces the damage since 1972).  Some of the discoloration may be from copper solutions washed off the window frames by the rain.

If you look closely, you can see one of the cracks caused by the earthquake.  At the peak rests a tiny pyramid of aluminum, undistinguishable from the limestone.  Aluminum?  Yes — while the metal is a very common element around the Earth, refining it out of ore was difficult, commercially impossible in the 1880s when the Monument was completed.  As a last tribute to Washington, builders capped it with what was then one of the most precious metals on Earth, aluminum.  Soon after, the advent of mass quantities of generated electricity made aluminum refining commercially viable; today we make disposable drink cans out of what was once the most precious metal on Earth, when purified.  One may ponder how George Washington would consider such technological changes in the nation where he hoped every citizen might have a “vine and fig tree,” first to cap his monument with aluminum, and then make millions of tons of the stuff to throw away.  We are an industrial society to an extent Washington did not, perhaps could not anticipate.  Would he approve?

About a quarter of the way up from the base, you see the color of the limestone changed, as I noted earlier.  All the stone on the face of the monument came from the same quarry; however, during the cessation of construction during the rule of the Know Nothings on the monument commission, rock from the quarry continued to come out, to be used in other projects.  By the time construction on the monument was restarted, rock quarrying pulled out limestone of a slightly darker, more reddish color.  Builders decided to continue with the color variation rather than pull down the stone already stacked.  The Washington monument thus becomes a memorial not only to Washington, but also to the politics he futilely hoped would not affect our nation’s government, even non-governmental commissions working around and about the government.  That color line preserves in stone some of the political errors of the mid-19th century.  It remains unclear whether anyone ever learned a beneficial lesson from those times.

At the base you see patterns of stone unrecognized at ground level (are those white stripes the benches to wait in line to get up to the top?).  Around the monument a phalanx of 50 U.S. flags, which fly constantly (except in hurricanes), and you can see the lights that illuminate the flags and the monument at night.  Flying into Washington, D.C., at night, becomes one of the great vistas of the world, pierced by the shining white spire of the Washington Monument against a black sky (or dark blue, better), and the panorama of great public buildings, also lighted limestone.

Under local and federal zoning rules, skyscrapers are not allowed in that core area, to preserve the buena vista.

And finally, in the photo you can see fewer than a dozen people, colored dots at the base of the structure.  Are they looking up?

More:


Autumn in Glacier National Park?

October 5, 2012

No, this is not an archives photo — it’s autumn, in Glacier National Park.  Photo from sometime in the past week.

https://i0.wp.com/24.media.tumblr.com/tumblr_mbfcgwpRfI1r81c8do1_500.jpg

View from Wild Goose Island Overlook in Glacier National Park; NPS photo

From the Interior Department Tumblr, America’s Great Outdoors:

The popular overlook at Wild Goose Island in Glacier National Park has a different look this week with fresh snow on the trees and mountains. Fall has definitely arrived!

More:

Beargrass (Xerophyllum tenax) in Glacier Natio...

When I was in Glacier N.P., there was a lot of this stuff at higher elevations.  I don’t recall seeing it anywhere else.  An odd plant.  “Beargrass (Xerophyllum tenax) in Glacier National Park, Montana, USA. Original caption: In addition to a host of various wildflowers, Beargrass, a lily native to Glacier, blooms in abundance along the Iceberg Lake trail. (Photo credit: Wikipedia)”


El Grito de Dolores, September 16 (2012 edition)

September 16, 2012

An encore post, repeated:

No, Cinco de Mayo is not Mexico’s “Independence Day.”

It’s amazing what is not available on video for use in the classroom.

Texas kids have to study the “Grito de Dolores” in the 7th grade – the “Cry from Dolores” in one translation, or the “Cry of Pain” in another (puns in Spanish! Do kids get it?). Father Miguel Hidalgo y Castillo made the speech on September 16, 1810, upon the news that Spanish authorities had learned of his conspiracy to revolt for independence. The revolution had been planned for December 8, but Hidalgo decided it had to start early.

This date is celebrated in Mexico as Independence Day. Traditionally the President of Mexico issues an update on the Grito, after the original bell that Father Hidalgo used is rung, near midnight.

Hidalgo himself was captured by the Spanish in 1811, and executed.

Father Hidalgo issues the Grito

Statue of Father Hidalgo in Dolores, Mexico.

It’s a great story. It’s a good speech, what little we have of it (Hidalgo used no text, and we work from remembered versions).
It’s important to Texas history, too — it’s difficult to imagine Tejians getting independence from Spain in quite the same way they won it from Mexico.

Why isn’t there a good 10- to 15-minute video on the thing for classroom use? Get a good actor to do the speech, it could be a hit. Where is the video when we need it?

Update from 2008: Glimmerings of hope on the video front:  Amateur videos on YouTube provide some of the sense of what goes on in modern celebrations.

And, see this re-enactment from Monterrey:

Update from 2009: The Library of Congress’s Wise Guide for September features the history of the day:

The Grito de Dolores (“Cry of/from Dolores”) was the battle cry of the Mexican War of Independence, uttered on September 16, 1810, by Miguel Hidalgo y Costilla, a Roman Catholic priest from the small town of Dolores, near Guanajuato, Mexico.

“My Children, a new dispensation comes to us today…Will you free yourselves? Will you recover the lands stolen 300 years ago from your forefathers by the hated Spaniards? We must act at once.”

Although many mistakenly attribute the Cinco de Mayo holiday as the celebration of Mexican independence, Sept. 16 was the day the enthusiastic Indian and mestizo congregation of Hidalgo’s small Dolores parish church took up arms and began their fight for freedom against Spain.

Touring Turn-of-the-Century America: Photographs from the Detroit Publishing Company, 1880-1920” has a rich collection of photographs of Mexico. To view these pictures, search the collection on “Mexico.”

Portals to the World contains selective links providing authoritative, in-depth information about the nations and other areas of the world. Resources on Mexico include information on the country’s history, religion, culture and society to name a few.

September is also a notable month for Hispanic culture with the celebration of Hispanic Heritage Month Sept 15 – Oct. 15. Sept. 15 is significant because it is the anniversary of independence for Latin American countries Costa Rica, El Salvador, Guatemala, Honduras and Nicaragua. In addition to Mexico’s independence day on Sept. 16, Chile recognizes its independence day Sept.18. Also, Columbus Day or Día de la Raza, which is Oct. 12, falls within this 30-day period.

The theme for the 2009 Hispanic Heritage Month was “Embracing the Fierce Urgency of Now!” To coincide with the celebration, the Library and several partners present a website honoring Hispanic culture and people. [Nice idea, calling it “Heritage Month” instead of “History Month;” maybe we can change February to “Black Heritage Month,” and study Hispanic and black history every day.]

Viva la república! Viva el Cura Hidalgo! Una página de Gloria, TITLE TRANSLATION: Long live the republic! Long live Father Hidalgo! A page of glory. Between 1890 and 1913. Prints and Photographs Division. Reproduction Information: Reproduction Nos.: LC-USZ62-98851 (b&w film copy neg.), LC-DIG-ppmsc-04595 (digital file from original, recto), LC-DIG-ppmsc-04596 (digital file from original, verso); Call No.: PGA - Vanegas, no. 123 (C size) [P&P] Catalog Record: http://hdl.loc.gov/loc.pnp/ppmsc.04595A street in Guanajuato, Mexico. Between 1880 and 1897. Prints and Photographs Division. Reproduction Information: Reproduction No.: LC-D418-8481 (b&w glass neg.); Call No.: LC-D418-8481 <P&P>[P&P] Catalog Record: http://hdl.loc.gov/loc.pnp/det.4a27131

Specifically on the Grito de Dolores, see the Library of Congress’s American Memory Project:

Cry of Dolores

My Children, a new dispensation comes to us today…Will you free yourselves? Will you recover the lands stolen three hundred years ago from your forefathers by the hated Spaniards? We must act at once.Cry of Dolores, attributed to Father Miguel Hidalgo y Costilla, September 16, 1810.

The Palace from the Cathedral, city of Mexico
The [National] Palace from the Cathedral, city of Mexico,
William Henry Jackson, photographer,
between 1880 and 1897.
Touring Turn-of-the-Century America: Photographs from the Detroit Publishing Company, 1880-1920

Early on the morning of September 16, 1810, Father Miguel Hidalgo y Costilla summoned the largely Indian and mestizo congregation of his small Dolores parish church and urged them to take up arms and fight for Mexico’s independence from Spain. His El Grito de Dolores, or Cry of Dolores, which was spoken—not written—is commemorated on September 16 as Mexican Independence Day.

Father Hidalgo was born into a moderately wealthy family in the city of Guanajuato, northwest of Mexico City, in 1753. He attended the Jesuit College of San Francisco Javier, received a bachelor’s degree from the University of Mexico in 1774, and was ordained into the priesthood in 1778. He soon earned the enmity of the authorities, however, by openly challenging both church doctrine and aspects of Spanish rule by developing Mexican agriculture and industry.

In 1803, Hidalgo accepted the curacy of the small parish of Dolores, not far from his native city of Guanajuato. Between 1803 and 1810, he directed most of his energy to improving the economic prospects of his parishioners. He also joined the Academia Literaria, a committee seeking Mexico’s independence from Spain.

Guanajuato, Mexico
Guanajuato, Mexico,
William Henry Jackson, photographer,
between 1880 and 1897.
Touring Turn-of-the-Century America: Photographs from the Detroit Publishing Company, 1880-1920

In September 1810, Spanish authorities learned of the group’s plot to incite a rebellion. On September 13, they searched the home of Emeterio González in the city of Queretaro where they found a large supply of weapons and ammunition. Warned of his impending arrest, Hidalgo preempted authorities by issuing the El Grito de Dolores on the morning of September 16. Attracting enthusiastic support from the Indian and mestizo population, he and his band of supporters moved toward the town of San Miguel.

The rebel army encountered its first serious resistance at Guanajuato. After a fierce battle that took the lives of more than 500 Spaniards and 2,200 Indians, the rebels won the city. By October, the rebel army, now 80,000 strong, was close to taking Mexico City. Hidalgo, fearful of unleashing the army on the capital city, hesitated, then retreated to the north. He was captured in Texas, then still a part of the Spanish empire, and executed by firing squad on July 31, 1811. After ten more years of fighting, a weakened and divided Mexico finally won independence from Spain with the signing of the Treaty of Córdoba on August 24, 1821.

Learn more about Mexico:

Resources, other material:

Even More (2012):

Share this bit of history:  Tweet about it, note it on your Facebook page, or spread the word some other way.


Happy birthday, H. L. Mencken (a day late)

September 13, 2012

Born in Baltimore, Maryland, September 12, 1880:  Henry Louis Mencken.

H. L. Mencken at his piano, 1942.  Photo from the Library of Congress collection

H. L. Mencken at his piano, 1942. Photo from the Library of Congress, via Gibbons

Mencken is the guy who invented the Millard Fillmore bathtub hoaxSo here at Millard Fillmore’s Bathtub, we owe a birthday greeting to the guy, no?

As a quintessential curmudgeon, Mencken took a cynical pose on many issues.  Why?  His creed explains:

Mencken’s Creed

I believe that religion, generally speaking, has been a curse to mankind – that its modest and greatly overestimated services on the ethical side have been more than overcome by the damage it has done to clear and honest thinking.
I believe that no discovery of fact, however trivial, can be wholly useless to the race, and that no trumpeting of falsehood, however virtuous in intent, can be anything but vicious.
I believe that all government is evil, in that all government must necessarily make war upon liberty. . .
I believe that the evidence for immortality is no better than the evidence of witches, and deserves no more respect.
I believe in the complete freedom of thought and speech. . .
I believe in the capacity of man to conquer his world, and to find out what it is made of, and how it is run.
I believe in the reality of progress.
I — but the whole thing, after all, may be put very simply. I believe that it is better to tell the truth than to lie. I believe that it is better to be free than to be a slave. And I believe that it is better to know than be ignorant.

The Mencken Society plans an event commemorating his birthday.  David Donovan will speak on “H.L. Mencken and the Saturday Night Club” on Saturday, September 29, 2012 at 1:00 p.m. at the the Pratt Library’s Southeast Anchor Library, 3601 Eastern Avenue (S Conkling St), Baltimore, MD 21224.  Donovan is a librarian and musicologist from the Pratt Library; the Saturday Night Club was a group of musicians with whom Mencken played piano.

It would be a great day to be in Baltimore.

I wonder what Mencken would have made of Kennedy’s speech in 1962 about going to the Moon.

More:


Night skies at Yosemite, in time-lapse

September 6, 2012

Yosemite National Park, watching stars, with time-lapse photography.  The only way life gets better than this is to go there and film it yourself.  Yosemite Nature Notes 19.

Description from Nature Notes:

Yosemite’s vast acreage and remote location protect some of the darkest night skies in the country. Astronomers, photographers and city dwellers flock to the park to take advantage of this unique opportunity to view planets, stars, and galaxies.

Producer is Steven M. Bumgardner, and it features, inter alia, an interview with Shawn Reeder, whose time-lapse work I’ve highlighted before.

For classroom use, some topics and questions to pursue:

  • For geography, where is Yosemite N.P.?  Flying commercially, which airport is the best to get to the park?

    President Teddy Roosevelt and conservationist John Muir at Overhanging Rock, Glacier Point, Yosemite

    President Teddy Roosevelt and conservationist John Muir pose at Overhanging Rock at the top of Glacier Point, near which the men camped in a hollow and awoke to five inches of snow in 1903. National Park Service image

  • Map reading and orientation:  In the time-lapse sequences, you can frequently see lights streaking across the sky.  Those are commercial airliners — can you tell what airport they are headed to, or from?  Can you tell which ones are coming, which going?
  • Science:  What star formations do you see in these photographs that you can see from your house?  What star formations are not visible from your house?
  • Government:  Who signs the checks that pay the rangers pictured in the film?  For which agency do the work, in which branch of which government?
  • People in the film discuss light pollution from nearby cities.  Is there an agency in the federal government who has jurisdiction over light pollution?  How about an  agency in the state government?  What are the rules on light pollution for cities around Yosemite?
  • Can you identify the landmarks, the cliffs, rocks, mountains and rivers, portrayed in the film?  (Students might use a USGS topographical map, California state tourist promotion maps and websites, National Park Service databases, Google Earth, Google,  and a wide variety of other sources.
  • Who was president of the U.S. when Yosemite was set aside as a National Park, and what were the controversies surrounding it?
  • Who was John Muir?  Who was Frederick Law Olmsted?  What were their roles in the history of Yosemite?
  • Who lived in Yosemite, if anyone, before the Spanish missions were established in California?  When were the missions established?  How did the U.S. gain possession of the Yosemite Valley?

Non-virtual world interference in the summer of 2012

August 30, 2012

Posting here takes hits every day from real world interference.  That interference will continue.

And it’s a pretty bad backlog.  I have stuff cued up, but needing editing, from stuff I saw in June.  Since June 1st I traveled by SUV from Texas to Wisconsin, and back, by air to Washington, D.C., and by car from Dallas to Colorado Springs and back.  I have not tallied how many states.

Winston Churchill's "Sinews of Peace"...

Winston Churchill’s “Sinews of Peace” speech was delivered at Fulton, Missouri, in 1946. This famous photo of Churchill by Yousuf Karsh, earlier.

We saw and purchased parts of the Berlin Wall, in Appleton, Wisconsin, where a mockup of eight panels of the wall cut into a work of art by Winston Churchill’s granddaughter caught tourists’ eyes at the Trout Museum of Art, along with a display of Winston Churchill’s art — stuff he made, and stuff made about him.  With younger son James I drove to Fulton, Missouri, to see the actual chunks of the Berlin Wall at the Churchill Center in America.  A couple of weeks later I stood stunned by even more parts of the Berlin Wall, and one of the guard towers, at the Newseum in Washington, D.C.

[Nota bene:  “The Art of Winston Churchill” was extended through Septermber 7 at the Trout Museum of Art; if you’re near Appleton, Wisconsin, go.]

We lucked into a tour of the museum at Fulton, the National Churchill Museum on the Churchill Center, which is housed under the oldest European building standing in America.  That building is a church originally built in about 1100 A.D., rescued by Sir Christopher Wren after the Great London Fire, bombed out with Nazi incendiary devices in the Battle of Britain, and then disassembled in London and reassembled and gloriously restored in Fulton, at the Churchill Center, near the site of Churchill’s 1946 “Iron Curtain” speech at Westminster College, as part of the American tribute to the Great Winston.

Between Appleton and Fulton, we stopped  in Springfield, Illinois, to visit the Abraham Lincoln Presidential Library and Museum.  It’s a stop I’ve made several times, including for seminars with the Bill of Rights Institute and Liberty Fund.  This time we drove to Lincoln’s tomb.  I had not realized that one could enter the tomb.  A bronze cast of Borglum’s  Lincoln bust stands in front of the tomb — Abe’s nose rubbed shiny by tens of thousands of touches.  Borglum’s bust remains one of my favorite sculptures.  The version in the U.S. Capitol, I discovered a few days later, has been moved from the grand view in the Rotunda, to the crypt below (replaced by a grinning, glad-handing Ronald Reagan!).  In the Capitol, no one is allowed to touch Abe’s nose.

In Washington I discovered that the statue of Eleanor Roosevelt at the FDR Memorial is much less guarded.  People there touch her hands.  FDR sits — in his wheelchair — a few yards away, with a much-larger-than-life statue of his fabled dog Fala.  It’s Fala’s ears that get the touches there.

A half mile away, the Korean War Memorial features nearly a score of bronze soldiers on patrol on a cold Korean morning.   Not in the original design, a small fence surrounds the patrol, enough of a barrier to keep people from walking up to the actual men portrayed and touching them — the Korean War Memorial was not designed for public interaction with statues that way.  Another hundred yards at the Vietnam War Memorial, and it’s difficult to find anyone who visits who does not touch the wall of names, 58,000 dead.

These memorials, if not touching themselves, certainly invite touching, and are touched.

In Colorado we camped with a Boy Scout troop from Aurora , Colorado — our camp included the night of the horrible shootings in Aurora.  That week saw an unusual, three-way swing of good deeds involving Scouts from Aurora, Albuquerque, New Mexico, and Hurst, Texas, which I believe has not yet been told.    On the way to Colorado we stopped at the Oklahoma City Memorial to the victims of the bombing there; on the return, we visited Cadillac Ranch with what seemed like a hundred Kiwis and Aussies exploring our grand Route 66 — have you made that drive? — and the Kwahadi Indian Dancers who bravely revived the Ghost Dance, somehow without earning the ire of the 7th Cavalry.

A lot of asphalt under the wheels, a lot of clouds under the wings — but not a job under my belt.  I’ll post what I can, but other issues take time, as you might understand.

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Moonrise at Mammoth Hot Springs

August 22, 2012

Department of Interior erupts at Instagram again:

Moonrise over Mt. Everts, Mammoth Hot Springs, Yellowstone National Park - Dept of Interior photo

Moonrise over Mt. Everts, near Mammoth Hot Springs, Yellowstone National Park – Dept of Interior photo

Department of Interior tweeted that the photo was posted at Instagram — no other big details:

A full #moon rises over Mt. Everts near Mammoth Hot Springs in #Yellowstone National Park.

With more than 300 properties including the “Crown Jewels” of the National Parks, with employees carrying cell phones, it must be an interesting job to pick one photo to post on Instagram on any given day.  I wonder who makes the selection.

(I wonder whether anyone will glance quickly, and misread “Mt. Everts” as “Mt. Everest.”)

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Photos from just another day at Denali . . .

August 15, 2012

 

Interior Dept photo, America's Great Outdoors, Denali National Park and Preserve

Interior Department photo, America’s Great Outdoors, at Denali National Park and Preserve; photo caption from AGO said, “We’re not sure it’s possible to take a bad photo up there!”  Click for larger view.

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Update:  Interior tweeted another photo later today.

Denali Wildflower, U.S. Department of Interior

From the U.S. Department of Interior Tweet: This morning we gave you an amazing shot of #Denali. Would you believe this one is from the same place? Whether large or small, beauty in Denali is everywhere you look. #Alaska

Can someone identify the flower?